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; i Q' ~ W6 V$ q) `The Clash简介4 P, y, _; E8 h2 I5 c9 `6 z7 O
The Clash（碰撞）乐队，成立于1976年，是英国庞克摇滚浪潮的最初成员之一，也是这一时期在商业运作上最为成功的朋克乐队。最初是一支政治反叛乐队，然后乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。尽管后来他们逐渐偏离了朋克的路线，但他们的首张同名专辑已经成为了朋克摇滚的圣典，而1979年的专辑《London Calling》更被众多的摇滚评论家推为有史以来最好的摇滚专辑之一。' P2 g$ P( M/ i! [& j+ w9 O
/ k( q6 a I5 c2 Z" r' F乐队介绍
) G& U% Y* p& ~9 T$ p$ B风格：British Punk（英国朋克）、Punk（朋克）、New Wave（新浪潮）同时尝试过雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风 ' ]: k5 U5 V3 Z' c+ z7 n4 d
主要成员：乔·斯特拉莫（主唱、节奏吉他）、米克·琼斯（主奏吉他、副唱）、保罗·西蒙（贝斯、合音、偶尔的主唱）与尼基·黑登（鼓、打击乐） 2 V3 G. X3 n' P, x7 N4 C
成立于1976年的英国庞克乐队，是英国庞克摇滚浪潮的最初成员之一。除了庞克摇滚之外，冲撞乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。他们的主要阵容，是以乔·斯特拉莫（主唱、节奏吉他）、米克·琼斯（主奏吉他、副唱）、保罗·西蒙侬（贝斯、合音、偶尔的主唱）与“上等货”尼基·黑登（鼓、打击乐器）组成。黑登于1982年离团，隔年琼斯也因团内不合而求去。冲撞乐队在加入新成员后维持了一阵子，但仍于1986年初宣告解散。$ {/ Z# y+ ]6 }8 k) {
/ |/ f* u& ^# @: I. \主要成就3 f" }/ @% D6 F
冲撞乐队1977年发行的首张同名专辑，便让他们在英国开启了成功的大门。
6 j+ v1 r' }. }( ^. D1979年12月，他们的第三张专辑《伦敦呼唤》发行于英国，隔月发行于美国后，冲撞乐队在美国的人气暴涨。《伦敦呼唤》得到了评论的一致喝采，其十年后并被《滚石杂志》宣布为1980年代的最佳专辑。
" }9 H& f# R# Z冲撞乐队政治化的歌词、音乐上的实验与叛逆的态度，为摇滚带来了深远的影响，尤其是另类摇滚。他们被唤名作“唯一重要的乐队”，其原是他们唱片厂牌哥伦比亚唱片所创的宣传口号。2003年1月，冲撞乐队－－包括最初的鼓手泰利·柴姆斯－－受邀入摇滚名人堂。2004年，《滚石杂志》将冲撞乐队列为史上百大歌手第三十名。
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├─1977 - The Clash
7 A# G8 } p, J; \! n/ _% N9 S│ 01 Clash City Rockers.m4a8 _# T: p3 C( A: X. `
│ 02 I'm So Bored With the U.S.A..m4a
) ?+ _; E; j, M7 W4 G& M/ Z│ 03 Remote Control.m4a
( V* q6 ?) n* D" V9 U! Z3 [4 w4 x│ 04 Complete Control.m4a
' _6 F3 [; ]; Q$ j3 }│ 05 White Riot.m4a
7 p: s/ M. ^* l7 r) {, { s! C│ 06 (White Man) In Hammersmith Palais.m4a" _6 ~% `" |3 l: w/ |0 V; l5 l! ]& |4 C
│ 07 London's Burning.m4a
) g7 ^3 Q2 Q2 a3 h9 ?9 C5 r│ 08 I Fought the Law.m4a
, l# O/ K) o. L$ H3 D, m│ 09 Janie Jones.m4a
@4 H' z2 ^- H* V│ 10 Career Opportunities.m4a& F1 \$ [3 c, a C
│ 11 What's My Name.m4a
: O0 X& j3 q, F: S2 E│ 12 Hate & War.m4a
. B; Z* ]8 ?7 q# f& A( T* O│ 13 Police & Thieves.m4a6 ^: N1 I, @& i* N) a
│ 14 Jail Guitar Doors.m4a; u, T+ u# b, u, e4 L* U
│ 15 Garageland.m4a+ L3 N7 p0 [4 c
│
- ~" |$ `0 `7 R$ f) B├─1978 - Give 'Em Enough Rope' V: x m& V- z. S$ `
│ 01 Safe European Home.m4a9 W4 k6 Q3 V! i" [. s
│ 02 English Civil War.m4a6 }6 L9 \' I' V2 \# H, Z2 J: a
│ 03 Tommy Gun.m4a* [" H5 M) Q( g6 {
│ 04 Julie's Been Working For The Drug.m4a
: L! q6 {0 T' j, L6 Q2 s# y, |│ 05 Last Gang In Town.m4a$ a7 V j) M# Q+ E8 D3 }
│ 06 Guns On The Roof.m4a9 B+ x ?1 a9 C( n! h6 ^( ~
│ 07 Drug-Stabbing Time.m4a
1 W' X% m9 _1 N4 i% _│ 08 Stay Free.m4a
