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The Clash简介
# y2 D) Q7 q% _( {5 C5 eThe Clash(碰撞)乐队,成立于1976年,是英国庞克摇滚浪潮的最初成员之一,也是这一时期在商业运作上最为成功的朋克乐队。最初是一支政治反叛乐队,然后乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。尽管后来他们逐渐偏离了朋克的路线,但他们的首张同名专辑已经成为了朋克摇滚的圣典,而1979年的专辑《London Calling》更被众多的摇滚评论家推为有史以来最好的摇滚专辑之一。1 R& d: R9 A1 V, R% Z. {
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乐队介绍1 _: j! D _2 W0 P0 Q9 T- Q
风格:British Punk(英国朋克)、Punk(朋克)、New Wave(新浪潮)同时尝试过雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风
E3 x0 d# r# y0 q& E- @主要成员:乔·斯特拉莫(主唱、节奏吉他)、米克·琼斯(主奏吉他、副唱)、保罗·西蒙(贝斯、合音、偶尔的主唱)与尼基·黑登(鼓、打击乐)
/ d, H5 e$ f' W. F成立于1976年的英国庞克乐队,是英国庞克摇滚浪潮的最初成员之一。除了庞克摇滚之外,冲撞乐队也尝试了雷鬼、斯卡、Dub、放克、饶舌与山地摇滚等多种曲风。他们的主要阵容,是以乔·斯特拉莫(主唱、节奏吉他)、米克·琼斯(主奏吉他、副唱)、保罗·西蒙侬(贝斯、合音、偶尔的主唱)与“上等货”尼基·黑登(鼓、打击乐器)组成。黑登于1982年离团,隔年琼斯也因团内不合而求去。冲撞乐队在加入新成员后维持了一阵子,但仍于1986年初宣告解散。
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主要成就) U' Y9 Q: e; m, y- l9 U
冲撞乐队1977年发行的首张同名专辑,便让他们在英国开启了成功的大门。
. h" j$ w4 j* t% K1979年12月,他们的第三张专辑《伦敦呼唤》发行于英国,隔月发行于美国后,冲撞乐队在美国的人气暴涨。《伦敦呼唤》得到了评论的一致喝采,其十年后并被《滚石杂志》宣布为1980年代的最佳专辑。
' N& o& {) X4 I7 t' M( n冲撞乐队政治化的歌词、音乐上的实验与叛逆的态度,为摇滚带来了深远的影响,尤其是另类摇滚。他们被唤名作“唯一重要的乐队”,其原是他们唱片厂牌哥伦比亚唱片所创的宣传口号。2003年1月,冲撞乐队--包括最初的鼓手泰利·柴姆斯--受邀入摇滚名人堂。2004年,《滚石杂志》将冲撞乐队列为史上百大歌手第三十名。
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├─1977 - The Clash5 ~" H9 p; v x" O
│ 01 Clash City Rockers.m4a
4 p2 p2 u0 r# E! v j5 h│ 02 I'm So Bored With the U.S.A..m4a
8 h6 w6 w0 |7 ^9 V9 v% b; R│ 03 Remote Control.m4a
, @0 G& j" g, L" n│ 04 Complete Control.m4a1 @* o+ c# H0 }2 m
│ 05 White Riot.m4a
4 Z- P( P, F) Y! n$ G│ 06 (White Man) In Hammersmith Palais.m4a
& ], T5 V7 f! x* P7 l│ 07 London's Burning.m4a4 e( b9 L* [' F* x
│ 08 I Fought the Law.m4a
1 M" K2 v q8 J- i, E0 J* I8 S1 E│ 09 Janie Jones.m4a* _0 |: K2 f4 w* \9 F
│ 10 Career Opportunities.m4a
1 t$ p) U" {- z3 D8 s2 x4 M0 X2 v│ 11 What's My Name.m4a# c$ b% J1 W5 q" [7 m" v" T
│ 12 Hate & War.m4a! `% H I& e4 D& ^% k: v; Y
│ 13 Police & Thieves.m4a
S7 N! J. j0 ^9 d' u' Q/ r│ 14 Jail Guitar Doors.m4a
" U) J9 |$ R/ G* ?$ a│ 15 Garageland.m4a
# w6 X. ~! o# Y. J0 y' G6 R│
7 d* Z- d; [+ {2 x& Z├─1978 - Give 'Em Enough Rope
# z; o1 D: ]% L2 w: `│ 01 Safe European Home.m4a4 I J, `" L% w% Y/ w' U
│ 02 English Civil War.m4a8 A$ S0 L. V7 w7 y2 F2 f
│ 03 Tommy Gun.m4a
! O9 Q& n$ W7 m1 @3 m! n│ 04 Julie's Been Working For The Drug.m4a
* S7 O' h) F+ X0 z. V `│ 05 Last Gang In Town.m4a2 _) w2 v# T: L. e" t
│ 06 Guns On The Roof.m4a' K1 }% ]- V! V" O3 |# n
│ 07 Drug-Stabbing Time.m4a
# L& g7 Q( f3 Q( @& M$ q│ 08 Stay Free.m4a# ?- J: ?7 f' b. z
│ 09 Cheapskates.m4a( s7 P) J# O+ S: u% |
│ 10 All The Young Punks (New Boots An.m4a! \+ X9 a: S) l* D
│
7 H) ], w7 ], A├─1979 - London Calling
6 W/ G. d) c, w u$ P2 \9 E+ T│ 01 London Calling.m4a* ]* a& x9 w+ Y4 d# O8 |
│ 02 Brand New Cadillac.m4a3 E _4 I6 O- }3 \4 X
│ 03 Jimmy Jazz.m4a
! X7 V( F/ @0 ]" z& k9 O- @/ {│ 04 Hateful.m4a) ^. V n& K/ o& V; ^
│ 05 Rudie Can't Fail.m4a- s& n7 e4 e* T% o0 w# ?2 A
