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. L2 H7 a% c( K* D% MNine Inch Nails简介
% d5 |; B; d: Y+ I美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。
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信息简介3 J: o3 f' l+ N9 S. h1 z+ A$ x
负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。2 C% O7 i1 v1 C; a" }% P
7 Q4 K+ g" ?, K7 ]2 ^早年经历- C; O6 y4 A. U# j0 L8 n
Michael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。" `; \% a2 M0 U: r, y: ]
Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。3 P" F8 {# H9 ~2 `4 @
) y" E* c8 M3 Z$ b; a: [) U演艺经历, }2 Y: \; h* N- v
1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。4 D. D+ ?+ C* t9 B+ t0 f
1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。: e: q% h0 @/ g7 J+ {
在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。
' {; F1 J+ J8 g% m8 W4 j8 }1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。
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, ~9 P9 B& P+ ?5 c7 v" Q0 b7 W3 M├─Albums, r% C: X% u1 E0 o4 s& b
│ ├─1989 - Pretty Hate Machine
: U# B5 z$ C- G! y5 @! g│ │ 01 Head Like a Hole.m4a% K t+ [# [& A# m. `2 R' A0 Q
│ │ 02 Terrible Lie.m4a! z, D8 N( z8 F. h1 l, F) N
│ │ 03 Down In It.m4a
& d- ]2 v6 d8 l7 P│ │ 04 Sanctified.m4a6 S- [$ u# F3 U" x l
│ │ 05 Something I Can Never Have.m4a
9 X( a4 i8 \" U) K- D│ │ 06 Kinda I Want To.m4a+ _5 U7 s/ k" R2 _* {4 |1 Z
│ │ 07 Sin.m4a
6 ]5 c6 F( T* ?* ` o│ │ 08 That's What I Get.m4a
8 j$ ~1 {1 ^/ c" ]/ M! @, N" q, M│ │ 09 The Only Time.m4a3 R2 h; u. m, u
│ │ 10 Ringfinger.m4a/ t3 e' x0 x7 _. i1 T6 j0 I2 R
│ │ cover.jpg
# k8 \9 b3 U7 \# u9 V│ │
! ~( @8 o9 X1 C8 a& ?) Z; X│ ├─1989 - Pretty Hate Machine (2010 Remastered)7 ?) p7 O% N" {9 j$ l
│ │ 01 Head Like a Hole.m4a9 t# D/ _( Y1 o% v& B( s
│ │ 02 Terrible Lie.m4a1 I, b9 u, n3 c! F
│ │ 03 Down In It.m4a
6 W( C, b( t' P! h; E' m' E│ │ 04 Sanctified.m4a0 O7 m9 T1 A! U5 k
│ │ 05 Something I Can Never Have.m4a
) T) u6 o, D }( }- O6 o, H│ │ 06 Kinda I Want To.m4a
, N" K+ b* @* \( {$ T f│ │ 07 Sin.m4a
& S$ [, V7 `# P; u│ │ 08 That’s What I Get.m4a7 y3 \9 U2 J8 G1 _0 [5 }2 S
│ │ 09 The Only Time.m4a0 ~1 w/ W" R! S+ x+ B
│ │ 10 Ringfinger.m4a5 t/ Z. \. T- X# M" E
│ │ 11 Get Down, Make Love.m4a! {: @, O7 l) k* }5 `) d. O. \