' |* b: K6 u0 H x: G│ 09 Cheapskates.m4a8 {9 b$ x! M% h* G7 G
│ 10 All The Young Punks (New Boots An.m4a4 i; \" r$ s0 W6 M2 @
│
2 Z$ Z1 N$ C, M4 Z* G6 H├─1979 - London Calling/ Y& G* H; `2 l, J
│ 01 London Calling.m4a
$ T& a$ H6 h; \8 O2 K$ N│ 02 Brand New Cadillac.m4a3 y0 A, u: Z: e6 {3 Y
│ 03 Jimmy Jazz.m4a
0 {2 @) l! c+ V. P$ S, `│ 04 Hateful.m4a5 P, s! h% M1 T
│ 05 Rudie Can't Fail.m4a9 {3 y0 O, A# p# X
│ 06 Spanish Bombs.m4a
- j# y6 Q, i6 m: O; `7 e│ 07 The Right Profile.m4a
7 x6 B7 U% i: a6 L! X- [│ 08 Lost In the Supermarket.m4a
; m. J. d5 W5 D2 s2 y7 b2 N│ 09 Clampdown.m4a; m+ ]' ~* B/ P8 A1 c8 u
│ 10 The Guns of Brixton.m4a i: v$ }3 X! r0 C1 Y
│ 11 Wrong 'Em Boyo.m4a
! ?) } m8 g9 ]! I. K│ 12 Death or Glory.m4a
) T6 I" g7 m3 N& q- ^( W, t│ 13 Koka Kola.m4a2 ]* ^/ [ f8 \% B
│ 14 The Card Cheat.m4a. e! ~7 M' M7 _# l/ c' r
│ 15 Lover's Rock.m4a' T$ f: I4 Y& O; n, q: A
│ 16 Four Horsemen.m4a! S( g' ]! X# h! ^3 W% t# o8 j
│ 17 I'm Not Down.m4a
* D, P; X3 Y' K7 E! h│ 18 Revolution Rock.m4a6 U9 J9 J: L0 t \
│ 19 Train In Vain.m4a
7 B9 m' I8 s. o0 R│ l( ?& b4 y! b5 c' J* l: ^% `
├─1980 - Sandinista!
- C7 h4 t: r' g W3 a% J9 z9 G│ 1-01 The Magnificent Seven.m4a9 x# i9 L# L, I( v/ X+ A o$ X
│ 1-02 Hitsville U.K..m4a
$ c, a3 S7 L- H( Y│ 1-03 Junco Partner.m4a
% [6 U9 ]5 G) L2 R1 H5 g│ 1-04 Ivan Meets G.I. Joe.m4a
+ p2 x% C7 W- B9 U: Z; Z│ 1-05 The Leader.m4a
2 X' j+ ]# b `8 g│ 1-06 Something About England.m4a
9 i! ^/ S4 x6 F│ 1-07 Rebel Waltz.m4a
' }. [2 w4 c$ N; W- {6 L│ 1-08 Look Here.m4a
* h: j6 \( G6 z5 F1 c3 c: h) C# I0 P+ ]│ 1-09 The Crooked Beat.m4a
% B( {% i6 Q, M│ 1-10 Somebody Got Murdered.m4a4 u$ x2 s( J* D7 d
│ 1-11 One More Time.m4a# t% K0 w+ r1 X3 z; u. y: x+ [0 F
│ 1-12 One More Dub.m4a
7 |, e O3 g+ W6 z- f; K; ~, |│ 1-13 Lightning Strikes (Not Once But Twice).m4a: R. O0 O9 n# R" X" d
│ 1-14 Up In Heaven (Not Only Here).m4a) o4 ~1 W4 |4 V0 A
│ 1-15 Corner Soul.m4a
/ x8 p: A4 O! u& s! h' x│ 1-16 Let's Go Crazy.m4a8 a& M# w" y, c/ m0 z3 }
│ 1-17 If Music Could Talk.m4a( U9 K* N* M3 d: d
│ 1-18 The Sound of Sinners.m4a- d& \6 q' L4 g
│ 2-01 Police On My Back.m4a( k. w! `# a6 [& P0 z/ p
│ 2-02 Midnight Log.m4a
8 ]+ f; L- M* F" @% F0 k/ J│ 2-03 The Equaliser.m4a5 y. g9 R& D5 G/ w. c. y* R: k
│ 2-04 The Call Up.m4a; {( i; p7 y0 [+ ]2 c
│ 2-05 Washington Bullets.m4a t1 P% @6 D% F3 B5 d
│ 2-06 Broadway.m4a. F! q1 Y' |+ o4 p( {6 {* V
│ 2-07 Lose This Skin.m4a
7 U8 K) `3 J: C) P; C│ 2-08 Charlie Don't Surf.m4a% n* @; }" {* ?& d# s! O
│ 2-09 Mensforth Hill.m4a- R9 O0 ^* l+ u, E% }
│ 2-10 Junkie Slip.m4a
