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Nine Inch Nails简介0 g; k- @. y# }
美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。/ {% _- y% S. K6 C
( m' Q+ c" t' o [; Z, }, h0 C* i信息简介
: ]& n& W$ h' |- T. ~! G负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。! |, d7 ]6 @$ e
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早年经历
+ o4 v; t9 T+ }( |Michael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。! P$ N8 J! m# x
Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。* x: e' D- V( [: d" S
1 E# J- Z+ Y) Y演艺经历- Z# `; v5 H P3 p& P
1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。
0 k/ i: |3 h+ o2 y5 J4 @7 Z4 l4 x1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。; v2 |6 U# f2 p) h
在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。
* q6 {3 d3 t( b6 r1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。4 e% O$ m) v1 {' w0 A: \2 F$ d# j
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) O1 x7 n" S' g+ h├─Albums+ J2 U/ [* [6 n( E
│ ├─1989 - Pretty Hate Machine
2 {+ H! H4 p# i. V% s' j' r6 e' H4 H│ │ 01 Head Like a Hole.m4a
1 g0 }7 W w4 \& T3 T│ │ 02 Terrible Lie.m4a; F* R, C! x0 w4 ]7 M/ _( W
│ │ 03 Down In It.m4a
8 m; R9 z( K. D, H* z& e: l- G│ │ 04 Sanctified.m4a
/ c1 @- I I" d, z9 S│ │ 05 Something I Can Never Have.m4a: G! s# S/ A8 ?
│ │ 06 Kinda I Want To.m4a
5 p5 i! J, q( c+ F) h│ │ 07 Sin.m4a
) K, u: m5 u6 F: ]' c! y7 J│ │ 08 That's What I Get.m4a( W& X9 p; _; F6 g H
│ │ 09 The Only Time.m4a) {! [/ C7 B( w
│ │ 10 Ringfinger.m4a. Z& [. N0 L$ j9 g* P
│ │ cover.jpg
9 N9 P$ n: R" p) u2 L│ │
* y0 A7 g- D4 y0 ~! z│ ├─1989 - Pretty Hate Machine (2010 Remastered)
8 P9 D- H* @, P" ]- {│ │ 01 Head Like a Hole.m4a8 l+ S% K! e5 L2 E/ t e
│ │ 02 Terrible Lie.m4a
, ]$ P' N7 Z& O+ V4 h│ │ 03 Down In It.m4a5 s' ^4 P/ m3 B+ T
│ │ 04 Sanctified.m4a
1 f9 |. T @% d" a9 o- q# g4 m│ │ 05 Something I Can Never Have.m4a- s3 d: z% o1 z
│ │ 06 Kinda I Want To.m4a, l1 b2 K! m/ N+ F% q- v
│ │ 07 Sin.m4a
, q3 ~; W' S) y4 U) P1 s) _│ │ 08 That’s What I Get.m4a
: }; o9 `) \; w│ │ 09 The Only Time.m4a+ t1 _- n5 e: {2 F; k1 F0 N* \
│ │ 10 Ringfinger.m4a
- S& ?- V+ ~* y8 U9 g' _/ m│ │ 11 Get Down, Make Love.m4a
0 d3 e) F! t" j; X" E+ L- y, [│ │ cover.jpg5 z) B* c: I1 G6 ]$ C5 g4 }
│ │
; [4 f! l* p/ x. k* R│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)' b- Y* O" f+ |$ R6 o* `# ~
│ │ 1-01 Mr. Self Destruct.m4a
- k$ y. {% {, g6 ]9 _$ J7 J│ │ 1-02 Piggy.m4a% X) m- B6 Y3 N2 E6 E$ G; W8 G
│ │ 1-03 Heresy.m4a( j8 ^+ H* E! q8 e( [" W5 t3 v& F: K
│ │ 1-04 March of the Pigs.m4a
3 d! j6 E- x: k( [│ │ 1-05 Closer.m4a3 B9 Y2 r" g, d z' W" T: e
│ │ 1-06 Ruiner.m4a9 S2 I& ?5 a: b H2 {1 Y9 y. E* m- P
│ │ 1-07 The Becoming.m4a& K( h6 P2 d9 o% N+ n7 v
│ │ 1-08 I Do Not Want This.m4a% H c- ~! }- s4 \' S) i
│ │ 1-09 Big Man with a Gun.m4a0 F; Q- x4 A2 z q4 L
│ │ 1-10 A Warm Place.m4a8 Z$ ?6 l! U4 e# ~
│ │ 1-11 Eraser.m4a
- Y6 h* g4 R& B/ q1 X│ │ 1-12 Reptile.m4a
2 H) o1 o, ^$ ?% ?% t7 Z+ Z( o1 ~1 ~3 v│ │ 1-13 The Downward Spiral.m4a4 {' d* V2 U* [- M, r& v! a
│ │ 1-14 Hurt.m4a7 @" o0 N# `+ [7 q: @* E6 x4 m0 x
│ │ 2-01 Burn (Soundtrack Version).m4a
( R; ]7 M9 j5 n2 E│ │ 2-02 Closer (Precursor).m4a