│ 06 Spanish Bombs.m4a/ {! o o: C3 p; F7 O- D6 {
│ 07 The Right Profile.m4a
$ U# ^6 i8 Q0 F1 _6 s! }+ y│ 08 Lost In the Supermarket.m4a# n( z+ n5 C& Y6 q- _; a
│ 09 Clampdown.m4a
) Z. k. \' S% O( ~ V│ 10 The Guns of Brixton.m4a
$ c& | L( A6 r0 s│ 11 Wrong 'Em Boyo.m4a# Z; R: z" g! ]) o/ W. B2 A
│ 12 Death or Glory.m4a
! m: x, U& C0 K/ U│ 13 Koka Kola.m4a2 y) H I- s- l0 ~1 B8 p: {9 Z
│ 14 The Card Cheat.m4a4 A5 b* ^5 U9 `2 \. E! m
│ 15 Lover's Rock.m4a
& g" n. z& k' b5 Y5 Q4 o5 s│ 16 Four Horsemen.m4a
& _7 ?. h; w- o' x7 e│ 17 I'm Not Down.m4a2 ^' Y" |' K# ^# d# L5 ~) [
│ 18 Revolution Rock.m4a6 V4 D: r# j9 x- ]7 \3 p
│ 19 Train In Vain.m4a
0 j, j& m7 u! o/ h│ " d7 s% ~- N6 x' v5 N3 J8 B
├─1980 - Sandinista!
# y7 O+ `5 k/ W( n; r: C│ 1-01 The Magnificent Seven.m4a" _! C5 x' U+ j1 F/ ]
│ 1-02 Hitsville U.K..m4a' S" V/ n; Z- }# ?; }3 z) D7 f
│ 1-03 Junco Partner.m4a
& K0 E1 g/ V" ?! m Z0 B│ 1-04 Ivan Meets G.I. Joe.m4a2 k G5 v- a& T/ s+ Y4 W
│ 1-05 The Leader.m4a
- j/ d& Q4 K2 Q0 i ^0 y/ i│ 1-06 Something About England.m4a
% ]! e3 J/ u& S8 A% Z* h" F│ 1-07 Rebel Waltz.m4a
- Z t: ]4 }. z6 w9 {) K& f│ 1-08 Look Here.m4a Z/ q2 k+ D) H% E
│ 1-09 The Crooked Beat.m4a
, g$ X& x- N$ [* U9 l! s3 X: `│ 1-10 Somebody Got Murdered.m4a
; i# a% X+ P5 |, M│ 1-11 One More Time.m4a0 k1 ~: l: z u/ h* @
│ 1-12 One More Dub.m4a
' Y) U/ H x$ R+ L│ 1-13 Lightning Strikes (Not Once But Twice).m4a% a7 I$ Z: w: i: W
│ 1-14 Up In Heaven (Not Only Here).m4a' T: f4 A7 P! t8 x0 i) ^0 g, e
│ 1-15 Corner Soul.m4a
* T; i9 a$ S) X. ]" K+ |│ 1-16 Let's Go Crazy.m4a& i6 c/ W1 O. i M: a
│ 1-17 If Music Could Talk.m4a( A# s! U. v3 q/ C. v4 R! S% k* \
│ 1-18 The Sound of Sinners.m4a
: b8 T0 E2 \: ~│ 2-01 Police On My Back.m4a; v G' h0 d# a( o0 r
│ 2-02 Midnight Log.m4a- |! ]1 Y. ]9 i( b% \5 M4 g3 R
│ 2-03 The Equaliser.m4a0 B0 u2 h2 N% P
│ 2-04 The Call Up.m4a
- B2 G- N( b5 ?; G1 `, @$ e$ I: k5 Z│ 2-05 Washington Bullets.m4a3 f. V1 q5 c0 G/ X0 a! f. [ b: p
│ 2-06 Broadway.m4a
( [4 g R- F- a$ d: c" T│ 2-07 Lose This Skin.m4a
) {6 v5 A6 |' m( n! J) m2 p! \( ~# ~│ 2-08 Charlie Don't Surf.m4a
2 P. T* p4 _% L4 h$ K# c, Y│ 2-09 Mensforth Hill.m4a8 h- u4 V7 }6 v$ H: {: G) a
│ 2-10 Junkie Slip.m4a+ c L/ l R8 y0 w% M
│ 2-11 Kingston Advice.m4a
" O2 L' h; Q5 R( @7 P│ 2-12 The Street Parade.m4a
) l3 K* y; @' i) n- [* i1 N│ 2-13 Version City.m4a; ~3 N& a+ E; z( A) ^ t
│ 2-14 Living In Fame.m4a2 x' k9 U- [, O' ?5 T# J2 Q9 E, z
│ 2-15 Silicone On Sapphire.m4a& a' y5 J" c2 y: h, T% r
│ 2-16 Version Pardner.m4a E# B% j8 V& S5 }1 H
│ 2-17 Career Opportunities.m4a
& {# a7 N6 A# o3 N│ 2-18 Shepherds Delight.m4a- |& l: Y: r3 V" y5 p% C7 P
│ 6 D; z) t' U7 m4 t. d P+ m
├─1982 - Combat Rock
9 H- @4 C4 Q9 l' q: [│ 01 Know Your Rights.m4a
' Y: c1 d0 G: ^4 A; D1 S│ 02 Car Jamming.m4a
t/ x8 Q0 P' w; e7 t, X# _. {│ 03 Should I Stay or Should I Go.m4a
9 F4 D5 E) b4 ]' v, Z& d; g% Y│ 04 Rock the Casbah.m4a, o7 \ O7 ~3 [8 [" x
│ 05 Red Angel Dragnet.m4a# V& c/ }; x. E% a/ B3 O: F' c; [
│ 06 Straight to Hell.m4a' [3 U. R( [5 o" ^2 Z4 _4 k1 q4 s