% x+ p7 h5 Q3 m4 m2 h. Y7 O# ~1 }│ 2-11 Kingston Advice.m4a- V" l2 i9 x+ y* c3 \. L
│ 2-12 The Street Parade.m4a# y* h; I! e' } J# Q
│ 2-13 Version City.m4a
1 ]& `; d8 [$ L0 Z. {5 v4 B. s│ 2-14 Living In Fame.m4a$ z$ r* U0 s* V4 C" u
│ 2-15 Silicone On Sapphire.m4a2 O% T! T5 n! u! @
│ 2-16 Version Pardner.m4a
+ x. M0 Q; ^: D3 ], p│ 2-17 Career Opportunities.m4a# Z7 t: d, _0 n+ Q7 ^7 D, `: _6 s
│ 2-18 Shepherds Delight.m4a
9 ~# q- @4 d+ a @- N: g9 ~9 d0 K│ # @9 T% V: c9 W* F9 X! h% L9 e
├─1982 - Combat Rock
, n; g4 B3 ?1 x/ r/ t+ J) M+ P1 F│ 01 Know Your Rights.m4a
3 K" [9 q, }3 @6 {; x│ 02 Car Jamming.m4a, |: {# T7 B% T0 R
│ 03 Should I Stay or Should I Go.m4a
9 J4 a/ L% }# g: r│ 04 Rock the Casbah.m4a8 m, w, d5 w9 i
│ 05 Red Angel Dragnet.m4a
- j, J8 t) _" N3 [│ 06 Straight to Hell.m4a$ @0 B3 @4 _ [- d0 }" x
│ 07 Overpowered By Funk.m4a. e* s; v. U8 ]: [
│ 08 Atom Tan.m4a
% W3 H E% l% w* Q* E│ 09 Sean Flynn.m4a: y! o7 c- @0 I' ^) I
│ 10 Ghetto Defendant.m4a
7 J2 m" K2 Q0 }: i0 C│ 11 Inoculated City.m4a
( W" u% H: c% D│ 12 Death Is a Star.m4a
" O: c+ l% e8 x' r7 l4 n4 ~$ h6 q│
: f) B+ Y. S' V├─1985 - Cut the Crap" W4 T' ~2 H' V+ t5 G
│ 01 Dictator.m4a
* T: O) ]" {7 J, D│ 02 Dirty Punk.m4a
5 ?; z" R( l9 A- |- `│ 03 We Are the Clash.m4a
- m" c9 m5 d7 U4 g0 a0 o5 v│ 04 Are You Red... Y.m4a. ^. Y$ J X1 y7 G% g) b6 K
│ 05 Cool Under Heat.m4a7 Q8 D# O& Q* [0 o
│ 06 Movers and Shakers.m4a
5 v; u7 \2 m; c; ]3 Q4 J│ 07 This Is England.m4a$ W! @/ _/ m( Z$ p
│ 08 Three Card Trick.m4a# b7 Y; S& d- S. f- k5 U3 d
│ 09 Play to Win.m4a
5 U* `+ Z+ p- u1 A) A0 c│ 10 Fingerpoppin'.m4a2 w4 k1 ]) E$ Q: c$ p% @
│ 11 North and South.m4a, B4 ]$ x- U9 ]2 o. I+ s6 \
│ 12 Life Is Wild.m4a
3 q$ a+ A( V' k, E K│ 13 Do It Now (Bonus Track).m4a3 h6 ?- d9 |* f7 ]; r+ }
│ ' U' f5 N5 C1 }4 {( l: m! u
├─1991 - Clash On Broadway- ] k& k" A6 S* p: M! C
│ 1-01 Janie Jones (Demo).m4a
+ X) D- M1 b5 I' @2 Y│ 1-02 Career Opportunities (Demo).m4a
+ E0 Z2 y5 q& p h5 p- R│ 1-03 White Riot.m4a
/ Z1 E3 ?0 B* n" q6 F7 U│ 1-04 1977.m4a! {5 T/ r Y+ ~) z" D, x; Q4 z
│ 1-05 I'm So Bored With the U.S.A..m4a
* d r5 x) ^/ {! P│ 1-06 Hate & War.m4a
% u2 s" L3 [1 ~, b" U h+ X│ 1-07 What's My Name.m4a" Z+ _' d* H. Q+ j
│ 1-08 Deny.m4a8 P4 u6 M1 i& T. F2 D
│ 1-09 London's Burning.m4a7 ], `5 q; T( W
│ 1-10 Protex Blue.m4a
4 C6 g' l6 H" G+ A│ 1-11 Police & Thieves.m4a
9 p2 h' s; X- g1 w4 d4 W7 {5 ^# x│ 1-12 48 Hours.m4a2 O- d1 F R1 j% Z0 C
│ 1-13 Cheat.m4a
8 K% {6 h8 A; D│ 1-14 Garageland.m4a0 k" T4 N; L6 W; V0 q$ c
│ 1-15 Capital Radio One.m4a
; a0 A% u# i9 C J( |" I│ 1-16 Complete Control.m4a# V/ P% |# u, b% ?