- X" E; A* @, p! a0 m3 V t│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a. Q7 K) E! F2 |: g
│ │ 2-04 A Violet Fluid.m4a
0 I$ |" u7 N* _- t. E5 e0 h│ │ 2-05 Dead Souls.m4a
+ c% ^) k1 F/ `0 g│ │ 2-06 Hurt (Quiet).m4a6 @- W( _" U; y
│ │ 2-07 Closer to God.m4a
$ ^6 v( a* Q) L4 @, i│ │ 2-08 All the Pigs, All Lined Up.m4a
8 z& }0 g. G% _0 A$ c5 s( _# T│ │ 2-09 Memorabilia.m4a5 e4 k3 }6 p) ]" S0 N5 u( C
│ │ 2-10 The Downward Spiral (The Bottom).m4a
! p& z& u. X1 U$ ~│ │ 2-11 Ruiner (Demo).m4a5 d+ x; t4 Y& x' ^. _; z% t d
│ │ 2-12 Liar (Reptile Demo).m4a5 }! D, k* [& f' k
│ │ 2-13 Heresy (Demo).m4a
3 s V; g% J6 b- I5 Z│ │ cover.jpg% p( o* n7 U* w* j. e1 g! {4 |% p
│ │ 7 v% i; w! F- b( X
│ ├─1994 - The Downward Spiral [Mastered for iTunes]
! l4 |5 S& B" _│ │ 01 Mr. Self Destruct.m4a2 x" Z4 ^! |6 N7 T; G2 x2 `
│ │ 02 Piggy.m4a4 ~* r6 \9 b; F, z8 Q U; i2 n
│ │ 03 Heresy.m4a' K; [+ s. r$ Z$ y) O2 F
│ │ 04 March of the Pigs.m4a
% g( [. o8 d0 P7 _* B│ │ 05 Closer.m4a
0 Y: d5 A3 U4 ]3 a│ │ 06 Ruiner.m4a% q' C% s. z# z( S6 `8 D- `& l
│ │ 07 The Becoming.m4a1 c; T# D6 V- ]3 I9 U
│ │ 08 I Do Not Want This.m4a
7 Y+ Z) j8 a& f' O! u# ^" Y│ │ 09 Big Man with a Gun.m4a
8 r0 P( B* ], S! I5 n& n│ │ 10 A Warm Place.m4a
# X. j- Z4 w: x3 p+ e. h│ │ 11 Eraser.m4a1 a3 V1 D3 n; N7 z) t
│ │ 12 Reptile.m4a
6 A0 L; ~: e f. B. R│ │ 13 The Downward Spiral.m4a7 w$ m9 g9 L9 J% [" r7 l
│ │ 14 Hurt.m4a4 p0 o* f4 M- }! @. q
│ │ cover.jpg
' y6 q, ~, }8 G│ │
* F5 L6 u0 ~+ g! o8 K# n/ F9 j c0 I│ ├─1999 - The Fragile [Mastered for iTunes]
0 C. {/ A& E7 ?+ k% H│ │ 1-01 Somewhat Damaged.m4a
$ n& G" J' ?/ y│ │ 1-02 The Day the World Went Away.m4a
/ k) P7 s/ t7 a; [│ │ 1-03 The Frail.m4a; }' J! i" v: t
│ │ 1-04 The Wretched.m4a3 Z3 `6 N2 J3 d" d6 s
│ │ 1-05 We're in This Together.m4a
0 j+ c: J3 _9 p" M7 Y6 Q8 I│ │ 1-06 The Fragile.m4a
+ n% D' i o& l& f1 I3 k│ │ 1-07 Just Like You Imagined.m4a' o2 q# F5 `- C: ^
│ │ 1-08 Even Deeper.m4a
0 N" T9 N4 z' A6 `) {1 \│ │ 1-09 Pilgrimage.m4a1 ]# A9 Y/ |$ n3 ]+ d
│ │ 1-10 No, You Don't.m4a
8 z7 O6 C2 J9 P# q1 Y4 c, z7 {│ │ 1-11 La Mer.m4a# H g! i& V7 Y v% a( T
│ │ 1-12 The Great Below.m4a) S) D4 Y% Q( [8 n
│ │ 2-01 The Way Out Is Through.m4a
! L8 q6 N7 o& m: V. M│ │ 2-02 Into the Void.m4a
4 o; ^/ G2 B2 a; y7 q& L% J│ │ 2-03 Where Is Everybody_.m4a; u# C; i6 S N0 @
│ │ 2-04 The Mark Has Been Made.m4a9 w2 K7 p! o$ P! c9 V
│ │ 2-05 Please.m4a7 P9 S0 F1 ]! ]: s. D4 |
│ │ 2-06 Starf--kers, Inc..m4a
9 X& ?7 n2 }# G! f0 D. c/ o│ │ 2-07 Complication.m4a1 A/ Y5 T2 Q/ Y1 O# H" Q, C/ p
│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a+ J" [/ C8 F# @9 ]
│ │ 2-09 The Big Come Down.m4a& ~: R5 ]' q9 Y$ o: W, }2 X' r P7 F
│ │ 2-10 Underneath It All.m4a4 ~% k7 H: C) l
│ │ 2-11 Ripe (With Decay).m4a
8 a5 ?# a3 ^9 x: T! N8 c3 Z│ │ cover.jpg+ G( M. L& ^, T7 B% k( ~" w
│ │ 8 E" W3 [3 b T6 t; B- x
│ ├─2002 - Still
6 b. [9 d2 r9 |6 e+ V. `│ │ 01 Something I Can Never Have.m4a
! F4 N1 W$ e" I* |│ │ 02 Adrift & At Peace.m4a. s% O! Q9 v3 M2 y- K Y
│ │ 03 The Fragile.m4a
6 |3 O# w% e" |│ │ 04 The Becoming.m4a% ^! C* }: _5 e: |+ U, o
│ │ 05 Gone, Still.m4a2 d# T! r; I! h; ~% y* C