│ 07 Overpowered By Funk.m4a+ l- |5 s( y6 p! T& v0 {
│ 08 Atom Tan.m4a) q1 h0 S; ^2 {
│ 09 Sean Flynn.m4a9 x, `1 b+ |& I- w8 ^ r% S4 u
│ 10 Ghetto Defendant.m4a: F# C& J0 V4 D8 D9 Z0 A; ~0 m
│ 11 Inoculated City.m4a, M" S h, H; A0 E( Q" D5 x( Q( Q
│ 12 Death Is a Star.m4a
1 h# t* W' \9 Q8 n& `, w: }│
3 D7 F1 X+ _% n( G2 B$ F$ z├─1985 - Cut the Crap6 k+ E- t7 W, F" G
│ 01 Dictator.m4a4 k" q/ q) s5 `4 g
│ 02 Dirty Punk.m4a
. ?! e3 k+ j# D5 N! Y│ 03 We Are the Clash.m4a
5 V6 J0 c' f. j│ 04 Are You Red... Y.m4a- ~5 d* ^, O8 Q5 v }
│ 05 Cool Under Heat.m4a/ j/ m% _( Z4 Q. N
│ 06 Movers and Shakers.m4a4 V9 ]% e0 E0 J+ z1 K
│ 07 This Is England.m4a
0 u9 [9 j% P/ ]3 `& ^│ 08 Three Card Trick.m4a2 L" B( g. i! T# y. g% ]
│ 09 Play to Win.m4a
* K6 W# V2 U# D2 i! S4 Q% G│ 10 Fingerpoppin'.m4a
% q+ ~# l! c6 e8 h I. t│ 11 North and South.m4a |! o( q% l" N
│ 12 Life Is Wild.m4a% C8 D; B4 d" k
│ 13 Do It Now (Bonus Track).m4a# _5 k5 T2 r) Q" C
│
1 X% D7 T" X; g# O# y1 Y├─1991 - Clash On Broadway$ t- o$ |' n, |4 Q4 B
│ 1-01 Janie Jones (Demo).m4a
& I0 v& h2 j5 J3 L. M│ 1-02 Career Opportunities (Demo).m4a. l( W9 W" k, q9 d1 A
│ 1-03 White Riot.m4a
( L5 h( K9 L2 \5 c│ 1-04 1977.m4a- S. t; E+ G& c% {+ T0 Y, J3 D
│ 1-05 I'm So Bored With the U.S.A..m4a( V! f6 ~! d: y. B
│ 1-06 Hate & War.m4a/ P# I2 r- w; A3 Y
│ 1-07 What's My Name.m4a
; _5 n5 W: I* `/ `; G│ 1-08 Deny.m4a* ~2 y$ l) E& }1 ] P
│ 1-09 London's Burning.m4a& T' F q% P6 e0 S' M( v
│ 1-10 Protex Blue.m4a
! @5 P) j2 D3 k# K% y7 _- H- K( D│ 1-11 Police & Thieves.m4a
3 D( a9 Y# m' j7 M( @│ 1-12 48 Hours.m4a& W, b& O& h$ t! v/ H; l& k5 q
│ 1-13 Cheat.m4a- K2 f, @% c) x) ?. E$ A
│ 1-14 Garageland.m4a& T6 D" p0 m6 ?, C% N
│ 1-15 Capital Radio One.m4a
: {3 L- P/ O" z: P6 h6 A│ 1-16 Complete Control.m4a: [$ l& X0 h- s+ T/ w
│ 1-17 Clash City Rockers.m4a+ Y: h! R2 s( Y- G. j; \( v) S, ]
│ 1-18 City of the Dead.m4a! F: r. m4 b: Z9 W1 w
│ 1-19 Jail Guitar Doors.m4a& w V9 E8 X& p3 s! R v# H
│ 1-20 The Prisoner.m4a$ ?6 [4 ]- K% K" w0 o5 ~0 I
│ 1-21 (White Man) In Hammersmith Pala.m4a
$ Z" G, o( j% u Z│ 1-22 Pressure Drop.m4a% u+ X( ]4 e- c a) P
│ 1-23 1-2 Crush On You.m4a
! w, O) I0 c7 o5 n3 N2 S) V│ 1-24 English Civil War.m4a, d% R# ^ |% I" I# h) m
│ 1-25 I Fought The Law (Live).m4a) g. N2 w0 U, D* M
│ 2-01 Safe European Home.m4a* c3 ~7 A8 e! c7 Z9 H1 {
│ 2-02 Tommy Gun.m4a0 o' U. V C. W1 B& E
│ 2-03 Julie's Been Working for the Dr.m4a
8 K x }' {' N; w7 V2 E9 B│ 2-04 Stay Free.m4a
" |( t, b) p$ q: z│ 2-05 One Emotion.m4a2 o: _2 w5 n0 Q
│ 2-06 Groovy Times.m4a h: c- ~" d" t4 ^: H
│ 2-07 Gates of the West.m4a% C) y; q' f$ l
│ 2-08 Armagideon Time.m4a2 \2 s% z9 q' N) k/ i" N
│ 2-09 London Calling.m4a
0 S6 ?1 K: I0 k3 R" _│ 2-10 Brand New Cadillac.m4a
* a8 Q: I( J) W3 s2 n% Z& O│ 2-11 Rudie Can't Fail.m4a) x$ `0 f9 _3 B# e) q: H/ G
│ 2-12 The Guns of Brixton.m4a2 R- H; N9 l; i f
│ 2-13 Spanish Bombs.m4a
0 ]0 a1 \# Q. k) {% N; {7 t│ 2-14 Lost In the Supermarket.m4a
3 k, ]& F) ?! D3 C/ M% {4 L" d│ 2-15 The Right Profile.m4a