│ │ cover.jpg; z8 o) n$ s6 Q+ O9 R+ g$ f# e- h$ Q
│ │
0 z/ F9 y, k+ W, X9 u; c% R│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)
, R4 s+ I) S. H6 V& N' L9 F' H- X│ │ 1-01 Mr. Self Destruct.m4a
! I6 W, [7 B; G# t( T│ │ 1-02 Piggy.m4a, h; W* @% J! ]3 H& b
│ │ 1-03 Heresy.m4a
; t' @# T; |6 A/ ^& a i│ │ 1-04 March of the Pigs.m4a1 |6 C( O3 ?, f3 V3 F' v
│ │ 1-05 Closer.m4a$ O/ q5 F7 S% j% x. k
│ │ 1-06 Ruiner.m4a7 V- X* Q6 B1 |4 h
│ │ 1-07 The Becoming.m4a+ u6 v" H6 r6 D* T: f' L
│ │ 1-08 I Do Not Want This.m4a
# F6 o& `. K) a6 B4 n( @: H }│ │ 1-09 Big Man with a Gun.m4a% J$ ]' p6 n! `# J6 C
│ │ 1-10 A Warm Place.m4a
0 L6 Z% l, m9 F0 {! Z& O u) i│ │ 1-11 Eraser.m4a
& t$ M) y2 B+ Y" M D( }( ?│ │ 1-12 Reptile.m4a; C1 M% a3 e u" a% D7 ?, d
│ │ 1-13 The Downward Spiral.m4a( m. J7 Z9 U; K
│ │ 1-14 Hurt.m4a
2 O0 {3 W) T4 Z1 v6 F% r& X4 |│ │ 2-01 Burn (Soundtrack Version).m4a( h. w Q* |; O- Y
│ │ 2-02 Closer (Precursor).m4a+ k$ I$ r6 X6 v |* y* T& ]
│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a
# B+ z) R' l$ r; v" j│ │ 2-04 A Violet Fluid.m4a
" g$ n2 r; C9 Y0 Y0 k│ │ 2-05 Dead Souls.m4a
i. P) ?2 N7 a* {2 D( O; O! i│ │ 2-06 Hurt (Quiet).m4a
2 j6 R% I& ?7 x2 N; I* @8 B│ │ 2-07 Closer to God.m4a: y: Z9 M* D; @5 G% i6 ]
│ │ 2-08 All the Pigs, All Lined Up.m4a& k# P+ o: e8 ~$ Y l8 s
│ │ 2-09 Memorabilia.m4a
/ D8 J+ v) J) M- }/ e│ │ 2-10 The Downward Spiral (The Bottom).m4a
0 d5 ]6 Q, M* T- ^! J6 K6 H│ │ 2-11 Ruiner (Demo).m4a5 J8 l$ |2 c e. U9 q: a
│ │ 2-12 Liar (Reptile Demo).m4a; f8 V& T' \! y& J
│ │ 2-13 Heresy (Demo).m4a
2 r. C/ W9 v; L# c0 h4 o# B│ │ cover.jpg3 K+ \5 d: m( x. r% q
│ │ 0 R3 Y" M& u# H5 O
│ ├─1994 - The Downward Spiral [Mastered for iTunes]+ ~6 _: o1 g r+ d
│ │ 01 Mr. Self Destruct.m4a
8 h7 ?/ _" ^. c" ]│ │ 02 Piggy.m4a/ S1 D2 a$ \6 Y
│ │ 03 Heresy.m4a: \9 _3 m4 X: i; A! H
│ │ 04 March of the Pigs.m4a
2 p2 c7 H. N6 u5 E5 b" {: j; n│ │ 05 Closer.m4a
/ l6 Z% h2 h& n) ?7 s) d4 c- g│ │ 06 Ruiner.m4a1 Z7 K* X* y" v* ]1 E$ g. J" [
│ │ 07 The Becoming.m4a
: U* ]) E8 Q I' [# N│ │ 08 I Do Not Want This.m4a
$ e) C* R! F% o9 Z3 C4 y│ │ 09 Big Man with a Gun.m4a
" v7 s+ x s, I6 f+ [& n│ │ 10 A Warm Place.m4a
5 A) f0 g C5 u/ H│ │ 11 Eraser.m4a" ~# I8 Q7 D- f) k/ m
│ │ 12 Reptile.m4a