│ │ 06 The Day the World Went Away.m4a2 Y: r$ h/ s$ M2 k0 C
│ │ 07 And All That Could Have Been.m4a1 {" I Y8 f3 Y' _$ h
│ │ 08 The Persistence of Loss.m4a
+ v9 Q8 j0 r1 _' `5 S) B│ │ 09 Leaving Hope.m4a
5 O$ c) Y0 c" k: z* S, ^. Z2 W" G│ │ cover.jpg
) r P; X' H+ u1 y│ │ 0 ?2 y9 U% ?* M5 |- s
│ ├─2005 - With Teeth
) U1 f2 T( y4 Z2 w* q7 k+ [│ │ 01 All the Love In the World.m4a
& S: b$ U. x4 b( E4 {4 _│ │ 02 You Know What You Are_.m4a( c( V! U6 S$ v; \& W4 Z7 X8 S5 P
│ │ 03 The Collector.m4a
+ [ }- m0 d3 d7 B- t' [│ │ 04 The Hand That Feeds.m4a
- V2 C$ `, V( Y│ │ 05 Love Is Not Enough.m4a1 T# P! y/ j' a. u) n
│ │ 06 Every Day Is Exactly the Same.m4a q8 p* L& `" c
│ │ 07 With Teeth.m4a8 G7 {, H0 \* G' R8 w9 ]/ s4 N0 m" D) c
│ │ 08 Only.m4a, i1 _: ]6 x8 F* N
│ │ 09 Getting Smaller.m4a
! K2 D# c/ k' r& K5 P p: {│ │ 10 Sunspots.m4a/ m; f7 o* L# V: {+ ?- [
│ │ 11 The Line Begins to Blur.m4a% S3 p9 l) }& g) t/ k% W o2 i
│ │ 12 Beside You In Time.m4a
4 L/ I; O' `$ ^│ │ 13 Right Where It Belongs.m4a. E9 U( {8 U6 m7 W) \
│ │ 14 Home (Non-LP Version).m4a
$ {/ i0 v' C% c8 {* n│ │ 15 Right Where It Belongs (Alternate Version 2).m4a
X8 A. \$ K: p+ i0 Z3 p7 c│ │ cover.jpg' n' R& e0 Y; @) y& t" y
│ │ / e8 W. t! _9 c# T4 _, ?3 }
│ ├─2005 - With Teeth [Mastered for iTunes]
6 d5 r, {6 _( ]9 I! \) g│ │ 01 All the Love in the World.m4a1 [! }6 ^6 X9 R% O/ c
│ │ 02 You Know What You Are_.m4a
! ?: R) ?1 T3 @( a8 `│ │ 03 The Collector.m4a; J0 ^! R7 H& z5 q" V
│ │ 04 The Hand That Feeds.m4a+ k) A# E8 S1 ^4 x
│ │ 05 Love Is Not Enough.m4a
! G0 N5 x( q! s. Q w│ │ 06 Every Day Is Exactly the Same.m4a- r3 z8 I5 E1 H
│ │ 07 With Teeth.m4a
$ Q! U2 H; v; y ?; F│ │ 08 Only.m4a
) s# g$ ]- x0 g& u+ q│ │ 09 Getting Smaller.m4a& l: Q' Y* R+ b
│ │ 10 Sunspots.m4a
) j' K& Q% v* @; }: u8 n: W│ │ 11 The Line Begins to Blur.m4a1 X; Y0 r; F7 Z. C& l- ~
│ │ 12 Beside You in Time.m4a
! t8 t9 Q/ A$ L: a│ │ 13 Right Where It Belongs.m4a$ D' t3 e7 s U$ x2 G+ Z
│ │ cover.jpg/ V7 G# q( z* D* _6 r& ]3 N |% H- y
│ │ ( L1 Q6 l- \3 t
│ ├─2007 - Year Zero [Mastered for iTunes]
& |2 L7 x! b7 e/ C7 j" Q6 W│ │ 01 Hyperpower!.m4a5 n' k0 X2 O4 U2 P1 Z! E2 s3 n2 E
│ │ 02 The Beginning of the End.m4a+ N1 |' c1 m. b7 b: `3 _! }" ^
│ │ 03 Survivalism.m4a
6 @5 Z" Q H( w2 C) D3 _% B│ │ 04 The Good Soldier.m4a
1 e. D1 T A9 I8 b│ │ 05 Vessel.m4a( a& l3 ]3 w, E8 F3 ^8 J+ v& D
│ │ 06 Me, I'm Not.m4a1 _* q, j2 q6 d. m9 n
│ │ 07 Capital G.m4a# e+ C) s2 b! l8 I
│ │ 08 My Violent Heart.m4a
2 e4 R5 J+ p. E3 N1 u+ S' E6 w, {│ │ 09 The Warning.m4a
1 k. R! e( y" e, m6 z' J│ │ 10 God Given.m4a. B3 n& c m9 x, W, `. W
│ │ 11 Meet Your Master.m4a
+ p0 Y$ x4 ~& j│ │ 12 The Greater Good.m4a
; q$ e& O, ?6 d# R6 I! E, g+ S│ │ 13 The Great Destroyer.m4a
8 a& L( E. `# s% {) }4 d0 M/ T│ │ 14 Another Version of the Truth.m4a& F* G& t1 H+ ~6 P
│ │ 15 In This Twilight.m4a
, w- y5 R% X4 e: B│ │ 16 Zero Sum.m4a
2 @$ f: q* y1 }│ │ cover.jpg# p5 K: H' S) t+ ]& R( c
│ │
0 l7 t3 _) v9 s+ S/ w, Z' k│ ├─2008 - Ghosts I-IV v" ]! b4 }2 P- \- U' D
│ │ 01 01 Ghosts I.m4a X }. ~4 R& x2 g
│ │ 02 02 Ghosts I.m4a
, i5 I$ M3 c* B2 A+ U3 B b│ │ 03 03 Ghosts I.m4a
0 A' m0 _' g: k│ │ 04 04 Ghosts I.m4a