' }1 z$ b8 y! B$ U' n. R) Y│ 2-16 The Card Cheat.m4a" l1 m/ {2 R. Q
│ 2-17 Death or Glory.m4a. x- l8 j& X9 x; R- `
│ 2-18 Clampdown.m4a
5 b/ h m5 m: r│ 2-19 Train In Vain.m4a$ p& w5 k5 b& J6 B8 ~3 {
│ 2-20 Bankrobber.m4a
0 O" G$ a; E _" `│ 3-01 Police On My Back.m4a
' j. G4 s8 |3 W6 b( C( Y5 u0 C│ 3-02 The Magnificent Seven.m4a) n& [8 P( v T) i& _
│ 3-03 The Leader.m4a
" M$ p4 Y4 w( ~; j│ 3-04 The Call Up.m4a6 L. t, g. F8 I' w9 K) c
│ 3-05 Somebody Got Murdered.m4a& Z- |7 } @1 y& C3 z0 Z+ T; }! v/ |0 j
│ 3-06 Washington Bullets.m4a* J. ]& U) ^, Z" i; o+ ?9 O
│ 3-07 Broadway.m4a
% z/ R2 n9 b- j# u│ 3-08 Lightning Strikes (Not Once But.m4a
" Z1 |9 H+ J! R9 Z6 |' a7 H│ 3-09 Every Little Bit Hurts.m4a
+ C: \2 V" t! p, d/ t. b│ 3-10 Stop the World.m4a
7 j' D2 \) p8 k g│ 3-11 Midnight to Stevens.m4a% r: d) K) _) g& p, K" F
│ 3-12 This Is Radio Clash.m4a
- Q2 ~1 H: T& z( M- C( z│ 3-13 Cool Confusion.m4a
" C3 C# O6 h. c$ u│ 3-14 Red Angel Dragnet.m4a! c. W3 ^: y; b% H' H
│ 3-15 Ghetto Defendant.m4a
7 N! M; n& [9 v' E. G8 w) L7 d│ 3-16 Rock the Casbah.m4a3 q" i$ k" E/ e* ` w6 u
│ 3-17 Should I Stay or Should I Go.m4a
' p& x- F. q( l3 b( E& O+ ^1 j│ 3-18 Straight to Hell.m4a8 J$ |5 z; o5 ^8 f3 I
│ 3-19 The Street Parade.m4a; D; w, r$ V. n, I" a, B
│
/ c' A \ _; w. R, ~) t├─1991 - London Calling (30th Anniversary Edition)% u7 b m. q1 T) `0 h5 ]
│ 01 London Calling.m4a
# e$ ] _! {7 {6 B5 a% Z' b│ 02 Brand New Cadillac.m4a- q0 ]' F# q# s( e0 W. p v
│ 03 Jimmy Jazz.m4a- Y2 ~& N" _# q5 P! c
│ 04 Hateful.m4a+ @# j" s* J! A8 h5 h- O; m0 [
│ 05 Rudie Can't Fail.m4a o. R6 R' v {: g/ f8 O3 B' M+ u
│ 06 Spanish Bombs.m4a8 d8 F1 h0 o- R( {, ^9 R# Y
│ 07 The Right Profile.m4a
1 E0 o9 _5 C Z4 @' e3 J# U│ 08 Lost In the Supermarket.m4a8 g& Q: g+ l# L! J0 K( S8 \' I" y, Z
│ 09 Clampdown.m4a
& S; m' W, s/ a# G│ 10 The Guns of Brixton.m4a n) w& ?1 j/ t
│ 11 Wrong 'Em Boyo.m4a
& B, ]! a8 r2 P$ V1 u& a Z│ 12 Death or Glory.m4a
" h- M# K) q3 S│ 13 Koka Kola.m4a7 v. W5 D& T4 N9 {* R+ Y3 p
│ 14 The Card Cheat.m4a6 `( M, Z3 m- V, h
│ 15 Lover's Rock.m4a
( ?2 x' z" |2 G0 j; O( \│ 16 Four Horsemen.m4a4 s& { d, | ^9 a
│ 17 I'm Not Down.m4a
U. a$ c2 h, S4 G2 X: x$ \│ 18 Revolution Rock.m4a. ^) X' |- u7 e$ r* w0 l
│ 19 Train In Vain.m4a+ n' s0 F4 H7 t# i. R1 n: I% k/ O
│ 20 Hateful.m4a5 x# ?+ l* h; t7 V
│ 21 Rudi Can't Fail.m4a" o( s& A) ^9 B' ^# M! v& d6 b
│ 22 Paul's Tune.m4a2 y% p+ M! m9 n3 v6 ]* l: I
│ 23 I'm Not Down.m4a j7 q$ Q* m e
│ 24 Four Horsemen.m4a- l( I$ k& Z6 O# j q: U
│ 25 Koka Kola, Advertising & Cocaine.m4a
5 m- Q: E) v9 a( C+ Y" g│ 26 Death or Glory.m4a9 n- m3 F" H) q3 \
│ 27 Lover's Rock.m4a7 J% `7 R( j8 j& ]
│ 28 Lonesome Me.m4a
* m1 r v9 T7 J# g: N; w# D│ 29 The Police Walked In 4 Jazz.m4a
5 M8 t% u! B- s6 y2 d h│ 30 Lost In the Supermarket.m4a+ {% Q$ Q) f: V6 K/ F- U& ~# _' Z
│ 31 Up-Toon.m4a
9 y% D' Z* K/ {* K; P│ 32 Walking the Slidewalk.m4a0 E2 s! i6 E( I/ n2 ]
│ 33 Where You Gonna Go (Soweto).m4a