│ 1-17 Clash City Rockers.m4a
! P2 t6 N: p1 ~, e: F│ 1-18 City of the Dead.m4a
& R( x: L8 O; I; s% f5 D# g│ 1-19 Jail Guitar Doors.m4a* F- k: E' p, f$ T8 a5 X
│ 1-20 The Prisoner.m4a
# N9 u8 ]' r0 ]│ 1-21 (White Man) In Hammersmith Pala.m4a
1 t+ ?2 M& Z7 z6 t% w( u│ 1-22 Pressure Drop.m4a, A4 k7 L) ^$ V$ e, D$ ~: {0 _' Y
│ 1-23 1-2 Crush On You.m4a3 d. f8 e* R: G
│ 1-24 English Civil War.m4a8 o- j# f, F. ]3 Y0 W7 E2 ^4 x
│ 1-25 I Fought The Law (Live).m4a
$ y7 o8 o+ |# l1 _│ 2-01 Safe European Home.m4a
6 m0 V% |+ D" c$ {1 P% O│ 2-02 Tommy Gun.m4a! k+ ]* X- L8 L3 \6 m! ? G
│ 2-03 Julie's Been Working for the Dr.m4a
c' j/ @+ g* R4 o; A5 F│ 2-04 Stay Free.m4a
4 [* U% n' l# O8 ]9 q! U1 ~│ 2-05 One Emotion.m4a: p- z( f5 u i. ]$ F- N9 K" s
│ 2-06 Groovy Times.m4a
& ^8 W! s2 @% G! B Z, z9 s7 J│ 2-07 Gates of the West.m4a* {% |" g8 w/ ~. i/ L$ x; r
│ 2-08 Armagideon Time.m4a
6 [' n+ r9 C/ F% S│ 2-09 London Calling.m4a; A4 e: g! n0 v4 v
│ 2-10 Brand New Cadillac.m4a* J D0 G" p) R' s4 U
│ 2-11 Rudie Can't Fail.m4a- ]8 x0 ~/ M) @% D9 F$ p- G
│ 2-12 The Guns of Brixton.m4a
- {& W$ d# B' q8 C6 \* X! _│ 2-13 Spanish Bombs.m4a
. |$ m8 {, M" X/ o: m; w' M/ D│ 2-14 Lost In the Supermarket.m4a
$ C+ r, C. U3 t2 [' z- c9 e│ 2-15 The Right Profile.m4a
2 A* [3 _3 t' {$ b* w% _% w& h/ Q│ 2-16 The Card Cheat.m4a
r9 u6 z- t' A# \ o│ 2-17 Death or Glory.m4a
& V+ a# W5 Q' w% U1 h2 H$ b6 M│ 2-18 Clampdown.m4a: k: ~4 {; Z$ @5 n) a
│ 2-19 Train In Vain.m4a7 }; y- j: u. L( a- p: V) J. e' e
│ 2-20 Bankrobber.m4a/ ], U2 C9 O- Q ?0 j
│ 3-01 Police On My Back.m4a
' Q% G5 D6 f7 Q: k% L. T│ 3-02 The Magnificent Seven.m4a0 J1 \( F7 u# a
│ 3-03 The Leader.m4a2 U8 v' m' D; z$ v1 R m9 e
│ 3-04 The Call Up.m4a7 p' D; |4 K% s. d+ P) l' B6 S; d
│ 3-05 Somebody Got Murdered.m4a
( ^* @) n1 |& t( R6 Q9 Y+ n+ b│ 3-06 Washington Bullets.m4a! S9 O) a4 U! W6 i7 L3 `
│ 3-07 Broadway.m4a/ b# E2 [. m7 i
│ 3-08 Lightning Strikes (Not Once But.m4a
2 A- O9 g- H+ D0 j│ 3-09 Every Little Bit Hurts.m4a- D: J9 k/ u/ M7 u
│ 3-10 Stop the World.m4a
+ s+ M% R* G( B5 u8 o│ 3-11 Midnight to Stevens.m4a
- ~( B. {; N9 D0 @│ 3-12 This Is Radio Clash.m4a
1 B) u0 P7 b; h* j# p│ 3-13 Cool Confusion.m4a
% e, E* c, C' i& N# w│ 3-14 Red Angel Dragnet.m4a
6 |% I6 V9 l; ~% p7 r& `│ 3-15 Ghetto Defendant.m4a; C" ~, D: s( D/ N4 z. S
│ 3-16 Rock the Casbah.m4a9 T4 Y1 m+ x6 Z- N
│ 3-17 Should I Stay or Should I Go.m4a
! c! ^ U+ W+ w+ x/ f7 Y│ 3-18 Straight to Hell.m4a0 ^$ ?, e- F* J8 o' }# e
│ 3-19 The Street Parade.m4a
0 o$ k5 g) F U│
! E7 S$ ~3 Y. g/ I├─1991 - London Calling (30th Anniversary Edition)
+ O7 E% T: b: T/ {& L7 L; T│ 01 London Calling.m4a, q5 |1 p9 H, _ I8 C! `# b$ ^
│ 02 Brand New Cadillac.m4a1 n8 m& W7 T0 v+ o& E% B. v
│ 03 Jimmy Jazz.m4a2 T9 E, ?& Z1 l, \$ K' G
│ 04 Hateful.m4a N* A: u, d2 X2 f9 S$ c
│ 05 Rudie Can't Fail.m4a6 l5 i/ k0 I0 ?$ h K8 d7 F4 R
│ 06 Spanish Bombs.m4a
$ `7 t/ _8 q( ^1 B& [/ R6 k1 O, i0 o│ 07 The Right Profile.m4a
; L, U1 y5 M2 L; e│ 08 Lost In the Supermarket.m4a
+ H& U Q+ r6 a( h. u- L│ 09 Clampdown.m4a; S: b5 C& _3 P6 i% T" Y& H