4 r3 b( ]0 l/ r, d3 D' C; Z8 W! {* t│ │ 05 05 Ghosts I.m4a
; M; T$ ~! R+ m+ V0 B) e│ │ 06 06 Ghosts I.m4a
. V1 y! N. d4 J' P& I│ │ 07 07 Ghosts I.m4a
, h5 d. h; f7 k f) n7 K│ │ 08 08 Ghosts I.m4a& r% P- G3 p0 l8 v3 h- @: i
│ │ 09 09 Ghosts I.m4a6 j9 C$ v- K! K8 H+ ]
│ │ 10 10 Ghosts II.m4a
/ Q+ X7 j* Q' }: I│ │ 11 11 Ghosts II.m4a
" s3 Y; R5 E( V4 O: l, A│ │ 12 12 Ghosts II.m4a! E% o5 V1 S2 ~, s1 ~# G' N6 m
│ │ 13 13 Ghosts II.m4a
4 A4 F; ?; ^! C. U% i│ │ 14 14 Ghosts II.m4a
$ \; z# W1 c. j& F6 J│ │ 15 15 Ghosts II.m4a
: A; B8 e: Z$ b4 @0 C│ │ 16 16 Ghosts II.m4a3 n4 e9 T+ J$ K* v0 C- J/ j
│ │ 17 17 Ghosts II.m4a
1 c9 P% Y. Q7 q T│ │ 18 18 Ghosts II.m4a) V4 g3 G0 s) I% t' y
│ │ 19 19 Ghosts III.m4a
6 S, H1 E+ `4 `& i. O│ │ 20 20 Ghosts III.m4a
; _8 s5 w+ P" O& p│ │ 21 21 Ghosts III.m4a, I2 G; x* ?$ C. \
│ │ 22 22 Ghosts III.m4a9 |/ G# h6 {- w4 T
│ │ 23 23 Ghosts III.m4a- n4 d; x- M$ o3 c
│ │ 24 24 Ghosts III.m4a
# C& y; Y8 _# \( _9 g4 X) Z( e4 r: K│ │ 25 25 Ghosts III.m4a
8 K( G, ?* ]' s0 _5 G" t│ │ 26 26 Ghosts III.m4a
3 V8 `" q! P( V. G│ │ 27 27 Ghosts III.m4a
% ~; t& i. n) ?7 U8 ]│ │ 28 28 Ghosts IV.m4a4 S& K" `# u/ N3 [& c: u
│ │ 29 29 Ghosts IV.m4a
' f) J* a( S$ g3 E A& [│ │ 30 30 Ghosts IV.m4a
D6 s* D0 ^* ]) }│ │ 31 31 Ghosts IV.m4a; f) _' Q7 p% ]( A1 a# O
│ │ 32 32 Ghosts IV.m4a
: Q! h9 v$ p4 K) h9 r$ I│ │ 33 33 Ghosts IV.m4a; x E& s9 `0 F3 E9 _
│ │ 34 34 Ghosts IV.m4a9 S8 V; T4 Q) [' D
│ │ 35 35 Ghosts IV.m4a- |3 Z, T K! C# S2 G1 s
│ │ 36 36 Ghosts IV.m4a
: L* c0 s7 g5 q& \! L: m( f2 I│ │ cover.jpg
0 T- w( Y, A- q! q│ │
& z+ |0 l+ u6 h: t% a$ k│ ├─2008 - The Slip1 @+ m8 w. D! p" ?9 @- o* J
│ │ 01 999,999.m4a
8 Y! F- x0 L+ P7 r+ o4 W( E* H' f│ │ 02 1,000,000.m4a
6 W: Q' j1 Y/ M% |# w3 _│ │ 03 Letting You.m4a
& F9 q/ d! y3 r) O3 K3 U│ │ 04 Discipline.m4a2 H8 j- l4 R i1 O- r/ k6 n6 G! n
│ │ 05 Echoplex.m4a9 _/ v) `" Q& I; c1 y! ~
│ │ 06 Head Down.m4a9 [! g4 Y6 C: N4 w/ c. i% d8 ]
│ │ 07 Lights In the Sky.m4a
4 I5 X- [/ @3 M# w4 o1 C! H* W│ │ 08 Corona Radiata.m4a
, q; H8 R o0 h! D8 N' ^/ g│ │ 09 The Four of Us Are Dying.m4a3 i1 V1 y5 ^2 M8 } W
│ │ 10 Demon Seed.m4a
3 Z! p" t) L, @, R0 A2 P│ │ cover.jpg
# [7 O7 A/ I7 K" w+ q1 `│ │ 3 H6 S; T2 ]& B3 H6 ?) h" [
│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]& l) N, O* F- A' v% s7 u- h9 V" R
│ │ 01 The Eater of Dreams.m4a5 H- G; K# A7 n6 k
│ │ 02 Copy of A.m4a; z2 `( X. d$ p# S% I9 e
│ │ 03 Came Back Haunted.m4a* C3 x7 _* S. i! T; ^* Q6 g
│ │ 04 Find My Way.m4a0 S& o4 `, c8 R
│ │ 05 All Time Low.m4a
G& {! A+ c z& X* x│ │ 06 Disappointed.m4a }- v" a [5 w7 D. m' N q& y
│ │ 07 Everything.m4a
+ r- r9 B9 K7 Z0 u; d6 z│ │ 08 Satellite.m4a
( }4 Z6 t4 O1 l│ │ 09 Various Methods of Escape.m4a
% S# i0 d8 O: W& V│ │ 10 Running.m4a
) N& f0 {7 Z: ?1 |( f│ │ 11 I Would For You.m4a
. e; f4 c! |: @) i│ │ 12 In Two.m4a3 r; Q T V" q Y
│ │ 13 While I'm Still Here.m4a
5 ^7 R) f) V* G, q: ?8 o* m│ │ 14 Black Noise.m4a9 V8 V+ R/ J8 r O) _) w
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a" w8 s& A( N: j0 `) b' \" G
│ │ 16 All Time Low (Todd Rundgren Remix).m4a" x" u; r* |6 c, k. i% }
│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a6 a, M3 n1 p4 Q) D- {