# e6 ?7 z6 B0 r│ 34 The Man In Me.m4a5 V; d# w+ G; k F* T
│ 35 Remote Control.m4a
$ j: U& r7 {% @; c& {│ 36 Working and Waiting.m4a
! V# L$ O a7 f T7 U│ 37 Heart and Mind.m4a
: y1 G" o1 o! w# W4 l│ 38 Brand New Cadillac.m4a
! U0 j! R. w$ e: `0 Y& F; i/ G│ 39 London Calling.m4a/ Y; ~7 B+ ~. H* V; Z: R
│ 40 Revolution Rock.m4a! F( y' O" a) [8 s9 g: s$ [4 X
│ Digital Booklet - London Calling 30t.pdf
* I8 b8 l, P0 M* o# h9 U. K" R│
8 \( s* t+ J3 r5 ]9 l3 `├─1991 - The Clash - The Singles9 S* a" h8 g# O0 c
│ 01 London Calling.m4a
6 B* Y8 x% M+ X5 Y│ 02 Rock the Casbah.m4a
2 D, N& X- C5 O│ 03 Should I Stay or Should I Go.m4a3 F: q" M6 f! _* e
│ 04 I Fought the Law.m4a
# x4 Y: B- X3 B* t│ 05 (White Man) In Hammersmith Palais.m4a
/ i W; i$ ?3 C* c( F│ 06 The Magnificent Seven.m4a/ g- c+ c2 d- ~+ b6 q
│ 07 Bankrobber.m4a
f/ {9 `8 _- g3 g7 M5 I5 C" ~│ 08 The Call Up.m4a
) }0 X/ I9 V/ y7 j) B- A4 p│ 09 Complete Control.m4a x! G( M8 N5 s/ @) a/ ?- x
│ 10 White Riot.m4a6 o `. X9 g" \/ ]1 n( J' b' O. Y
│ 11 Remote Control.m4a2 ?5 i1 M6 _' F+ C
│ 12 Tommy Gun.m4a/ v" D& S" D( @+ }2 `5 W8 z% ^
│ 13 Clash City Rockers.m4a
9 m* P/ `9 g) ?5 g& n! E- f│ 14 English Civil War.m4a% |% ~2 c" K" {% i
│ 15 Hitsville U.K..m4a
8 Y, F% B* s: D/ `. Z) l- p│ 16 Know Your Rights.m4a
* a; v8 q6 u0 f: C* e, m r│ 17 This Is England.m4a$ U& c9 P1 d: I2 U" X* q
│ 18 This Is Radio Clash.m4a
/ t6 c, X8 f2 G! V│ 19 Train In Vain.m4a
; o( ~0 ^, P1 o3 M; ]7 i% _│ 20 Groovy Times.m4a& a; s6 O8 }! J% T5 W6 B" X
│ . i1 N" f/ \# }
├─1993 - Super Black Market Clash$ c, L7 a. i( v: O1 q
│ 01 1977.m4a
# n) _$ c% ]2 J8 E2 |8 g! q│ 02 Listen.m4a+ v l6 ^5 l4 F1 q8 |+ u
│ 03 Jail Guitar Doors.m4a7 t* o8 g7 b% @; f$ t) K+ z% t
│ 04 The City of the Dead.m4a( M( \4 O1 b% {6 `; k
│ 05 The Prisoner.m4a
, A$ G! v. [5 w- z" `1 I6 _3 W│ 06 Pressure Drop.m4a# }/ y' U1 A; K q; W- A) c; L4 F% E
│ 07 1-2 Crush On You.m4a
8 k( _1 q0 S" P v│ 08 Groovy Times.m4a
) l: D8 t( z; H) H( O$ q( q│ 09 Gates of the West.m4a4 s3 h: S) O4 | o' K0 m# j: c, Y
│ 10 Capital Radio Two.m4a
8 J$ x1 ?; l! B5 [0 O│ 11 Time Is Tight.m4a
& g) m9 h3 F9 q7 Z│ 12 Justice Tonight _ Kick It Over.m4a
+ U$ v" _3 r1 F. ^4 ^4 k7 U( f* R' t│ 13 Robber Dub.m4a
, o7 r9 r1 m( C* A6 z" w│ 14 The Cool Out.m4a
0 P Q! R7 t2 k7 y+ S+ Y9 | |│ 15 Stop the World.m4a
/ L2 k6 z) W* `0 o) ?3 ?, k4 D│ 16 The Magnificent Dance.m4a
6 @, A. C# V% A- s- P% _│ 17 This Is Radio Clash.m4a
: D5 s& u2 }% i T│ 18 First Night Back In London.m4a( V. ~3 t. Y7 B
│ 19 Long Time Jerk.m4a! A& I4 X" [7 Y& Q) r) n" W
│ 20 Cool Confusion.m4a- u9 n5 }) u; c" k v' Y2 G
│ 21 Mustapha Dance.m4a4 H, n6 T5 m& N* q- R, g( c( |
│
0 f" z+ d, ~. m" g: j0 I├─1999 - From Here to Eternity (Live)* B( |4 m' G- ]7 h' V
│ 01 Complete Control.m4a- `7 d2 @6 E" }
│ 02 London's Burning.m4a
0 B E. q$ f9 L9 ~: E│ 03 What's My Name.m4a+ c( T# t+ s: }- n$ f7 a8 Q
│ 04 Clash City Rockers.m4a
x8 R6 ]2 ~) \$ C- Y X( U2 [│ 05 Career Opportunities.m4a8 Q( w' |2 ~$ I5 g- ]# m+ ]4 V- U
│ 06 (White Man) In Hammersmith Palais.m4a2 B3 ^* `7 G" v/ ?