│ 10 The Guns of Brixton.m4a
3 b* _5 U& p/ A7 \, `. Y% t│ 11 Wrong 'Em Boyo.m4a' r& c- } [/ r; j0 w
│ 12 Death or Glory.m4a
: N2 K- e' I3 `4 [- M/ V% f│ 13 Koka Kola.m4a& f0 f( P% ~% I4 K; x5 w# E
│ 14 The Card Cheat.m4a, M0 O4 M, J# p- Z" W
│ 15 Lover's Rock.m4a) |6 Y6 K" I+ p! x- {# X
│ 16 Four Horsemen.m4a
: V/ v/ U! a* e0 b' R O0 c│ 17 I'm Not Down.m4a F+ ?: i" L" @ X, C, c( C
│ 18 Revolution Rock.m4a
. \: Q% w3 U) t; U3 N2 o│ 19 Train In Vain.m4a& e* P" I. F5 A# o' _% H# h
│ 20 Hateful.m4a
$ s- ?4 M! {$ S2 Y8 V│ 21 Rudi Can't Fail.m4a$ v5 p3 F- ]6 [! D
│ 22 Paul's Tune.m4a8 t' x% O, G1 |8 J, ~
│ 23 I'm Not Down.m4a
7 O$ A# C8 l' V( ?9 k│ 24 Four Horsemen.m4a) Y7 y4 `* \. K, N5 q% f6 w
│ 25 Koka Kola, Advertising & Cocaine.m4a
& A+ t( @4 R* ?; l" v│ 26 Death or Glory.m4a$ C) v1 m w! P" w, |6 z( j
│ 27 Lover's Rock.m4a4 E8 i% s8 J+ J) F- U0 u
│ 28 Lonesome Me.m4a0 |. z: F* F# d7 h* d
│ 29 The Police Walked In 4 Jazz.m4a
P. `2 b' d5 o4 p│ 30 Lost In the Supermarket.m4a. g) E2 e9 i5 E" z; T
│ 31 Up-Toon.m4a
5 v; j4 C' E7 C9 k# h│ 32 Walking the Slidewalk.m4a
) B, @9 Z+ [5 I, z│ 33 Where You Gonna Go (Soweto).m4a9 ~/ m3 ]. r& L) q, }6 e8 {
│ 34 The Man In Me.m4a3 d, b; Z5 l. Y5 m/ ^( z
│ 35 Remote Control.m4a# \5 r, B- x; E# m0 l, z* Q; c
│ 36 Working and Waiting.m4a8 E! g5 m: |4 d3 ~ T: @3 p, \
│ 37 Heart and Mind.m4a& u7 C! J) S6 A" L
│ 38 Brand New Cadillac.m4a0 Q/ w* ]( H* }2 a5 w+ u( }7 ]/ s
│ 39 London Calling.m4a
. j, r& X" w4 W" o│ 40 Revolution Rock.m4a
& \% r0 a# [, c5 P. G+ l% r│ Digital Booklet - London Calling 30t.pdf, w+ \& P+ o6 V% i/ y
│ 5 v) u; H/ t U) j' ^) ]& H4 t
├─1991 - The Clash - The Singles
0 i( Q5 G4 [' K! X' F│ 01 London Calling.m4a0 T/ m( U1 l/ Q0 W! \. O
│ 02 Rock the Casbah.m4a
* N# x8 E- e4 u! E5 W│ 03 Should I Stay or Should I Go.m4a& i7 t8 U7 `$ f, H2 u' y9 P
│ 04 I Fought the Law.m4a5 R+ U, `/ i4 @
│ 05 (White Man) In Hammersmith Palais.m4a M8 Q$ M- F) G& |0 C( \4 F: `
│ 06 The Magnificent Seven.m4a
- x2 v6 o8 M4 Q2 K│ 07 Bankrobber.m4a! l) d5 x# c7 D2 Y# f
│ 08 The Call Up.m4a
3 G6 u9 x/ k$ T* ]+ c│ 09 Complete Control.m4a: Q* g& H) z6 I( ?
│ 10 White Riot.m4a
. L. ^+ T2 Z n6 y│ 11 Remote Control.m4a% H( D5 m) i+ {
│ 12 Tommy Gun.m4a: M1 q" w7 l' z/ `! S) O% m. o, V
│ 13 Clash City Rockers.m4a% y6 N: z# l( J; q7 H7 V; E4 `
│ 14 English Civil War.m4a
! \. W# I ~. E4 s; k8 K0 x: q│ 15 Hitsville U.K..m4a. m' R3 i6 d% `/ g) T
│ 16 Know Your Rights.m4a
/ P8 j. O Z# D! m/ f│ 17 This Is England.m4a* r$ w6 \% ? d2 P8 a# n& I. j
│ 18 This Is Radio Clash.m4a3 ~- [5 o. f. z! I/ }
│ 19 Train In Vain.m4a
' l' K9 ^/ B& \4 N L% Z; {# Z+ x2 f│ 20 Groovy Times.m4a
1 X( T4 \8 u0 k& `│
- o# m( r- k6 u9 ?. o├─1993 - Super Black Market Clash- s: p5 }$ D- s3 |) R; X
│ 01 1977.m4a
+ _9 Q8 T3 t5 O9 p5 l K/ J& R│ 02 Listen.m4a% {0 m7 u& V/ J% u, j
│ 03 Jail Guitar Doors.m4a
- m7 A* N: e/ o1 Q│ 04 The City of the Dead.m4a
- p3 h# s8 `7 R6 F│ 05 The Prisoner.m4a
" Q6 [5 ]+ z6 I/ m│ 06 Pressure Drop.m4a8 q6 Y/ Q$ u: [7 H$ L
│ 07 1-2 Crush On You.m4a
: o3 P# {% o D- |8 t│ 08 Groovy Times.m4a
