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Andrew Bird简介, v8 D/ b9 ?3 }- v! F
Andrew Bird是一位独特的民谣音乐人,这个出生于1973年的巨蟹座男人来自芝加哥,除了音乐,从没做过任何其他工作。他从4岁开始接触小提琴,受着学院派的古典音乐训练。他每天练习10到13个小时,直到手肘发炎;5岁就跟奶奶学习吹口哨。早在1996年,就以self-funding的姿态发行独立制作唱片的Bird,倚靠独特的古典乐背景,将弦乐与民谣摇滚完美融合。然而真正把口哨用在他的音乐里,是2002年。那次演出,他的乐队Bowl of Fire不能出席,他便硬着头皮一人带着乐器上阵,并尝试在演出时吹口哨,然而观众的反响出乎意料的好。直到现在,优雅的口哨声已经成为他音乐的标志之一。
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4 j: v5 s8 n f├─1992 - Music of Hair
+ w( e6 {+ O' s. n5 ~7 y│ 01 Nuthinduan Waltz.m4a
( \& _$ ?2 x3 l. ^& M! m& d│ 02 Ambivalence Waltz.m4a; c/ I& X8 d' J
│ 03 Oh So Insistent.m4a. e8 r# x) z# U4 Y& ^) R6 Z
│ 04 Rhodeoah.m4a" x- r$ P4 ^3 L' G$ ~; u7 u! u
│ 05 Two Sisters.m4a! p) Z! m2 d3 ?0 R, `+ x. w- a Q
│ 06 St. Francis Reel.m4a( D x4 u& U% e. g: n' `) I
│ 07 Ratitat _ Peter's Wolf _ Obliviou.m4a
- q( h. g( P. H! _; o6 a( }│ 08 The Greenhorn _ Exile of Erin _ G.m4a6 U8 I: D2 m6 Q/ E# ?
│ 09 Pathetique.m4a0 F/ ]$ c: d/ c! Y5 G
│ 10 Song of Foot.m4a
" W3 n; `- ~1 N& @% a│ 11 Minor Beatrice.m4a
+ _* f" z5 ~; j( h. r3 @│ 12 Oh So Sad.m4a2 t: l4 ?: J# ~8 V+ C& U/ i" E( f
│
7 M! o) L' `* ]9 L├─1998 - Thrills
* ?0 f s( M) V+ B: W. o5 o$ o│ 01 Minor Stab.m4a6 B. X0 B! A; M8 |1 H
│ 02 Ides of Swing.m4a: `) B; d( Z( z
│ 03 Glass Figurine.m4a
( ^; i$ W$ t4 v- M- f│ 04 Pathetique.m4a/ d! f. B1 U ~1 V" [! Y: ]
│ 05 Depression-pasillo.m4a% f" `, r' k/ Y
│ 06 50 Pieces.m4a
; D S2 k7 Q! \* H- s0 L. B│ 07 A Woman's Life and Love.m4a1 u0 R9 ], L5 {' y
│ 08 Swedish Wedding March.m4a
6 Y7 \0 r- e8 d3 Y│ 09 Eugene.m4a
3 f* ]& a9 Z$ B/ j" R" E+ U( t0 l│ 10 Gris-gris.m4a
3 s# m. i9 O* w7 Z9 O│ 11 Cock O' the Walk.m4a
3 j0 s. K4 c8 `% ~, W│ 12 Nuthinduan Waltz.m4a
+ h. _5 b+ |1 a) O0 J│ 13 Some of These Days.m4a% i! t( {9 I* A6 s; X5 F
│ 14 Chinatown, My Chinatown.m4a; ?3 i" _5 F5 m1 ]. `5 X% c
│ / N' g! m4 Q3 W$ E
├─1999 - Oh! The Grandeur
. b( ~' X- y4 F/ T│ 01 Candy Shop.m4a F/ f; Y x# D5 z- e W
│ 02 Tea and Thorazine.m4a, t4 _$ l5 X4 U
│ 03 Wishing for Contentment.m4a! }6 j% @. P* Q( {; A
│ 04 Wait.m4a; ~6 u/ R, ?+ H2 L9 G% N1 {* D