( n5 x8 J7 J6 e' N│ │ 13 The Downward Spiral.m4a
; G$ r4 ^: H+ H( b│ │ 14 Hurt.m4a. i0 j6 m v. R9 i$ y' `+ I: F
│ │ cover.jpg2 J& ^ ^, S+ U+ c8 R% o: a. z
│ │ # o1 {! J' ^+ [8 i8 x0 p# E
│ ├─1999 - The Fragile [Mastered for iTunes]
. Y' p; M$ h' t: ~0 l│ │ 1-01 Somewhat Damaged.m4a- M5 h3 E4 e5 N2 ]! |; R0 }
│ │ 1-02 The Day the World Went Away.m4a: D4 E$ A: e) l# m, ~& b3 |* U
│ │ 1-03 The Frail.m4a
2 M& \+ R9 @3 v8 d* P+ J: i│ │ 1-04 The Wretched.m4a
- W. c4 X o5 L" X W9 j; ~9 W│ │ 1-05 We're in This Together.m4a
; M/ L/ p% v1 u│ │ 1-06 The Fragile.m4a) C1 p: e& v2 w) |! ?% v( K
│ │ 1-07 Just Like You Imagined.m4a9 [- o; H5 @. E6 j9 E& s
│ │ 1-08 Even Deeper.m4a
$ E) D+ I& P% M( a│ │ 1-09 Pilgrimage.m4a
" H5 H9 t, }5 r: }│ │ 1-10 No, You Don't.m4a
4 B, M @! K: C7 u2 d│ │ 1-11 La Mer.m4a% b: D, d) u7 k2 D& o
│ │ 1-12 The Great Below.m4a8 ]$ G* @# {+ \2 ^2 D. [
│ │ 2-01 The Way Out Is Through.m4a( @+ `) k8 v5 J0 ^9 p: G
│ │ 2-02 Into the Void.m4a; }$ {: q" J2 z) s$ n5 g
│ │ 2-03 Where Is Everybody_.m4a
0 w- ?3 r; P2 m' K2 ~│ │ 2-04 The Mark Has Been Made.m4a
8 C ^/ J; I2 K8 ]1 m│ │ 2-05 Please.m4a' b) M7 C* b' n0 t! r
│ │ 2-06 Starf--kers, Inc..m4a
" Y) o" p0 Q8 [- }$ `2 P│ │ 2-07 Complication.m4a0 j) }" D- o6 A: H
│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a
! H6 R/ B6 v9 y+ r, N│ │ 2-09 The Big Come Down.m4a$ [( p7 c* R6 m7 p
│ │ 2-10 Underneath It All.m4a% h& s' Q- |5 m: R+ C
│ │ 2-11 Ripe (With Decay).m4a6 D: s% A" M1 `
│ │ cover.jpg' Y. v. c ?/ k8 b
│ │ 3 ~ K# d7 r4 I
│ ├─2002 - Still% E ^$ y# W# g
│ │ 01 Something I Can Never Have.m4a
$ }- k0 Q& x; s& i1 `. c│ │ 02 Adrift & At Peace.m4a
7 I9 @& r' ?; I5 M( ^! W; `. q│ │ 03 The Fragile.m4a
) J; J* e% n! Y- p1 C4 }$ L│ │ 04 The Becoming.m4a
; S# ]) R/ o) q6 C) k│ │ 05 Gone, Still.m4a
( R6 p/ E2 [( @' |* f$ t│ │ 06 The Day the World Went Away.m4a
( _& Z2 E' M X" J J1 V+ j│ │ 07 And All That Could Have Been.m4a
& [% X: [/ p$ p│ │ 08 The Persistence of Loss.m4a$ {' J7 I" W! m# U5 n5 ^- g% b
│ │ 09 Leaving Hope.m4a k* k6 U \. N7 Z) n6 k# a
│ │ cover.jpg
+ A, z# \4 q4 x5 B7 J│ │
1 \; U! T, j( }│ ├─2005 - With Teeth- L5 s V' k; T
│ │ 01 All the Love In the World.m4a" x+ F0 ~) D/ z
│ │ 02 You Know What You Are_.m4a; S6 X3 U/ y7 @4 |8 q" h