│ │ 18 Trent Reznor In Conversation With....m4a
; {" f' x6 K* d+ P│ │ cover.jpg( C8 p# a9 e9 q
│ │ & X% f% q2 q. H; F) C
│ └─2018 - Bad Witch
1 z+ i ?4 u( I' Q│ 01 Shit Mirror.m4a
9 Z: `& J/ n8 B! m4 q9 c, G1 g│ 02 Ahead of Ourselves.m4a
8 j. A' n3 e7 z│ 03 Play the Goddamned Part.m4a Y) {" N" t- k; m7 ^
│ 04 God Break Down the Door.m4a
- |- i- O F/ L: d* C. @ c│ 05 I'm Not from This World.m4a
( G- N9 G/ T7 k# f; B│ 06 Over and Out.m4a# H; h8 k) T) w+ r, y
│ cover.jpg) _% F. X( t; {3 G# t1 [6 k
│ 0 J2 W+ f" h* y+ f- T) H1 t# e
├─EP's
6 I1 b1 @1 [' f0 R9 x│ ├─1990 - Sin - EP
" v3 y& D, a7 t% Z* E5 L/ V│ │ 01 Sin (Long).m4a
% T+ I& }& F+ K! b* j# T/ L3 C│ │ 02 Sin (Dub).m4a0 m6 `' {1 _4 j
│ │ 03 Get Down Make Love.m4a
9 | X ~# H9 ^│ │ 04 Sin (Short).m4a d' B% I/ r! J; D! v; e
│ │ cover.jpg
. D7 |3 y, P- n9 s7 S5 y│ │ 6 F6 M9 y4 N: \+ B
│ ├─1992 - Broken - EP
/ `8 f5 a6 D4 s: a7 P│ │ 01 Pinion.m4a7 o5 ]2 p& ^$ m5 B l
│ │ 02 Wish.m4a8 W& S3 T! i3 _; l3 K
│ │ 03 Last.m4a
+ e& _1 q& [8 C) L5 s; `│ │ 04 Help Me I Am in Hell.m4a
) Y9 P9 f; F2 d+ p- h│ │ 05 Happiness in Slavery.m4a# v. s/ v/ `. G
│ │ 06 Gave Up.m4a5 M1 `+ Q- `5 o. t3 e$ u. ]$ c
│ │ 07 Physical (You're So).m4a
* F- r, W9 e. ?3 {! x$ |8 p│ │ 08 Suck.m4a) q' X$ m R; |1 N! \& v4 u+ Q
│ │ cover.jpg1 Y0 n: |3 D; Y; d4 Q
│ │ ( z8 M6 I7 y4 A( j' n; F
│ ├─1992 - Fixed - EP7 E% S- w6 y1 O3 _! E# u
│ │ 01 Gave Up (Remix).m4a
. t/ A: o0 `% R9 t2 D│ │ 02 Wish (Remix).m4a, J+ Q! A$ K: A6 l
│ │ 03 Happiness In Slavery (Remix).m4a
7 a( n% o# }. d' ?4 L2 ?. U1 C│ │ 04 Throw This Away.m4a
4 \9 T; ]& S- E& A/ G, y│ │ 05 First F--k (Remix).m4a
8 S, M4 ~$ d/ g│ │ 06 Screaming Slave.m4a
: f* j4 A' A% X7 V4 J8 W│ │ cover.jpg8 x" g! v! ~! `
│ │ # q, w$ X6 c3 e& f7 W9 t
│ ├─2005 - Only - EP0 v7 O5 w( r# r- P: I
│ │ 01 Only.m4a/ p! [5 q4 \" {( i9 O
│ │ 02 The Hand That Feeds.m4a
. Q, Y6 }* U! K X) n) O0 \% h│ │ 03 Love Is Not Enough.m4a
4 p2 ?; v% j- Z( u( r2 R; g│ │ 04 Only.m4v/ K4 l' f3 w. P* ?
│ │ cover.jpg# M/ z3 s a5 v' ~
│ │ 6 l% I$ p) ~; J/ g! k6 v
│ ├─2005 - The Hand That Feeds - EP
$ n5 y' C$ F; y. C│ │ 01 The Hand That Feeds.m4a0 i+ V7 g3 I" N0 a( |
│ │ 02 The Hand That Feeds (Dfa Remix).m4a
$ a0 Y) N' D, h. X│ │ 03 The Hand That Feeds (Photek Dub).m4a" o" V2 n o1 x: j2 m$ r" `% {# R5 B
│ │ cover.jpg- }/ f4 W/ s9 R2 A
│ │ 8 I/ T# {9 F; R$ m- w
│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP
! b4 k/ ]2 e, T5 k4 |" L│ │ 01 Every Day Is Exactly the Same.m4a0 I; T: T5 J5 C0 r* s6 ^- V8 J
│ │ 02 The Hand That Feeds (Dfa Remix).m4a
3 ~% ~6 y7 ], ]7 W) N4 h$ d│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a
* |7 D* J% v1 N2 H. R! n│ │ 04 Only (El-P Remix).m4a
- b1 u) m5 r& Y' \│ │ 05 Only (Richard X Remix).m4a$ F; Z$ y) s7 [# u9 Q- R/ D
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a
4 \. C. _7 e; G; p. G. S│ │ cover.jpg; ?$ l0 v: @$ a+ W3 s+ t# A
│ │ $ f; s# c8 w/ R. L! A. Z; L
│ ├─2007 - Survivalism - EP
" k2 m5 g, U7 m6 q9 h% V& q# U│ │ 01 Survivalism.m4a
; C/ a" S) ~0 G, Y% y* Y│ │ 02 Survivalism (Tardusted Remix).m4a* I5 L. X5 Q' }2 r
│ │ 03 The Greater Good (Instrumental Version).m4a% ^ l) }3 l/ D9 b; G- ^
│ │ cover.jpg+ J# b9 }3 O4 e( J/ J5 ?