│ 05 The Idiot's Genius.m4a2 [$ t2 l; {) ]: s8 N, B2 u
│ 06 Vidalia.m4a4 j9 T' r- u' G6 e3 w7 E! |: ]3 T
│ 07 Beware.m4a
3 v; I* D2 x; R6 \3 C│ 08 Dora Goes to Town.m4a$ g! @- J) V4 t( I& D1 l0 S
│ 09 Feetlips.m4a
7 g; K+ P; n+ ?8 N1 v; H: x, h8 u│ 10 And So....m4a- T/ S' z3 c' z0 {& }( F
│ 11 Coney Island Shuffle.m4a9 I/ d+ u5 t4 ^$ u
│ 12 Respiration.m4a# L% m( G0 V$ \ j& n$ q) s
│ 13 (What's Your) Angle_.m4a1 D. s! i- W; _! f! F+ z) @
│ 14 The Confession.m4a7 D A0 f6 W/ ] [5 n
│ 15 Beware (Reprise) _ Drinking Song.m4a
* e$ ]; S: V! l, d& U# l# y│
$ N. T0 J6 M6 s3 m$ M2 a+ V# e├─2001 - Ballad of the Red Shoes - EP
; j# h. Q8 l5 D# Q│ 01 Theme 1 (Waltz).m4a
, k/ F i: Q6 x k│ 02 Something Sinister.m4a
/ @7 R+ m4 b7 C$ h│ 03 Chorus of the Swan.m4a
! ]7 p% C; [5 E$ q: h7 d4 A/ c│ 04 Theme 1 (Restated).m4a
% @6 c& J2 e# i│ 05 Dance of Death.m4a
/ g x" A: w8 t' b; `│ 06 The Door.m4a- j' k; k8 d+ P* I- K
│ 07 Swedish Folk Tune.m4a( K* A- R% N ^# V
│
# |7 |5 S9 _* x7 |6 E├─2001 - The Swimming Hour
7 U4 O5 N( n0 I│ 01 Two Way Action.m4a
. }- v, v, v6 G& }' \: L│ 02 Core and Rind.m4a3 ?3 M1 o2 N: K" r
│ 03 Why.m4a
" R7 q& b! v3 o0 w) b/ @- ?│ 04 11_11.m4a& y+ @5 y- w, {9 s M6 F
│ 05 Case In Point.m4a1 c3 B) \- y4 D }* X" {$ B T" J* T
│ 06 Too Long.m4a
9 n# q% @: i2 c+ O& }% o7 x│ 07 Way Out West.m4a
* Z& D. r$ ?9 @2 D) m: J. Z/ ~│ 08 Waiting to Talk.m4a% e2 ?% `* e+ b4 R' C1 \$ x5 E
│ 09 Fatal Flower Garden.m4a
# \1 p8 e6 F2 U│ 10 Satisfied.m4a' N0 h% Q, V0 e0 Q
│ 11 Headsoak.m4a# D; F+ b6 g) C: `( u
│ 12 How Indiscreet.m4a& \1 h0 I+ I" a5 e7 d* K4 d
│ 13 Dear Old Greenland.m4a
9 d. m; X8 x# v- f│
# H9 `+ ]7 A, Q, x% x2 W├─2003 - Weather Systems9 C9 C/ M e. C" |8 |9 j
│ 01 First Song.m4a
. V" [4 E4 l: F' y% m│ 02 I.m4a
/ [# U! n" \- \2 V9 ]- s│ 03 Lull.m4a
, r1 K1 ]0 M$ Y! g" @6 G│ 04 Action _ Adventure.m4a, W3 Q4 V" G% Y- U
│ 05 --_.m4a
6 T. q$ n' w+ P1 j4 U, b│ 06 Skin.m4a
; V- s7 I, M- y& W. H│ 07 Weather Systems.m4a
& F) T9 h# `# W2 y! l2 ?│ 08 Don't Be Scared.m4a; [0 Z+ A4 A7 k5 z
│ 09 _--.m4a
" G* D; n% E2 b, \: W$ ^; l│