│ │ 03 The Collector.m4a
' ]2 z. V8 e& b( z L, `. h│ │ 04 The Hand That Feeds.m4a7 d2 p3 x& |1 R9 i# A0 Z0 i
│ │ 05 Love Is Not Enough.m4a" _9 m4 Q* e/ K0 |$ X6 j( w7 g
│ │ 06 Every Day Is Exactly the Same.m4a9 X: K+ R/ C9 W0 r) Q- D+ O2 J
│ │ 07 With Teeth.m4a
3 Q) E6 z( W; y& i│ │ 08 Only.m4a6 V" |* q; k2 Z& z* a
│ │ 09 Getting Smaller.m4a
* a- K7 c/ [# q" D( n) q│ │ 10 Sunspots.m4a) k/ _' Y( S4 J7 d( [2 v8 x8 X
│ │ 11 The Line Begins to Blur.m4a/ T- |; Q) z1 U# N$ _1 `
│ │ 12 Beside You In Time.m4a
* T. w3 q) M$ k. g$ L│ │ 13 Right Where It Belongs.m4a
) _" D6 j+ x$ g1 b│ │ 14 Home (Non-LP Version).m4a
/ ?( H2 i7 {* `5 p9 z. L│ │ 15 Right Where It Belongs (Alternate Version 2).m4a, l" ^$ d- a$ ~( S
│ │ cover.jpg
) _3 p$ J, C. k- \│ │
3 k8 V. ~) i2 J1 q! P│ ├─2005 - With Teeth [Mastered for iTunes]( j) n# f; V/ f- U7 t. h
│ │ 01 All the Love in the World.m4a
# d+ _3 T" p" x3 b, ~$ q' N│ │ 02 You Know What You Are_.m4a
`% G w9 A# u$ G- U$ I│ │ 03 The Collector.m4a
" W8 }: F( x) |│ │ 04 The Hand That Feeds.m4a
( ^$ ~) y" ]6 q7 c6 F6 j1 V+ o3 j9 v│ │ 05 Love Is Not Enough.m4a, j) ^$ [: m* U) Y! ^
│ │ 06 Every Day Is Exactly the Same.m4a, l; w5 y- o/ s# G M( h# S& R
│ │ 07 With Teeth.m4a
! k' q8 T0 V% b: Y. {│ │ 08 Only.m4a' W* O+ {8 g7 |7 D; F. }
│ │ 09 Getting Smaller.m4a
0 E$ {& i* L! q& [) L) s8 Y│ │ 10 Sunspots.m4a
, b; l+ Y+ D" ?- ?+ J$ c1 f│ │ 11 The Line Begins to Blur.m4a
2 s- ?) s" N( D4 Z5 o$ o& W│ │ 12 Beside You in Time.m4a
% S9 Y" e f* M/ j: X3 v4 W" {│ │ 13 Right Where It Belongs.m4a* q# [7 I" m- B3 K9 U. _: _8 ^
│ │ cover.jpg& {2 o9 T/ \( [1 L
│ │
) K9 ? c1 z& ]0 r q3 Z' n│ ├─2007 - Year Zero [Mastered for iTunes]
3 A5 D7 ?+ g$ ^/ L# A│ │ 01 Hyperpower!.m4a
+ P- {; {$ \8 z ?│ │ 02 The Beginning of the End.m4a4 ]0 J- j" T, }' i& j- ~* X
│ │ 03 Survivalism.m4a, [ g9 z9 B1 Z2 c: c9 H( O
│ │ 04 The Good Soldier.m4a9 L8 T, ^( J0 H+ t& A
│ │ 05 Vessel.m4a# @; B1 o: j4 G) ~
│ │ 06 Me, I'm Not.m4a
8 x9 b( }1 k9 |7 n d _0 p│ │ 07 Capital G.m4a
. F x% W- l/ o) B1 ~2 s* y6 p) s│ │ 08 My Violent Heart.m4a( N6 I1 I5 Y6 O( B- D7 R2 _
│ │ 09 The Warning.m4a
/ A9 l% G$ j- ^* K/ z% l* ?2 [: Z│ │ 10 God Given.m4a
. Q1 g+ L4 u9 g3 o9 U# g( J' _│ │ 11 Meet Your Master.m4a