│ 07 Capital Radio.m4a$ i R9 X4 r5 ^6 {; y& d/ B
│ 08 City of the Dead.m4a
0 g) i2 y: h7 B│ 09 I Fought the Law.m4a
h; e/ `9 y* ]" B* d│ 10 London Calling.m4a
7 G! O% y9 a3 t4 @; J│ 11 Armagideon Time.m4a, t( V$ X. ~) Z. n5 V4 j/ M* B
│ 12 Train In Vain.m4a
! Z. V e: w$ R. n1 D+ U│ 13 Guns of Brixton.m4a: _' K$ l L" Q
│ 14 The Magnificent Seven.m4a
5 s- h2 S2 L! B# @& z7 s│ 15 Know Your Rights.m4a
' r7 w7 t! K: Z- l+ h+ y# R- v/ f│ 16 Should I Stay or Should I Go.m4a
/ {: N( z# `) ?: ]* D/ p2 `6 @1 B' S│ 17 Straight to Hell.m4a, M! O# i2 t& ~5 I- |& o# s
│
+ h! W1 n( \3 {- G; ^- T6 D5 q├─2008 - The Clash Live at Shea Stadium
" U+ k/ U9 j$ D* U8 |6 y% M( ^0 D│ 01 Kosmo Vinyl Introduction (Live).m4a3 J2 Q/ p1 r$ r& C
│ 02 London Calling (Live).m4a
! t2 |+ a' o/ N│ 03 Police On My Back (Live).m4a
8 z: h" ~; n2 }+ e% R- k│ 04 The Guns of Brixton (Live).m4a
6 C2 B9 Y& D0 g│ 05 Tommy Gun (Live).m4a9 P6 {$ g5 ]: e' K! N
│ 06 Magnificent 7 (Live).m4a
0 \8 x; E7 r& j0 \9 q; h│ 07 Armagideon Time (Live).m4a
) H2 m7 S# f' e│ 08 Magnificent 7 (Return) [Live].m4a
6 ?! H! p3 ~7 ~% X; x6 w│ 09 Rock the Casbah (Live).m4a2 g! c1 \/ e# h2 x5 q3 e
│ 10 Train In Vain (Live).m4a: u% [, ]: N K5 z
│ 11 Career Opportunities (Live).m4a# z3 b- U4 }& [0 T0 A% D- B+ K7 j
│ 12 Spanish Bombs (Live).m4a
: z& v, p8 Z* a5 H, J) |# g│ 13 Clampdown (Live).m4a
6 j! X6 f$ [. \' c│ 14 English Civil War (Live).m4a
% c9 H- Z) h/ ?│ 15 Should I Stay or Should I Go (Liv.m4a
/ X$ j* d% W( d. B4 s+ @4 q│ 16 I Fought the Law (Live).m4a
2 s! q0 l$ v |2 m# E$ N/ T│ $ E* u+ _" H$ _! \; ^3 [; \8 @% s8 K
├─2013 - Hits Back
1 {8 P0 ]+ _3 }' l│ 1-01 London Calling (2012 Mix).m4a
* L& z" j1 u: z0 u0 u: d│ 1-02 Safe European Home.m4a
" d- G- N% j- n. N, Y# O( U│ 1-03 Know Your Rights.m4a! `5 z) F# j! `$ E
│ 1-04 (White Man) In Hammersmith Palais.m4a
/ H. P2 I! i6 n│ 1-05 Janie Jones.m4a
$ s8 P) N/ L2 O5 ]│ 1-06 The Guns of Brixton.m4a
# l+ E& d ~7 ~9 r+ M. j7 a1 c1 o# ^: x│ 1-07 Train In Vain.m4a
1 G8 G5 b( h& o│ 1-08 Bankrobber.m4a
5 ~4 U4 v. W% X6 [; ]9 t│ 1-09 Wrong 'Em Boyo.m4a
8 @) k: c0 n0 R) r* p3 t& B│ 1-10 The Magnificent Seven.m4a
& i% ?0 T/ [: Q5 g7 f│ 1-11 Police On My Back.m4a
$ U1 D7 g1 M/ b8 V ?7 a. q│ 1-12 Rock the Casbah (Bob Clearmountain Mix).m4a
8 Y9 Y# Z" m4 r1 ?│ 1-13 Career Opportunities.m4a* Z5 C% N' `( g