* u/ n# W& e3 _& Q├─2005 - The Mysterious Production of Eggs' ]( m+ X. V; W5 W' @! r* b1 I
│ 01 Untitled.m4a
% S" v( j- ]: Q0 `+ P8 r│ 02 Sovay.m4a
. m+ ^( [$ \0 m( {│ 03 A Nervous Tic Motion of the Head.m4a7 {8 r: }7 j4 K8 }# U/ q
│ 04 Fake Palindromes.m4a
& r5 u% p3 o; R' @) v+ O│ 05 Measuring Cups.m4a2 J4 W$ B0 x# o9 L$ S6 x: [+ M9 \
│ 06 Banking on a Myth.m4a# ^5 Q2 ]2 e; |3 m8 w
│ 07 Masterfade.m4a; C% S1 `) e5 i
│ 08 Opposite Day.m4a
+ u) z6 a) v0 z% _+ m$ S( d│ 09 Skin Is, My.m4a
, ]4 R2 @6 k: w( v6 }' ~6 t% i" A│ 10 The Naming of Things.m4a
; Z% D) s$ z" b│ 11 MX Missiles.m4a$ T- g9 R! x7 f9 i5 V% a
│ 12 Opposite Day Reprise.m4a
# s, `# |- L1 b1 J4 n& \3 h& o│ 13 Tables and Chairs.m4a
( h/ ` Z2 P, F+ a│ 14 The Happy Birthday Song.m4a
7 i3 X8 U! x+ m, @# T│ * w: f8 a. a; z7 n& U6 Y4 z, B
├─2007 - Armchair Apocrypha
% M8 Y. o/ x) i" p│ 01 Fiery Crash.m4a4 m9 x. t/ L# C3 X+ Y9 |0 B
│ 02 Imitosis.m4a3 |7 E& F/ Y5 Q" s J0 a0 A
│ 03 Plasticities.m4a
) O# s6 J! L1 C; \7 t) m│ 04 Heretics.m4a
+ Y c+ ~5 }# o& ?' P│ 05 Armchairs.m4a! q9 @$ k3 Q1 r3 z5 e5 g+ p9 m
│ 06 Darkmatter.m4a6 y/ @' j8 z5 {% }
│ 07 Simple X.m4a8 [ |6 d0 u8 G, u' A
│ 08 The Supine.m4a
6 O- I0 ?( }. y2 l/ Z! {' w! ^│ 09 Cataracts.m4a
/ ~8 ?: H( @2 M' Q│ 10 Scythian Empires.m4a+ t/ P6 p- w5 \ Y5 Q3 m1 m+ l' c
│ 11 Spare-Ohs.m4a
! P% y- y& w1 h! o& c8 \% ?& M│ 12 Yawny At the Apocalypse.m4a
! W$ K5 R6 a" I│ # j" W( i# T, N+ K: L7 e2 j
├─2007 - Live At Austin City Limits Music Festival 2007 Andrew Bird
* _5 I# M# Q" N. m, ]│ 01 Anonanimal (Live).m4a
. i( [1 K7 j" F9 M│ 02 Fiery Crash (Live).m4a' v, p3 F# [/ D9 R5 F! W
│ 03 A Nervous Tic Motion of the Head.m4a
) _7 z% y: p% I: r4 s│ 04 Plasticities (Live).m4a6 s/ _; K: R( N/ |. A% \3 @
│ 05 Scythian Empires (Live).m4a
8 E: P! X( C; W0 {) ]│ 06 Heretics (Live).m4a
6 L5 \# ^3 A6 s1 {- x│ 07 Simple X (Live).m4a* ^" Y: S; Q }9 M
│ 08 Imitosis (Live).m4a
* q1 s" g* {. I N+ \│ 09 Fake Palindromes (Live).m4a
" C! R* W5 w) G! v) k│ 10 Skin Is, My (Live).m4a; N! s I% e1 P2 W( a
│ 11 Darkmatter (Live).m4a" b1 F5 u$ b" D4 P# ^" b
│