│ │
! f K/ L% X) O8 r│ ├─2014 - Recoiled - EP (w. Coil)
) d6 W9 J: I' ~2 B│ │ 01 Gave Up (Open My Eyes).m4a" A& K1 `* F9 b1 K/ E) c
│ │ 02 Closer (Unrecalled).m4a
6 g0 t& G$ m" t│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
2 ?: \& z3 l7 A ?/ d' |│ │ 04 Eraser (Reduction).m4a
/ Z6 g p! b4 p" x; b│ │ 05 Eraser (Baby Alarm Remix).m4a( M9 @$ F, {! ?! V Z$ S& K9 h
│ │ cover.jpg
9 G2 a4 ]5 Q& A│ │
v+ y/ [+ m3 f│ ├─2016 - Not the Actual Events - EP# |1 y2 N4 U% f9 [" H
│ │ 01 Branches _ Bones.m4a7 y! P' |4 d, ], ]* ~$ k: x9 D M
│ │ 02 Dear World,.m4a
& ^# |2 n4 q) f2 |. k9 G9 `│ │ 03 She’s Gone Away.m4a
+ D, b8 y3 z& B! b) j) Y* I2 c$ }│ │ 04 The Idea of You.m4a2 Z# t8 j( v* @. ~5 i# l, ?- m. ?
│ │ 05 Burning Bright (Field on Fire).m4a
b3 G, z3 C7 i" k* e6 a( J3 Z2 ]│ │ cover.jpg
8 b$ {3 R3 E5 b% O. D1 b│ │
0 i8 {: _. E! z0 H3 r6 s3 L# \│ └─2017 - Add Violence - EP
& j8 ~ y. o f│ 01 Less Than.m4a' m; V9 K7 n) J; ^. I) H0 x& n/ r
│ 02 The Lovers.m4a
- }+ i8 o. r# j0 {* b: B! Y0 [0 z│ 03 This Isn't the Place.m4a) u, b8 C% H- Y2 \% X' C) a
│ 04 Not Anymore.m4a2 _# C! w5 ~: _
│ 05 The Background World.m4a$ A8 A4 o5 S0 X/ t6 T e. U
│ cover.jpg6 P- `" U# U. z8 W" I/ q
│ 5 M2 Q6 g# H: o |/ j( m8 R
├─Live
. T9 H `* M, r: S6 K8 z' m- R│ ├─2002 - And All That Could Have Been (Live)
/ \ E5 K. ?. D│ │ 1-01 Terrible Lie.m4a# y+ U2 N, }" w/ p% U
│ │ 1-02 Sin.m4a
" f! U6 \$ s! R3 m) X│ │ 1-03 March of the Pigs.m4a
. ~0 s* T S! n! ]" H│ │ 1-04 Piggy.m4a8 |, E" h- f4 {& M
│ │ 1-05 The Frail.m4a+ a5 K8 e3 V* b; J3 B
│ │ 1-06 The Wretched.m4a
6 B; s1 ]- Z0 @2 c, E7 y" O│ │ 1-07 Gave Up.m4a, ^ [4 }4 {$ n- i9 |
│ │ 1-08 The Great Below.m4a( T( [; O4 A7 U& b& D4 P
│ │ 1-09 The Mark Has Been Made.m4a
, ~' h2 C- J) r( C/ v/ I- \│ │ 1-10 Wish.m4a
9 v, Y' J; Z+ y/ k│ │ 1-11 Suck.m4a7 G6 t) {6 w# @3 Z& d" B
│ │ 1-12 Closer.m4a3 q) B3 F" u; n: Q; u$ p2 U3 B
│ │ 1-13 Head Like a Hole.m4a/ y/ m# [1 b8 W5 f! D# `! S
│ │ 1-14 The Day the World Went Away.m4a B( _3 O/ ]3 L F/ H5 Q
│ │ 1-15 Starfuckers, Inc..m4a
/ W4 v+ K# R2 m7 e0 E8 ]7 h% A; x0 W│ │ 1-16 Hurt.m4a6 |# A3 \# I$ |3 Y" a( Y ]
│ │ 2-01 Something I Can Never Have.m4a" ?/ O4 H# M; A0 ~/ K8 c! h5 G
│ │ 2-02 Adrift & At Peace.m4a3 J. C2 e& F* [& O
│ │ 2-03 The Fragile.m4a- ?2 l0 g0 Y8 G+ w
│ │ 2-04 The Becoming.m4a. z4 M& X' d* Y1 I( m6 s: v
│ │ 2-05 Gone, Still.m4a$ J$ k t8 h; ~6 Y
│ │ 2-06 The Day the World Went Away.m4a+ B, [# U+ e- S& H7 W: W. x/ P
│ │ 2-07 And All That Could Have Been.m4a% a: p; ?! y2 l$ n( |: G
│ │ 2-08 The Persistence of Loss.m4a' p0 `+ S7 |* Q
│ │ 2-09 Leaving Hope.m4a; n, z; Z0 w- Q n- X1 d
│ │ cover.jpg
8 W8 ? T) H' e2 s0 C# X│ │
# j- y+ ^1 ], C" S: C│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]8 a; m' O( A* a. {
│ 01 Terrible Lie.m4a' p; @, @" u7 I" h# [# K6 H
│ 02 Sin.m4a( a& n3 @* a" m4 ~# {
│ 03 March of the Pigs.m4a
/ s+ ?6 |7 n$ K+ p# s0 J│ 04 Piggy.m4a
% J4 D* ~% U8 \( C│ 05 The Frail.m4a5 Z' Z+ L8 S- l$ G; Q
│ 06 The Wretched.m4a2 R2 a; Q8 m) \, i; p
│ 07 Gave Up.m4a
* T% N5 h* K7 I! F6 P& X |. S) U│ 08 The Great Below.m4a
0 n! g( b# ^/ m│ 09 The Mark Has Been Made.m4a
# B/ z; `/ D+ }1 z( z│ 10 Wish.m4a
# j1 M% u8 P7 E4 v H& X│ 11 Suck.m4a
. W+ R+ _1 b' M+ r3 X7 u│ 12 Closer.m4a
. a- J0 ^) b9 b" |│ 13 Head Like a Hole.m4a7 }0 }0 A$ R/ D9 p# {# @9 @) l
│ 14 The Day the World Went Away.m4a