$ \# W- O+ R; R) y- y( h│ 09 Gates of the West.m4a
2 W' e+ A2 l, [- a│ 10 Capital Radio Two.m4a& d4 e1 {' J% P
│ 11 Time Is Tight.m4a! t, b" Z4 _ b! q+ A, ]
│ 12 Justice Tonight _ Kick It Over.m4a3 p; R$ ]/ l1 r2 k; y5 k
│ 13 Robber Dub.m4a" s' Z) M2 o; Y x* Q. c
│ 14 The Cool Out.m4a
* c7 e4 A0 m3 M: d4 i│ 15 Stop the World.m4a
" T1 _* J5 c: f1 c6 q( H│ 16 The Magnificent Dance.m4a
! b, V% \3 i ^+ S│ 17 This Is Radio Clash.m4a
+ P- C; K1 k6 V4 [7 R│ 18 First Night Back In London.m4a
2 q% Y! K- x/ ^│ 19 Long Time Jerk.m4a
* |2 n5 \3 r" B0 x3 m│ 20 Cool Confusion.m4a* S+ j- P+ [* t% S2 w7 P& {3 ~
│ 21 Mustapha Dance.m4a
: ], W/ ]0 m+ A( i# U, n│ 6 |0 q1 A: G$ g, U2 _
├─1999 - From Here to Eternity (Live)+ {" U4 C+ ]4 A! o% k$ H/ N5 ^
│ 01 Complete Control.m4a
9 N4 U6 d9 w- m3 i│ 02 London's Burning.m4a
7 X+ M& k, ^" T' e, j│ 03 What's My Name.m4a( z6 n# h7 S8 Y. c& i# F; ~
│ 04 Clash City Rockers.m4a- l2 @$ |5 v, Y( y1 `
│ 05 Career Opportunities.m4a
% }, V& T9 E, k# t4 A│ 06 (White Man) In Hammersmith Palais.m4a
* f7 I r) v$ R. P( C│ 07 Capital Radio.m4a& c3 X( `- O8 O5 p3 S: M% Y7 o
│ 08 City of the Dead.m4a* m. t3 T- ~2 U; Y; t
│ 09 I Fought the Law.m4a2 U8 o0 [9 a. |% c2 h3 B
│ 10 London Calling.m4a' a$ |; F+ L* w" ?
│ 11 Armagideon Time.m4a
" t2 W0 o; o$ Y9 u│ 12 Train In Vain.m4a4 V1 h0 E# A; s4 r& X4 F
│ 13 Guns of Brixton.m4a
9 z B" }1 G( M" o: P, L│ 14 The Magnificent Seven.m4a
6 |* h8 |- R0 k1 M% b- K│ 15 Know Your Rights.m4a
4 {9 t' \' r0 a, e% t7 t7 j8 Y│ 16 Should I Stay or Should I Go.m4a) N9 E1 L. Y2 b+ t
│ 17 Straight to Hell.m4a
5 h" W0 N7 R# y# l) R3 _│
% {5 s6 M* e$ a/ U; P├─2008 - The Clash Live at Shea Stadium0 T$ q4 @6 M; t
│ 01 Kosmo Vinyl Introduction (Live).m4a# |) o, l* H6 Y4 v! b( D
│ 02 London Calling (Live).m4a
; E. ~7 P6 i. L5 Q' F6 l│ 03 Police On My Back (Live).m4a- G0 x5 F1 i! ? }0 p3 C- y4 g5 L
│ 04 The Guns of Brixton (Live).m4a
/ ~+ d+ o& I9 E7 B$ c& ]8 H│ 05 Tommy Gun (Live).m4a; C$ r% F) c! f% Q, U _
│ 06 Magnificent 7 (Live).m4a! M8 a- d! M( {' ]
│ 07 Armagideon Time (Live).m4a+ x# u; e7 L) ~( E2 U8 P+ \ S. ~
│ 08 Magnificent 7 (Return) [Live].m4a. G( Y: x# k p! y, P3 \3 h! k
│ 09 Rock the Casbah (Live).m4a- K* F2 u3 e- ^
│ 10 Train In Vain (Live).m4a& s! o& l- k6 Y+ }+ S0 T
│ 11 Career Opportunities (Live).m4a
" E, ?( U) p: T0 v' Y) q│ 12 Spanish Bombs (Live).m4a& O; b0 b3 T) b! w2 {
│ 13 Clampdown (Live).m4a
$ @/ W# D7 K+ x' J) ^; O, T/ d│ 14 English Civil War (Live).m4a) x* @. C" v/ V' R& n
│ 15 Should I Stay or Should I Go (Liv.m4a
; I) ^2 ?1 J0 T5 _8 D" M: I1 I3 H│ 16 I Fought the Law (Live).m4a
* Y% n! P. M! x' S│ ! v/ g5 P) ]$ e- Z' t
├─2013 - Hits Back3 L; T3 ^: J8 O% B8 V
│ 1-01 London Calling (2012 Mix).m4a
# D7 \1 y+ X ^, M- Z/ g4 {: H│ 1-02 Safe European Home.m4a% u+ ~' S/ {3 o! {0 a- C
│ 1-03 Know Your Rights.m4a
; _# j4 y D ~1 e0 ]│ 1-04 (White Man) In Hammersmith Palais.m4a
7 w3 P4 R1 @. S0 Z│ 1-05 Janie Jones.m4a
R# \0 H3 x8 t ?/ X. ~; B; M1 q5 ?│ 1-06 The Guns of Brixton.m4a6 x$ V! |2 T7 q I