* h1 f# F% d+ M5 M├─2008 - Soldier On& @' r' w; B$ z; x* @% A0 `$ f# [
│ 01 The Trees Were Mistaken.m4a& L* V; E1 a2 D2 L( v
│ 02 Sic of Elephants.m4a! K& }! A, @" N; f7 |
│ 03 The Water Jet Cilice.m4a
n% B$ |! n1 n1 I│ 04 Plasticities (Remix).m4a+ U- }$ m6 O. A! y9 l
│ 05 Heretics (Early Version).m4a( x2 l* M- j. q" Z* L
│ 06 Sectionate City.m4a
, B7 I; f& _8 i$ l; q│ 07 How You Gonna Keep 'Em Down On th.m4a, c1 U0 s& }& @' x2 }- J' c- m2 s0 z
│ 08 Oh Sister.m4a" E- x' _# m+ v* ]
│ , E3 C2 j/ `. N# e, v* R
├─2009 - Anonanimal See the Enemy - Single
- t4 B* q ^# R; P# ?│ 01 Anonanimal.m4a
; Y; V: F4 m; l v% S* i$ A│ 02 See the Enemy.m4a
9 {2 @- x, K" J6 U; q( D│ 4 p$ J: y, V/ j8 Y' w( A0 F5 R- Q
├─2009 - Noble Beast3 x! \% p s" i' G+ `
│ 01 Oh No.m4a
9 t* q1 ~& m- v$ \│ 02 Masterswarm.m4a, ^' v' N; s! @8 T; M+ |8 F8 }( n
│ 03 Fitz and the Dizzyspells.m4a
9 X7 _% r" r D# v% U8 m│ 04 Effigy.m4a' X; u9 e* T; q- ^* d
│ 05 Tenuousness.m4a2 a5 `. x- N: r9 v
│ 06 Nomenclature.m4a8 d* Y" I, U% w3 F- ?& i. F$ \
│ 07 Ouo.m4a0 ?; o) v. L: f ^- Y4 ~ Q+ ~/ v" r
│ 08 Not a Robot, But a Ghost.m4a
/ Q* D/ S; v1 W/ \% L6 @6 S. z3 m8 ~( h│ 09 Unfolding Fans.m4a5 }9 B# E& M. C- O6 y
│ 10 Anonanimal.m4a# ^! D* X- K& j1 S2 L ^, ^
│ 11 Natural Disaster.m4a- ~* T% o7 S5 L7 j. Q
│ 12 The Privateers.m4a: W$ L4 d5 f5 ^
│ 13 Souverian.m4a
) ^5 k/ V* _0 W$ w│ 14 On Ho!.m4a- W$ H: m- V! s& J
│ 15 Section 8 City (Bonus Track).m4a
) o( @$ }- U# ^8 o│ Digital Booklet - Noble Beast.pdf% @4 c7 L+ M' {. \% U" ]3 O
│ ; o4 Q2 w; t' N Y: K8 h6 R: x
├─2010 - Useless Creatures
1 u- S# h1 ]% n" l, }" c│ 01 Master Sigh.m4a
9 M; X, F" p7 w+ q4 v│ 02 You Woke Me Up!.m4a
; x x. X3 i4 `- g' _; X│ 03 Nyatiti.m4a
* d/ ~! V1 U$ j, x, q% b│ 04 The Barn Tapes.m4a- \ T4 _% K% ?& @# f }: E
│ 05 Carrion Suite.m4a& F* ^; r4 x: t2 }. c, J
│ 06 Spinney.m4a3 w6 R& [, h' H+ k
│ 07 Dissent.m4a m' e' P+ I; l7 i
│ 08 Hot Math.m4a
5 z) l- i; U+ V0 Z4 m5 J│ 09 Sigh Master.m4a
" J7 w1 A; i3 c$ F" ~& ^; m- y│
2 u2 [/ `9 R! o5 X├─2012 - Break It Yourself
/ u5 _2 u8 V& w; p3 D( }│ 01 Desperation Breeds ....m4a