; b. u l- d7 O/ [) ~2 S│ 15 Starf--kers, Inc..m4a
b6 _5 n8 c+ }5 C7 w; Y; e│ 16 Hurt.m4a# O- J# Q0 D' }% @3 o' m2 }6 |
│ cover.jpg
, R: N+ o* s9 t+ N* B│ 6 y; B; @1 {: |
├─Remix Albums% j0 ^0 w/ p+ Y5 E3 |/ k
│ ├─1995 - Further Down the Spiral
7 t$ H7 K, h" u5 z│ │ 01 Piggy (Nothing Can Stop Me Now).m4a6 T$ H( x9 m/ _9 N4 h
│ │ 02 The Art of Self Destruction, Part One.m4a
3 t7 d. P4 }1 \2 P8 p│ │ 03 Self Destruction, Pt. 3.m4a7 @2 v( f2 P" U& I6 T8 `* M) Y$ h
│ │ 04 Heresy.m4a
2 t! R0 g; H( H" r, t│ │ 05 The Downward Spiral (The Bottom).m4a; h2 y' R3 w, Z- r$ k
│ │ 06 Hurt (Quiet) [Live].m4a
) r& h e! `9 j, i; Q; `5 W│ │ 07 At the Heart of It All.m4a
- I6 J! j! \$ |$ o ?/ U8 B2 \│ │ 08 Ruiner.m4a% K8 h& h0 Y: v, F5 G
│ │ 09 Eraser (Denial Realization).m4a
5 S: h5 O3 f/ e1 S9 \5 }* O│ │ 10 Self Destruction, Final.m4a
' A; H* q( [3 f3 s ?7 G ?│ │ cover.jpg
: K) `; B8 D$ I0 J7 @7 O1 c│ │
' {# p; Y# s" n, u5 e0 M a. Y. R$ R0 A│ ├─1995 - Further Down the Spiral (US Version)4 ]: m! x0 i/ r6 C, v" V
│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
# d6 ^* T. C, l/ `: _8 G│ │ 02 The Art of Self Destruction, Pt. 1.m4a
* I# n( h A+ W3 I│ │ 03 Self Destruction, Pt. 2.m4a6 L% ?/ X6 Y! r
│ │ 04 The Downward Spiral (The Bottom).m4a
- \/ t) _# |- E5 {0 ?/ h4 a9 x- I│ │ 05 Hurt (Quiet).m4a2 E m% g* h6 ]0 u5 i8 W F
│ │ 06 Eraser (Denial- Realization).m4a
. E% M' R) t4 i' S│ │ 07 At the Heart of it All.m4a" Y! v" U7 K% B F# F" o
│ │ 08 Eraser (Polite).m4a8 h2 E/ D4 p. ~
│ │ 09 Self Destruction, Final.m4a
& E/ s+ f( ?, w2 C2 J T" L│ │ 10 The Beauty of Being Numb.m4a
, j/ n/ o7 [- j6 u: s9 W│ │ 11 Erased, Over, Out.m4a
3 q- ?, `3 \" k3 v5 e/ Y3 P+ Y│ │ cover.jpg
) b2 K% B, u: K& f7 N6 c│ │
/ x: X( ?9 m% s" r5 W: l/ {+ }│ ├─2000 - Things Falling Apart
7 G% n, J' k9 I- S$ ~% M. c9 Y) H│ │ 01 Slipping Away (Remix).m4a+ f+ l. L8 }0 ^/ l, D
│ │ 02 The Great Collapse (Remix).m4a
! N' C1 p, ~7 ^ S( M) G3 r6 S; r- c│ │ 03 The Wretched (Remix).m4a
/ ^" B' U% s. r. z│ │ 04 S--------rs, Inc. (Remix).m4a
$ b( i+ ?, }+ d6 P│ │ 05 The Frail (Remix).m4a
9 X) B7 f4 d3 e5 }$ h8 G& q, L$ I4 a│ │ 06 S--------rs, Inc. (Remix).m4a
' o$ h# Y% T& Q5 k4 Z/ H│ │ 07 Where Is Everybody! (Remix).m4a
" O3 {; k. _5 D5 M! p/ d│ │ 08 Metal (Remix).m4a
$ O, u" g4 Y4 T# K! `5 R6 r x3 W│ │ 09 10 Miles High (Remix).m4a; D9 c$ _% C. E
│ │ 10 S--------rs, Inc. (Remix cc).m4a4 y" J6 C4 X( T' h& b
│ │ cover.jpg: y+ ^7 X3 w( |( D# P3 f
│ │ 8 x$ L- A8 X9 ^% T
│ └─2007 - Y34RZ3R0R3MIX3D" ]. O8 O M# }2 r* R
│ 01 Gunshots By Computer (Saul Williams).m4a+ u- G% O; o5 m' z9 F' C. M
│ 02 The Great Destroyer (Modwheelmood).m4a
7 j. G+ M+ G1 O* Z│ 03 My Violent Heart (Pirate Robot Midget).m4a
5 F, ~( N* E+ y│ 04 The Beginning of the End (Ladytron).m4a4 T2 ?0 \% d" F/ o9 j3 ]9 o7 q
│ 05 Survivalism (Saul Williams).m4a6 ^2 g- s/ |8 L# x' z! v/ z$ S2 C
│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a
+ _0 ]4 n2 C" S- a+ U. Y4 ~2 R* `* x9 d│ 07 Vessel (Bill Laswell).m4a
. z" F6 L5 ?+ O V) |8 D) D% N│ 08 The Warning [feat. Doudou N'diaye Rose].m4a* a, q, `# Y" _9 ^2 h3 |) E
│ 09 Meet Your Master (The Faint).m4a/ ]+ P3 c& M1 p4 \) S( g
│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a; {0 s! P2 K# J1 T8 V, D% r; j" P
│ 11 Me, I'm Not (Olof Dreijer).m4a
% M$ H3 ?% J. M" k5 e│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a9 p7 m# \6 a1 i( S* U" H