│ 1-07 Train In Vain.m4a, d* W* S) w* @5 n! ~, Y
│ 1-08 Bankrobber.m4a
. v" v7 M' u: q$ C( Y* [│ 1-09 Wrong 'Em Boyo.m4a6 y/ y7 j. `- @! }; W: l' \0 N
│ 1-10 The Magnificent Seven.m4a% _( t7 i A% v
│ 1-11 Police On My Back.m4a
" q; G+ \1 q. j9 X- r│ 1-12 Rock the Casbah (Bob Clearmountain Mix).m4a" m' O+ y! h7 [, c
│ 1-13 Career Opportunities.m4a9 j6 j5 h" ^7 q( n1 h& C: j" i. q
│ 1-14 Police & Thieves.m4a1 E1 o1 A7 [3 B1 n" T
│ 1-15 Somebody Got Murdered.m4a
$ q8 u' P7 V/ w7 }! V4 d5 ^│ 1-16 Brand New Cadillac.m4a
! F3 T) R" v1 ]" P4 L7 `/ D3 B; Z│ 1-17 Clampdown.m4a
/ [7 N& Y0 g$ l│ 1-18 Ghetto Defendant.m4a) J; Y# }: F% f9 l. l5 R
│ 1-19 Armagideon Time.m4a+ N7 f! h6 F. c
│ 1-20 Stay Free.m4a
$ G+ S- j% q3 M7 F; m│ 1-21 I Fought the Law.m4a7 A$ m* z$ u. @
│ 1-22 Straight to Hell.m4a) C3 D/ i, Q( u" C5 \
│ 1-23 Should I Stay or Should I Go.m4a3 y& F3 I+ r7 b5 m: [8 G" ~# _. o
│ 1-24 Garageland.m4a; @9 _: h# m7 C
│ 2-01 White Riot.m4a* q( i) j( A" o2 l; u: t
│ 2-02 Complete Control.m4a
( X& z4 R3 ~& e! H2 S, {│ 2-03 Clash City Rockers.m4a
) L- G% x$ q, f( n# F$ R│ 2-04 Tommy Gun.m4a
! A9 `$ D& b8 F- s$ D0 B6 Z1 {│ 2-05 English Civil War.m4a
J0 }/ d( g' f) V0 P) E. ^% K│ 2-06 The Call Up.m4a
9 ]3 B- ~& B/ g4 l% ?' |3 r- \│ 2-07 Hitsville U.K..m4a
$ ]) D. v! h6 P, H; d H7 J│ 2-08 This Is Radio Clash.m4a+ J! f* L6 u/ R- l. y
│ $ m g* l7 Y0 w) ^* N
└─2014 - 5 Studio Album Set
0 ], L$ }9 E. ]& t# d 1-01 Janie Jones.m4a0 e4 Q9 W+ P! e
1-02 Remote Control.m4a
9 q8 |* [% w- Y6 K+ z: @7 E 1-03 I'm So Bored with the U.S.A..m4a Z: B! m1 F& ?
1-04 White Riot.m4a+ [) j/ K5 ^" e0 ]
1-05 Hate & War.m4a$ \% V. U+ T( D- t
1-06 What's My Name.m4a7 f; {# a% w5 G ?7 a" E
1-07 Deny.m4a, ?" u& A# n# A! \' F6 I
1-08 London's Burning.m4a! m, y& B: W: U2 P# L0 }8 Y
1-09 Career Opportunities.m4a: R' \9 g+ W' D& G
1-10 Cheat.m4a9 ?+ r" P/ k2 T5 \
1-11 Protex Blue.m4a' M+ W( `* R( Y) q3 E8 R
1-12 Police & Thieves.m4a+ i; S# _: }9 e! I+ N! O
1-13 48 Hours.m4a
6 e9 O& |, g0 |; Z0 h2 U 1-14 Garageland.m4a% p" O/ e- D. V8 u
2-01 Safe European Home.m4a
& Z8 `( L9 a& N5 p5 ~& h: z 2-02 English Civil War.m4a" [9 {, r- W4 R! S
2-03 Tommy Gun.m4a$ p* v' m5 B- a7 a, P; Y
2-04 Julie's Been Working for the Dr.m4a8 q& w" R. x9 M4 M: ?/ L/ |
2-05 Last Gang in Town.m4a
6 N, r) y% Y+ D2 L" z% |8 O& p$ g 2-06 Guns on the Roof.m4a
1 Z0 m6 K) b$ c! t* y+ q 2-07 Drug-Stabbing Time.m4a
# A% i1 e: h s2 v0 [$ o& H 2-08 Stay Free.m4a
_3 p0 T/ v3 U9 f2 b5 S 2-09 Cheapskates.m4a$ R0 c6 }$ w% Q: N6 E6 s
2-10 All the Young Punks (New Boots.m4a
\8 N7 Q! P d" X 3-01 London Calling.m4a, p2 V; [. \5 @& [* r$ O- F3 A
3-02 Brand New Cadillac.m4a
8 A+ x& w0 \! J3 ? 3-03 Jimmy Jazz.m4a
) _% C) D* _# g" A& k- ^ 3-04 Hateful.m4a1 ?+ U1 S6 ]$ F& Y* I6 j
3-05 Rudie Can't Fail.m4a5 Y( s& B' B1 @3 L9 L/ P0 _& i, W) L
3-06 Spanish Bombs.m4a
/ e; U& |4 {* B- c. K3 r) ^: c 3-07 The Right Profile.m4a+ h, \7 z/ K; j9 K: v5 R0 w0 `5 ]
3-08 Lost in the Supermarket.m4a
7 W+ Z9 `* f; x7 L: C2 Z 3-09 Clampdown.m4a
5 f2 p7 u) Z# }/ ^6 Q3 } 3-10 The Guns of Brixton.m4a/ p% O" g) u- e0 `% v% [" H& k- d