( x5 x+ o+ w5 N* {- {; C4 \/ c5 C│ 02 Polynation.m4a) S& p4 \+ B) ~& x8 w; Q# D7 V2 a
│ 03 Danse Caribe.m4a+ O, I( P5 E& `
│ 04 Give It Away.m4a2 y1 T1 B+ P0 Q/ z; F4 _" m% K! V
│ 05 Eyeoneye.m4a
& G) x0 L3 F' D `! g! A│ 06 Lazy Projector.m4a, c, ^5 |, k% C+ E( D2 e1 J( S- q
│ 07 Near Death Experience Experience.m4a
4 @ p8 w# d. Z! J7 c" S8 D$ v: ]/ }│ 08 Behind the Barn.m4a
5 w8 Y, A, g0 U3 @8 R│ 09 Lusitania.m4a. {/ N. d0 s6 \9 v. W
│ 10 Orpheo Looks Back.m4a
6 f$ H- n1 v4 C4 o' [│ 11 Sifters.m4a8 K j( I* i2 F1 x% Z
│ 12 Fatal Shore.m4a
: Y, B, I) i3 q9 A0 f$ f, s│ 13 Hole in the Ocean Floor.m4a
$ v; e1 b1 d' F& u& p' e│ 14 Belles.m4a' T: Q9 O2 z7 D
│ Digital Booklet - Break It Yourself.pdf* J2 o$ N6 S2 ]' ]
│ 1 _0 [) i! H0 T6 |; G8 K6 _
├─2014 - Things Are Really Great Here, Sort Of0 v- |' J# X+ N2 R5 E
│ 01 Cathedral in the Dell.m4a5 O) F% i- d$ s H$ _4 h
│ 02 Tin Foiled.m4a
# o5 v( ]& S9 H. a$ m│ 03 Giant of Illinois.m4a7 y9 Y) a" t3 E1 u, p
│ 04 So Much Wine, Merry Christmas.m4a9 X# k& u9 t# r$ V) g* B0 B! b5 Q
│ 05 My Sister's Tiny Hands.m4a
3 S! D& N+ Q) u. t│ 06 The Sad Milkman.m4a7 F# c. O5 K4 _6 n3 B8 p
│ 07 Don't Be Scared.m4a
) c0 t0 q0 u6 a7 \+ z│ 08 Frogs Singing.m4a( v0 k+ @$ ^. [" y' v
│ 09 Drunk By Noon.m4a
- W9 M' B k( a4 ~5 i│ 10 Far From Any Road (Be My Hand).m4a
5 u U. i' K0 Z& f4 K0 F│ * ~1 E, t/ |6 a$ z/ b) q
├─2015 - Echolocations Canyon ^. u4 w* J9 `9 Q/ P: v3 O0 W4 z
│ 01 Sweep the Field.m4a( ^: T p7 o) z$ Q1 t' h
│ 02 Groping the Dark.m4a' u8 z# t7 u; l
│ 03 Rising Water.m4a J6 s% I+ R! S
│ 04 Antrozous.m4a
( q8 \& R. \0 P/ ?! v' x7 |7 W* _│ 05 The Return of Yawny.m4a+ y0 I! J" K2 d. Z/ ?! j# D
│ 06 Before the Germans Came.m4a
6 u( M/ R; f% J. \- u: l& {8 R1 ]8 U│ 07 The Canyon Wants To Hear C Sharp.m4a; F- m9 G. n- n1 c
│ ) T0 Y, M# [% e! W
├─2016 - Are You Serious (Deluxe Edition)* p) t. Z# u& x- M
│ 01 Capsized.m4a1 n- x& ?! I9 i: T
│ 02 Roma Fade.m4a
3 q( E$ D1 \" k" Z0 h│ 03 Truth Lies Low.m4a& T7 R3 z8 b4 q$ |9 d4 U* D( k2 \
│ 04 Puma.m4a7 }1 c' G6 T: b5 T
│ 05 Chemical Switches.m4a
% i( }0 ]& \8 H; @4 h$ i/ ~9 F: W* B4 h│ 06 Left Handed Kisses (feat. Fiona Apple).m4a1 U1 R: X3 D; m% S7 _