│ 13 In This Twilight (Fennesz).m4a' N! F' V4 Q4 f6 ~4 c8 E* D8 Y
│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
8 I8 U7 s2 [4 o/ R1 K$ R/ W7 S│ cover.jpg) b" }8 J% @4 t' k' n; P
│
) w6 y/ L7 b) Z. r2 T└─Singles
0 J& { @- d* R. P. Q ├─1989 - Down In It - Single
3 X) N& T; a( A, D6 r( j% u │ 01 Down In It (Skin).m4a
# L% Y) I% @" `" M │ 02 Down In It (Shred).m4a0 w3 t; i7 v9 L ?
│ 03 Down In It (Singe).m4a
- d- L5 j( _+ P: | o, M. [ │ cover.jpg) p- i5 C7 E/ j" I% y1 s
│ 2 D5 m! c5 F r6 E( _
├─1990 - Head Like a Hole - Single
/ w. e8 B, y; `% n8 f3 l │ 01 Head Like a Hole (Slate).m4a
" j( O- ~! L6 Z2 K- E6 M3 n: { │ 02 Head Like a Hole (Clay).m4a
8 T" v5 p7 s% a6 D4 i │ 03 Terrible Lie (Sympathetic Mix).m4a
/ S: {9 n k! O2 t │ 04 Head Like a Hole (Copper).m4a7 E0 S- A2 v* I! Q/ N; W
│ 05 You Know Who You Are.m4a
' [; I; \* m2 I4 D │ 06 Head Like a Hole (Soil).m4a* t9 a( [- R5 F4 J/ X& M, _
│ 07 Terrible Lie (Empathetic Mix).m4a: |# ~* Y# Y8 e# _+ ?
│ 08 Down In It (Shred).m4a
# l* B V5 w- e# A* P │ 09 Down In It (Singe).m4a6 S) G( A$ b/ q
│ 10 Down In It (Demo).m4a# w9 G% k/ [1 _/ z9 I, E2 u' S- p
│ cover.jpg
" R$ \7 ]9 K1 r7 G9 } │
) X0 g/ n# i7 l% `/ [3 i4 ? ├─1994 - Closer to God - Single h( ^9 n" x9 w4 j5 y
│ 01 Closer to God.m4a" m6 a1 _9 S# A4 f0 R
│ 02 Closer (Precursor).m4a
- G, i2 s& k6 J4 E' g │ 03 Closer (Deviation).m4a
# p! G, v2 m( N0 \4 e │ 04 Heresy (Blind).m4a
& Q( a, h- p7 v8 S │ 05 Memorabilia.m4a3 W( Y O& h. w3 Q6 {9 R
│ 06 Closer (Internal).m4a; J. B+ V, u5 `& v" X
│ 07 March of the F------ds.m4a
. q! n w. D/ R) C2 z$ F2 m9 i │ 08 Closer (Further Away).m4a( |8 {9 m6 `- I9 D/ ^3 j
│ 09 Closer.m4a* [5 z B# G2 N+ h
│ cover.jpg; p1 Z: q [& ~
│
3 c, }% N& D P ├─1994 - March of the Pigs - Single% {- G) X2 q* Q8 l) ^+ ^0 P, q
│ 01 March of the Pigs.m4a! t: F$ c) K2 N" u
│ 02 Reptilian.m4a
6 x- u$ p, b. C- c1 F │ 03 All the Pigs, All Lined Up.m4a
+ m" l8 \0 R' n0 {7 J8 e c" Q │ 04 A Violet Fluid.m4a
( G$ q/ o0 f0 L │ 05 Underneath the Skin.m4a' A, [" U/ |5 U
│ cover.jpg- }: _6 v' Y8 j, @& e% b
│
; y7 W3 g. D' V6 g ├─1997 - ''The Perfect Drug'' Versions - Single
' s3 ]! L4 l( g( L, \; g+ U │ 01 The Perfect Drug (Meat Beat Manifesto).m4a
0 u. l- n2 \5 z. Q, s │ 02 The Perfect Drug (Plug).m4a
1 }2 R. S1 ?. {) H │ 03 The Perfect Drug (Nine Inch Nails).m4a$ i. \) n L. M2 z1 d+ h
│ 04 The Perfect Drug (Spacetime Continuum).m4a
* |0 ~/ F# k* Y- o: n: p │ 05 The Perfect Drug (The Orb).m4a
7 B% E( f4 m: h, E │ cover.jpg
! q% P e- s8 s- ` │ ' ]+ l- }9 R* C
├─2013 - Copy of A - Single( B' c& S' A: I
│ 01 Copy of A.m4a
5 m2 Y5 s* T* B# g$ p& Z │ cover.jpg
7 T2 B2 S' h0 k/ S7 i │ $ {2 c5 b7 \+ N" s" @/ z9 {. E& Q8 P& ?
├─2013 - Everything - Single; i7 K( K1 G! E! L2 z6 D) E
│ 01 Everything.m4a3 F; x3 R/ z) Z3 g$ g: W% L
│ cover.jpg F8 h2 h4 y! c2 E6 ?& E( R' L1 e& h' }3 [
│
3 s0 z0 \3 [8 Y, F2 W5 B2 ] └─2017 - Less Than - Single
- Q% J& F( J8 X+ z u1 f' L. M 01 Less Than.m4a- d8 l5 r- Y# s
cover.jpg
0 D, C7 t6 u. i. G1 B( z4 `9 q; g3 p9 j$ I. b& J* `" P
/ R) R; E5 H$ w5 _( g) k" ^8 u7 Z$ T+ } g/ Z6 s" _4 d( X6 y
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