) u8 }0 h4 Q* Y% G3 P' H│ │ 12 The Greater Good.m4a
) w8 |- D% _# `- b" e" G│ │ 13 The Great Destroyer.m4a
# y" g9 c+ s0 T; l. g│ │ 14 Another Version of the Truth.m4a8 @% o! Y3 m1 b4 E2 g* m& s5 j
│ │ 15 In This Twilight.m4a
& Y; |1 o# {8 E0 @- _│ │ 16 Zero Sum.m4a
5 w/ w3 Z8 r, R│ │ cover.jpg
4 T# Z. D4 o2 ^% R; \/ \) [. e│ │ & S% ~( D2 M3 o% d" Q) X/ r( F
│ ├─2008 - Ghosts I-IV5 X" J: a$ J" H& I0 x
│ │ 01 01 Ghosts I.m4a0 p* ?* i, \9 G( }1 W
│ │ 02 02 Ghosts I.m4a W/ P- e1 }* {1 J5 V; ^
│ │ 03 03 Ghosts I.m4a
6 [5 d. k) N9 Y5 J│ │ 04 04 Ghosts I.m4a
# B3 x3 N0 `3 j% k8 u- l e8 t│ │ 05 05 Ghosts I.m4a
' @) p$ W) b3 K& Q│ │ 06 06 Ghosts I.m4a
" D9 O( G, A; R1 T; w│ │ 07 07 Ghosts I.m4a" d' y" ], K1 s) }
│ │ 08 08 Ghosts I.m4a' M; \9 ^8 J; A0 L3 ~7 o: }
│ │ 09 09 Ghosts I.m4a# p' ] d' y4 \8 ?( n$ c
│ │ 10 10 Ghosts II.m4a
" ^1 L4 s- k. D3 A0 R( @│ │ 11 11 Ghosts II.m4a5 N" M; ~0 ?8 k9 q! l' W; j
│ │ 12 12 Ghosts II.m4a I9 s% N! P$ i) W/ o7 \1 p
│ │ 13 13 Ghosts II.m4a6 s! f( A6 i0 W. d- S! D6 O6 L/ a
│ │ 14 14 Ghosts II.m4a3 i) Q+ k! v2 j3 I: e T3 E
│ │ 15 15 Ghosts II.m4a
# i; W3 Y: S2 u7 l, p│ │ 16 16 Ghosts II.m4a( c+ h( X3 j6 G# `1 b* G
│ │ 17 17 Ghosts II.m4a
; [2 G1 L& n+ b. w6 y1 l" |│ │ 18 18 Ghosts II.m4a: v" l9 Y$ R, r- X+ R z8 f
│ │ 19 19 Ghosts III.m4a1 h1 ?9 l+ C6 ?0 @+ ?3 {
│ │ 20 20 Ghosts III.m4a/ m' f3 e4 z* B+ L( }; ^. V! R
│ │ 21 21 Ghosts III.m4a' x; N! u2 C1 i# k, Y
│ │ 22 22 Ghosts III.m4a
" X5 t0 X( U( l* N, q' s, q│ │ 23 23 Ghosts III.m4a
- n% [; v6 q" | @$ L│ │ 24 24 Ghosts III.m4a
3 }' A2 Y/ H+ y4 X& r# e│ │ 25 25 Ghosts III.m4a
( b& o7 U# T, v6 ^7 _. p) f│ │ 26 26 Ghosts III.m4a
+ K9 N k6 R# |/ Y( H! O│ │ 27 27 Ghosts III.m4a5 r7 f: H3 d9 P
│ │ 28 28 Ghosts IV.m4a
, e1 P7 i2 Y9 x. B$ X* l( e│ │ 29 29 Ghosts IV.m4a
6 |1 h/ \" N: `& Q│ │ 30 30 Ghosts IV.m4a9 S1 x; ]& |7 H
│ │ 31 31 Ghosts IV.m4a
4 Y' y7 R" M# {$ m│ │ 32 32 Ghosts IV.m4a) T, }1 ^- `& ?2 s$ Z5 X
│ │ 33 33 Ghosts IV.m4a6 f% A+ w: |, |+ y' k+ L+ d0 p8 ]
│ │ 34 34 Ghosts IV.m4a
- h' [5 N" B& M3 { f( B│ │ 35 35 Ghosts IV.m4a Y+ [# i9 Z7 t# \9 Z2 }+ Q
│ │ 36 36 Ghosts IV.m4a
# O3 M7 a5 k6 ~│ │ cover.jpg- Z1 [* ^7 P3 i* {6 m. `* q7 T
│ │ $ |! B6 f6 _0 y4 C% F: B8 O7 R
│ ├─2008 - The Slip
[/ b+ a5 p8 R│ │ 01 999,999.m4a