│ 07 Are You Serious.m4a
6 A9 }) U0 x2 p/ _* G o│ 08 Saints Preservus.m4a
, X6 R+ |3 c9 {4 x2 \* C( Q9 {│ 09 The New Saint Jude.m4a0 l7 c7 @( }$ a; z6 y9 a3 ]/ h
│ 10 Valleys of the Young.m4a
. @8 }8 H, v( q4 J# H│ 11 Bellevue.m4a: D6 j1 A3 y; S3 A- n' }4 J$ k+ _
│ 12 Shoulder Mountain.m4a
( m1 w, r3 e9 O. M% e. x│ 13 Pulaski.m4a
& a" f, g5 b: t* a2 f/ ~│ % t5 p0 q% q! w1 P# S' \
├─2016 - Are You Serious (Deluxe Edition) [Matered]
6 a3 Z4 S! f; C# u, C8 H│ 01 Capsized.m4a
; B7 v8 u& J' \9 I+ T3 U│ 02 Roma Fade.m4a1 v0 S @1 I' ?. [, l5 ]
│ 03 Truth Lies Low.m4a
. A0 _$ N/ \3 u! G# k. Q$ v│ 04 Puma.m4a% b: m% C) q* T) q' G
│ 05 Chemical Switches.m4a# Q2 x" ~; g9 J# o5 n5 S& ]
│ 06 Left Handed Kisses (feat. Fiona Apple).m4a$ @& G! s z# v
│ 07 Are You Serious.m4a
! \/ I( b6 ]3 c& [" ]│ 08 Saints Preservus.m4a9 }' D! ?0 h# F
│ 09 The New Saint Jude.m4a
0 s& Z8 b$ d5 S+ A* d' k8 z$ T│ 10 Valleys of the Young.m4a1 g6 ?3 x3 u& i" w( n6 y1 U
│ 11 Bellevue.m4a
! O" Z. M3 v! X' C8 @* @( p R│ 12 Shoulder Mountain.m4a% j5 `! ?+ k3 e1 f9 w7 d+ n
│ 13 Pulaski.m4a" E ~$ Y3 n: Z! A1 ?+ q
│
; }8 v* s; S8 N/ k S" O7 T├─2019 - My Finest Work Yet
, g( l. U8 W( `) G. W│ 01 Sisyphus.m4a% [; v, O: S1 o8 U8 ?$ G6 x
│ 02 Bloodless.m4a5 t5 ^* x: g% B6 z* r
│ 03 Olympians.m4a) K3 X' G2 U6 R* A% I0 _
│ 04 Cracking Codes.m4a' v2 O$ H$ Q# h6 |: ] ~0 S
│ 05 Fallorun.m4a
: n4 B5 V+ T$ v4 A, f' ~│ 06 Archipelago.m4a
) U B4 l! U" }│ 07 Proxy War.m4a# }5 w0 `3 |8 f1 p
│ 08 Manifest.m4a' E. m ]. b" `; J. g. w
│ 09 Don The Struggle.m4a
/ Q% `* E$ V# C) J- M m2 I│ 10 Bellevue Bridge Club.m4a
+ L4 x1 T# Z9 D+ r│
0 h; C6 ]) _* J+ h2 } ?, T├─2020 - HARK!
- S' l. `2 n* H* a2 c6 l│ 01 Andalucia.m4a1 V& R5 `! ~: z4 R. g7 l
│ 02 Alabaster.m4a
: s3 v/ Y( b/ n│ 03 Greenwine.m4a3 O! t5 k/ S8 g s% w7 t/ A
│ 04 Christmas in April.m4a7 s+ l2 ~8 x5 C; W/ |
│ 05 Souvenirs.m4a
! H1 T; Z9 Q. `! [1 W( h│ 06 Oh Holy Night.m4a
X& A9 U* R0 G│ 07 Mille Cherubini in Coro.m4a* i: G- @0 J( V+ F; Y3 w
│ 08 Night's Falling.m4a1 s" `- B8 Q! q* k. l" @/ l6 ?