│ 1-14 Police & Thieves.m4a4 D$ O' Y7 E S* U# w
│ 1-15 Somebody Got Murdered.m4a+ Z$ |6 S) s4 T' T
│ 1-16 Brand New Cadillac.m4a2 O% c! [) `, A* `4 W$ a
│ 1-17 Clampdown.m4a
3 m+ S) O- K% h* \6 I/ e7 O* d r│ 1-18 Ghetto Defendant.m4a; r, b/ U4 V5 }* g* i! [: ]7 j
│ 1-19 Armagideon Time.m4a: a" U# }) ?/ s/ r' Y* r p [
│ 1-20 Stay Free.m4a
* n$ u& P' W% X7 d# u' i│ 1-21 I Fought the Law.m4a9 J2 Q: J4 j9 F$ M8 n
│ 1-22 Straight to Hell.m4a
5 q$ k' J7 z& O; e│ 1-23 Should I Stay or Should I Go.m4a
; [9 ^6 \+ I: j% [* B" a8 i* u. w8 E│ 1-24 Garageland.m4a
& I6 s& c' o2 U E5 R, t│ 2-01 White Riot.m4a
- Y4 v1 ?0 E$ H+ H0 l% j│ 2-02 Complete Control.m4a
0 |9 U9 t) o& ~│ 2-03 Clash City Rockers.m4a' ^) D. p% h" ?4 P S$ s
│ 2-04 Tommy Gun.m4a) s# @2 P6 ^4 `$ s, p3 Q% P
│ 2-05 English Civil War.m4a; L& E- D, P5 C# p+ t/ p; r8 U" }( O
│ 2-06 The Call Up.m4a" a. i3 J% `! m6 v/ E( B
│ 2-07 Hitsville U.K..m4a6 y' |+ l W4 T' j
│ 2-08 This Is Radio Clash.m4a
' I5 \& k! b/ K! }- p│
( z! {, Y9 ?7 D+ y! l└─2014 - 5 Studio Album Set+ ~$ |7 L/ g* d, S9 ?4 V5 I U
1-01 Janie Jones.m4a" _7 z! ^: K3 v' f& @: a; t/ l
1-02 Remote Control.m4a$ W' ]8 r- Z# P% b! Q
1-03 I'm So Bored with the U.S.A..m4a
0 w, \3 i) Y4 n8 _+ l 1-04 White Riot.m4a
. R/ u# p9 ^! c+ r$ Q 1-05 Hate & War.m4a
[, ]( M/ H+ r) O& e* v, L0 n 1-06 What's My Name.m4a3 s$ u7 [# u; M) O1 O: q
1-07 Deny.m4a* W6 t1 S( V3 j! v( W
1-08 London's Burning.m4a
8 c- w I0 t% `' w6 {" a- | 1-09 Career Opportunities.m4a# \( E. }' L# {6 p$ C1 l+ k- c
1-10 Cheat.m4a
# Q. c% M- q" T/ v9 S) {, R 1-11 Protex Blue.m4a5 |7 i- x$ O% i! T$ f" X
1-12 Police & Thieves.m4a9 h6 ~8 X7 c2 }( _7 G/ W9 o7 T
1-13 48 Hours.m4a
% [) g8 j# j' ]( w1 @! _- n8 h4 y 1-14 Garageland.m4a
" h8 w. z* g! E% V8 g# |0 {) L1 @ 2-01 Safe European Home.m4a
, `4 Z1 f( u* A! ]) d& t3 {1 M9 z 2-02 English Civil War.m4a& O8 |$ P1 q5 W0 |* o5 H
2-03 Tommy Gun.m4a; ~7 o- L! s0 a
2-04 Julie's Been Working for the Dr.m4a0 A7 |: c$ x; D: A; o4 P
2-05 Last Gang in Town.m4a
; v4 w( U' g1 i8 H. Q 2-06 Guns on the Roof.m4a
9 ~" Z0 X5 a- y' A7 W 2-07 Drug-Stabbing Time.m4a
) d G% E, W, m) Z 2-08 Stay Free.m4a3 ]; Q* C7 y! b- N, e$ U( Q
2-09 Cheapskates.m4a1 t+ u7 h; N* b, `" g
2-10 All the Young Punks (New Boots.m4a5 o3 r6 O4 }/ h5 i* Z
3-01 London Calling.m4a) e& H$ F: U" \- L; C- ?