0 `- d; D3 U* F4 M' I│ │ 02 1,000,000.m4a% ^# K4 B* B6 h8 l1 w
│ │ 03 Letting You.m4a
" i$ U0 S' Y% ~% R: @/ p│ │ 04 Discipline.m4a
7 f7 [ l( A8 Q* ? @│ │ 05 Echoplex.m4a0 {& {/ k1 p; S3 F( U+ ?; b# s
│ │ 06 Head Down.m4a$ M, z O+ G" F1 W2 h' }% T/ d
│ │ 07 Lights In the Sky.m4a
! M; p. T) ?7 V9 U│ │ 08 Corona Radiata.m4a& y! g% k! |, q8 y8 i
│ │ 09 The Four of Us Are Dying.m4a8 S X) G x# d) \: X, a
│ │ 10 Demon Seed.m4a6 u# q2 C9 Y( ?. i' h: N, s
│ │ cover.jpg9 G# K0 G# c- X( `. t# C
│ │ ' `8 v% g& q8 k) v; Z4 \- e
│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]
8 K$ I. b/ `* p4 e3 m. r│ │ 01 The Eater of Dreams.m4a
, Z. X0 V& h. }. F% A│ │ 02 Copy of A.m4a+ E8 D' D' j. H2 |
│ │ 03 Came Back Haunted.m4a8 C( Z. L' R) j( N: S
│ │ 04 Find My Way.m4a
4 E) G$ A0 z6 J% T: P- ]│ │ 05 All Time Low.m4a7 t8 f r) j* Q& G9 l2 H' [8 h
│ │ 06 Disappointed.m4a
5 f: `1 U4 j3 o5 p. K) `│ │ 07 Everything.m4a% W, N( _% ] R
│ │ 08 Satellite.m4a
2 G; [, W$ @: W- B2 C3 @4 o+ n" z│ │ 09 Various Methods of Escape.m4a
* W$ S% b8 h2 E* V0 L, p" }% `│ │ 10 Running.m4a& | [+ |1 d$ z2 {
│ │ 11 I Would For You.m4a5 L9 U$ ~3 d9 T1 G: E0 W
│ │ 12 In Two.m4a
, K( C7 l! K& |. `' ^1 i" f, ~2 f│ │ 13 While I'm Still Here.m4a6 ]2 Q: |) u$ j* @5 W8 Q3 R
│ │ 14 Black Noise.m4a
/ ]0 K! x: ]- [" ~. _│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a
# g* t$ N+ ^4 P% t) O& Y3 o% k│ │ 16 All Time Low (Todd Rundgren Remix).m4a
) B) G$ |* E# Z2 u- ]0 W│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a: _# Y5 O0 i( I; l2 q
│ │ 18 Trent Reznor In Conversation With....m4a2 _$ |& U. R) |: o; F
│ │ cover.jpg
# Z- h/ \% S% A6 y│ │
) Y4 @. T' }' m/ f│ └─2018 - Bad Witch
0 `: Z9 H1 u7 E- S7 P# v│ 01 Shit Mirror.m4a
# f& B; e* O$ c│ 02 Ahead of Ourselves.m4a$ I0 U$ d- }- j3 h5 O N0 ]5 Z2 z( M
│ 03 Play the Goddamned Part.m4a
' R. d4 _; \: V; _$ X│ 04 God Break Down the Door.m4a
; t. @0 Q$ l6 |3 q│ 05 I'm Not from This World.m4a
L" n; Z: E2 T│ 06 Over and Out.m4a
* L- a) f+ v4 \│ cover.jpg: r7 b6 c7 ~5 K3 C; S8 W3 p
│
5 M! J) d7 _+ F! \5 q, l- J├─EP's, ?/ u) `0 U4 g. f, a1 F
│ ├─1990 - Sin - EP! p d* p' o% G# z% ~/ o T0 n% F
│ │ 01 Sin (Long).m4a! Z0 t, q/ v/ M1 q- {" u
│ │ 02 Sin (Dub).m4a: h Y9 A: c: m) D/ O8 v+ `/ p$ t