│ 09 Glad.m4a$ D2 A8 j, q. x3 g
│ 10 Christmas Is Coming.m4a
. Y8 m0 y, q5 h* y* Q│ 11 White Christmas.m4a# n' C+ X9 X3 C3 Y7 W0 J. w( K% t w
│ 12 Skating.m4a
: u" ^6 Y3 h# V' j1 S2 \3 o- `' t- D│ 13 Auld Lang Syne.m4a- ^- q: t9 J/ z9 ~( O: B( J2 a
│
2 m( ?0 n I. L% P. j) s9 E├─2021 - These 13
/ f. S3 e3 z2 e3 V6 B; }, M: p+ L│ 01 Poor Lost Souls.m4a, J) E D& y7 B/ K: @
│ 02 Sweet Oblivion.m4a
2 `2 p7 F }* P( l3 j+ e│ 03 Encircle My Love.m4a6 \; }- w2 e# d
│ 04 Beat Still My Heart.m4a
3 d* I, i4 a5 j$ T│ 05 Red Velvet Rope.m4a
! X) n5 N1 _$ H/ x9 G│ 06 High John.m4a/ A& C( t$ E. L) k: E
│ 07 Stonewall (1863).m4a% y, R$ @6 Z) v& \
│ 08 Bright Sunny South.m4a
+ t: z3 V3 k" K: ?1 y│ 09 Bell Witch.m4a; _7 n2 ~& a# N/ Z
│ 10 Dig up the Hatchet.m4a* a1 n6 X! H- q, Y
│ 11 Jack O' Diamonds.m4a/ J$ j' v4 L/ v% I
│ 12 Burn the Honky Tonk.m4a* G0 |3 d, m4 _, ?
│ 13 Three White Horses and a Golden C.m4a
& E% Q+ ?$ I4 v9 u! \│ , h0 n9 V) x5 {6 f I. D' h( ]
├─2022 - Inside Problems
7 W- Z9 n4 q; a+ E3 b│ 01 Underlands.m4a. P% f1 m f" x8 L
│ 02 Lone Didion.m4a8 u* [" N2 ]" i+ O. k, p/ F# B, g
│ 03 Fixed Positions.m4a# o$ w# {# a: y6 p* n3 P
│ 04 Inside Problems.m4a
- i3 P6 q8 U$ i) [! l; [│ 05 The Night Before Your Birthday.m4a
# i& E, s* L( |1 Z: z│ 06 Make a Picture.m4a
4 o2 X' [. f" k$ W, O7 S- L│ 07 Atomized.m4a; z& e3 o0 c" Z. U1 b0 P
│ 08 Faithless Ghost.m4a- } N; c' T: s- `& z `
│ 09 Eight.m4a S$ o6 ?5 c& _0 v2 o& @+ ]
│ 10 Stop n_ Shop.m4a1 W8 T" r7 P" e: L( N( X
│ 11 Never Fall Apart.m4a
. l+ A( w7 v4 q- [4 [│
; d# e' q; A# M" K+ C└─2023 - Outside Problems
2 w5 T) q2 P E% Z, b 01 Mancey.m4a4 R! f; O! p; \3 y
02 Epilogue.m4a
1 u r3 V9 Y5 c0 h) M) f9 w+ ` 03 Festivus.m4a
4 k |) c; P; i' `0 l 04 What We Saw.m4a
/ G! m' d+ A3 W1 ] 05 Mormon House Party.m4a
2 F$ f2 Q( w7 P. t! Y8 P 06 Mo Teef.m4a
- R) ]1 w0 g, x4 W* T- a3 Z3 K 07 Heaven_s Boughs.m4a" D. L$ }, v9 S9 V
08 Improvisation on a Familiar Theme.m4a5 |9 _+ J5 i8 a h2 |
09 Tik Tok.m4a5 \5 n6 b& `# t! ~7 `, d/ N
) P2 O; S7 E. }" L2 ~ N
0 n8 D% F) S- H' z" H
& ~/ C( g% z% H1 B1 V
! n( a) N8 ^, S& U" ~% {2 m# m4 W) N# k, [! E8 p6 t S Y
: A* \; C' J; q, H
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. ?8 a3 H* Q1 h- A
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