3-11 Wrong 'Em Boyo.m4a
+ X [" Q! \5 W. n3 H1 R9 {( O* ` 3-12 Death or Glory.m4a
- S% U9 q4 b" B" Y 3-13 Koka Kola.m4a
, D F+ l+ h3 [' G0 t 3-14 The Card Cheat.m4a+ {8 t, S, O% \- R/ Y' W
3-15 Lover's Rock.m4a
$ F/ P, F) d" J& X& Z 3-16 Four Horsemen.m4a/ }$ |- p0 v* q& h8 y
3-17 I'm Not Down.m4a3 Z4 v& _$ v t
3-18 Revolution Rock.m4a
0 _9 d9 {- w% B/ n; }# D. K 3-19 Train in Vain.m4a3 F7 H' ]! Y. D4 F6 [3 ?+ I
4-01 The Magnificent Seven.m4a
2 E+ h: u. N$ e, e 4-02 Hitsville U.K..m4a( u/ z$ Q2 P* \! c8 g7 X; s0 ]& X
4-03 Junco Partner.m4a8 p- X% X' K+ i2 k/ f: F/ H1 Y9 j0 e
4-04 Ivan Meets G.I. Joe.m4a
- n3 C$ {+ o$ F2 [ 4-05 The Leader.m4a
; L, C) z4 f& Y7 ]3 A: f 4-06 Something about England.m4a6 c# r# a+ Q9 I( y2 ]9 @- N
4-07 Rebel Waltz.m4a
) }% B8 l' E( w" Q7 f! i- n 4-08 Look Here.m4a' W+ e% M1 x7 N2 S2 B! f; X5 |
4-09 The Crooked Beat.m4a, q# p# T( L0 }, ^. c# `# q L
4-10 Somebody Got Murdered.m4a( _) x+ o0 G) m- i% n/ C" v
4-11 One More Time.m4a' l, K( x+ T s$ m; L* Q9 Z' U( C0 u/ c
4-12 One More Dub.m4a9 L: E# _5 i% n: S( }
4-13 Lightning Strikes (Not Once but.m4a5 I, Z0 w u* q- C9 p
4-14 Up in Heaven (Not Only Here).m4a) U0 i7 K5 d. M' n( K! F z
4-15 Corner Soul.m4a
/ P/ X' U/ {- s9 k9 v$ V 4-16 Let's Go Crazy.m4a
- r) [1 A0 h% E8 N( c 4-17 If Music Could Talk.m4a
+ c5 u9 S, W \: ` 4-18 The Sound of Sinners.m4a& s( T# o1 p* u4 s5 Y
4-19 Police on my Back.m4a2 a1 y" S* s1 y$ y& ?9 m9 \9 K
4-20 Midnight Log.m4a
5 } b9 [; j: g0 E8 G 4-21 The Equaliser.m4a8 l) s! y f. n0 x J
4-22 The Call Up.m4a
: W6 H# c0 ^6 V4 E/ N0 H( P5 f 4-23 Washington Bullets.m4a
7 m( G$ b$ z8 W! F5 G 4-24 Broadway.m4a
! @# t$ A- }3 g. X 4-25 Lose This Skin.m4a# ]$ T% w& _# E2 K. x8 p
4-26 Charlie Don't Surf.m4a2 |, z. F7 v. E
4-27 Mensforth Hill.m4a4 O. G2 d: z! B3 u$ }5 v
4-28 Junkie Slip.m4a
- x0 ~4 S' s( i0 {) a 4-29 Kingston Advice.m4a
2 z) f# a2 w L6 y9 { 4-30 The Street Parade.m4a
+ J% B, X' x6 ?" x: k+ s 4-31 Version City.m4a
6 c6 K1 Y3 \+ r4 K1 H! b 4-32 Living in Fame.m4a; O$ F9 T9 ?) L
4-33 Silicone on Sapphire.m4a) F( d" y! U3 K& ~/ u2 h9 K5 @
4-34 Version Pardner.m4a
# Z% V% L$ B6 I: R7 x% p) @ 4-35 Career Opportunities.m4a) e) u1 b$ d5 M' N
4-36 Shepherds Delight.m4a! Y% P: t, y1 H' w1 G+ Q
5-01 Know Your Rights.m4a
; |! x1 d4 ~2 K* b _3 w 5-02 Car Jamming.m4a
7 h6 E* a0 G) k 5-03 Should I Stay or Should I Go.m4a
4 n7 s; h3 o8 d6 ]+ [' P 5-04 Rock the Casbah.m4a
5 Q! r5 s/ B0 Q# s$ e 5-05 Red Angel Dragnet.m4a; |- N0 E9 ~5 Q+ ]
5-06 Straight to Hell.m4a
6 M; Y7 B( t* P7 O! G1 D 5-07 Overpowered by Funk.m4a
% `2 e4 Y1 x" H5 i3 A. S3 H( v 5-08 Atom Tan.m4a
' z6 u6 R7 \) E* ~9 y6 X! W" p 5-09 Sean Flynn.m4a
8 n* V( G+ z- }1 ^; L 5-10 Ghetto Defendant.m4a
$ @1 J3 U4 X# b* C6 T5 W 5-11 Inoculated City.m4a
, h& R1 E4 ~$ O# _ _ 5-12 Death Is a Star.m4a% `$ _( R% x# Y8 x* [' c
$ t" p7 g: Y( x, z+ F3 c; P5 B( f9 H0 }6 k
# _) J9 s& X# q- k' P' C6 J+ [$ V2 M8 R* |! u+ [
/ N( R9 ~; ?- c: B8 a
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发表于 2019-4-16 12:44:31
发表于 2020-4-26 20:23:14