3-02 Brand New Cadillac.m4a! v' a3 F3 i/ X8 S3 |/ O7 a
3-03 Jimmy Jazz.m4a
2 x# u8 g/ G# Y% O' J. X( N+ V" P 3-04 Hateful.m4a
; c8 m+ m+ K& t 3-05 Rudie Can't Fail.m4a3 E P# E. I+ m* X7 _+ N1 X
3-06 Spanish Bombs.m4a. m8 |& r# L0 B+ N7 Z4 \/ F# K4 s
3-07 The Right Profile.m4a" B x& Z/ @- v2 {5 h. J
3-08 Lost in the Supermarket.m4a1 O t: R0 D/ ~" U _
3-09 Clampdown.m4a8 E O' y1 @4 z
3-10 The Guns of Brixton.m4a# b6 B# A; D' ]3 S& C
3-11 Wrong 'Em Boyo.m4a
; k: w- ]! ]2 ^- b+ u# Z 3-12 Death or Glory.m4a4 B. |9 b! I' h; \0 J5 X
3-13 Koka Kola.m4a2 p# F+ t1 d' }
3-14 The Card Cheat.m4a; B) r# F4 w4 H
3-15 Lover's Rock.m4a
' X7 k0 [1 d4 z1 w/ ^1 D" \ 3-16 Four Horsemen.m4a9 d9 X% ], ^* J5 P4 c9 Q& `
3-17 I'm Not Down.m4a; o$ V& n. t2 B, T
3-18 Revolution Rock.m4a% K3 L2 J7 z4 A* a# S; ~4 P
3-19 Train in Vain.m4a* G: W+ B" [; Y' l3 K
4-01 The Magnificent Seven.m4a
8 @, i4 ?9 k0 B% Q) ^8 p 4-02 Hitsville U.K..m4a
/ E O# a5 |) }% j4 N+ F/ C 4-03 Junco Partner.m4a
. v# u2 K6 z" s' ^7 b 4-04 Ivan Meets G.I. Joe.m4a
" V/ g8 v! G7 W* o/ D1 q 4-05 The Leader.m4a
$ K/ @2 [; {! E: D9 W! r 4-06 Something about England.m4a
# }( x* l' S s3 U! Y: H 4-07 Rebel Waltz.m4a9 z% L% O& |3 }
4-08 Look Here.m4a5 X1 u8 M' G5 N
4-09 The Crooked Beat.m4a
# O* G4 n* C: v2 \( a- H9 S+ x 4-10 Somebody Got Murdered.m4a
! e$ V4 Y/ X5 Y/ F* V3 s7 Z- x) v 4-11 One More Time.m4a0 i* B. R8 Z" V
4-12 One More Dub.m4a1 n% T, E1 L; S, R/ F% k2 G( G
4-13 Lightning Strikes (Not Once but.m4a
1 {- m/ ?5 n& c0 V% i8 ^! z 4-14 Up in Heaven (Not Only Here).m4a! Q( w) S, O7 x$ d' L, Q4 f Y) V" a
4-15 Corner Soul.m4a
$ J' ?6 Q* j# p6 I 4-16 Let's Go Crazy.m4a
( G- [9 |2 b) n% U4 h( U1 Z 4-17 If Music Could Talk.m4a
4 b! x# K B8 |1 @1 R! a 4-18 The Sound of Sinners.m4a4 p6 V4 F5 ^0 c: @7 Q
4-19 Police on my Back.m4a1 o8 [. m) \( |8 x2 z u
4-20 Midnight Log.m4a
8 U) p, C* H$ ~9 ^, [ 4-21 The Equaliser.m4a! \9 }. {( s+ h
4-22 The Call Up.m4a
$ x! K! ^" e1 X' u2 r 4-23 Washington Bullets.m4a, k$ F! [4 U- O- O, u0 U9 Q
4-24 Broadway.m4a
9 a7 D2 @0 i* B0 [ 4-25 Lose This Skin.m4a0 Z5 ], m) f# N) P. w. O* q* g$ ] V5 B# O
4-26 Charlie Don't Surf.m4a0 }" {5 g: M! [9 u. |: O
4-27 Mensforth Hill.m4a
/ E" g9 X, u6 X7 ` 4-28 Junkie Slip.m4a
$ Z$ V$ u$ B! y$ b 4-29 Kingston Advice.m4a
5 w+ K9 P1 |% i( w, q 4-30 The Street Parade.m4a2 L# G8 V7 ]2 E4 B7 K
4-31 Version City.m4a' }2 J, k- Q5 q1 w9 Q8 z8 m' h6 l9 K
4-32 Living in Fame.m4a
/ q9 Y O/ o- Z 4-33 Silicone on Sapphire.m4a4 i* T4 m$ h4 [& M4 K) S
4-34 Version Pardner.m4a
" ^# P! [1 A* J6 n 4-35 Career Opportunities.m4a q6 j( L; ~' L2 L0 S
4-36 Shepherds Delight.m4a
& c" I' I+ A1 R 5-01 Know Your Rights.m4a" P6 K; x$ I/ k$ V1 ?3 ]
5-02 Car Jamming.m4a& N0 g& d% }1 j: q% S
5-03 Should I Stay or Should I Go.m4a
) i9 q% V" h6 v0 I3 q; `/ k 5-04 Rock the Casbah.m4a
/ {" O$ I m E7 N2 M9 a4 g! q 5-05 Red Angel Dragnet.m4a+ C ^' b, F0 c6 q
5-06 Straight to Hell.m4a
5 E( o9 E- P$ y: n 5-07 Overpowered by Funk.m4a
4 {2 f! V. J% e9 o 5-08 Atom Tan.m4a
* _/ l% T% _" T6 ?/ i- f 5-09 Sean Flynn.m4a
* K, O% }% O" i0 J 5-10 Ghetto Defendant.m4a
3 v0 `5 F6 x1 y+ y1 y* h" n 5-11 Inoculated City.m4a
8 p# ?1 |7 {6 i 5-12 Death Is a Star.m4a2 P" B! L6 x9 X
8 @ Y: | ~. Z. q7 z+ m* B
6 n7 {$ r- _' N5 Y1 ]' C1 S
, f2 L- ?. f! D, q1 x, W% S2 p4 z9 F8 L
1 Y% k9 X6 ]; m9 g! E% Z, U1 f' I* w
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