│ │ 03 Get Down Make Love.m4a/ u3 p! I: y. P8 O2 p
│ │ 04 Sin (Short).m4a
- z3 q7 B0 v: o; J% [│ │ cover.jpg9 }; n; @% T" E0 e- m8 {% O
│ │
$ z, f8 ]: S( A/ n' {│ ├─1992 - Broken - EP z# z( b) P) J% v8 `! d/ N7 y; m2 h
│ │ 01 Pinion.m4a
9 k$ H9 e. w, o/ `1 d. k│ │ 02 Wish.m4a, l. W5 \; d* m, l6 U( e5 f2 h% F
│ │ 03 Last.m4a+ x. J6 h6 T0 z( \0 X2 k- e
│ │ 04 Help Me I Am in Hell.m4a
: x4 R1 t# i3 B1 z3 E4 e& H9 v( C│ │ 05 Happiness in Slavery.m4a9 m+ u! x& [) ]+ }! k/ U: Y$ S
│ │ 06 Gave Up.m4a. y' H: f% J) W+ |0 \* Z- z
│ │ 07 Physical (You're So).m4a9 @) c$ y D" ?* G, q, D/ [. K! n3 {
│ │ 08 Suck.m4a$ O! [- ~$ m5 B+ P* A% j( @
│ │ cover.jpg+ w$ ^/ J" |+ J4 f" a6 E
│ │
# T' F- R- d) W4 G' t; P7 x│ ├─1992 - Fixed - EP! X1 K! g; ]% `8 d8 o" x) O
│ │ 01 Gave Up (Remix).m4a
8 { W r" y' m+ ~0 r+ Z│ │ 02 Wish (Remix).m4a( @9 D7 M9 o: V- f6 R6 N
│ │ 03 Happiness In Slavery (Remix).m4a) s2 U, \6 _, I) ~" j4 r
│ │ 04 Throw This Away.m4a" ]% Q- H! j+ U
│ │ 05 First F--k (Remix).m4a
0 |5 k- V+ Z1 I: d│ │ 06 Screaming Slave.m4a+ k; M4 L/ R( r) d$ N/ x$ t8 b
│ │ cover.jpg4 I# v! t, M. J2 T& d0 b
│ │ # C6 n$ f) ~ @
│ ├─2005 - Only - EP
0 R/ y! @: }% P4 ]7 T4 U│ │ 01 Only.m4a
8 P& }$ k5 e: z0 Y6 J* l9 n│ │ 02 The Hand That Feeds.m4a
% p- p! J3 P/ i7 O│ │ 03 Love Is Not Enough.m4a
' C" u# w) V) G$ U│ │ 04 Only.m4v
& L4 e: D( u4 [5 p2 v) o- H, ^5 `│ │ cover.jpg
[5 \! I" w. ?/ C7 f│ │
& F. ^1 t. Y6 X5 _5 v│ ├─2005 - The Hand That Feeds - EP4 {, Y9 [ D+ ~5 j
│ │ 01 The Hand That Feeds.m4a
2 _# h- A) k8 I8 J│ │ 02 The Hand That Feeds (Dfa Remix).m4a, S& Y. [$ G# X8 \ ?, b4 ]# Z4 J0 Z$ {& l
│ │ 03 The Hand That Feeds (Photek Dub).m4a
" ^+ q; G O) e$ v, B5 M│ │ cover.jpg
7 M6 o& n4 q( b9 a" b% i│ │
; ]+ p1 m- j: e' I( z│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP
+ \2 h5 s! ]& ^( g3 \& B│ │ 01 Every Day Is Exactly the Same.m4a
9 \7 N4 B- w+ |! @% l9 H s│ │ 02 The Hand That Feeds (Dfa Remix).m4a
3 r; N% Y! Z2 V7 r u│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a
R _% D' U0 F│ │ 04 Only (El-P Remix).m4a
7 P& S% ?1 C" J2 K9 Y$ Q( a* ~│ │ 05 Only (Richard X Remix).m4a5 Y0 A8 M, l" U6 P) P& s. ]( k2 T* U& R
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a" n/ \7 o4 m) x. n7 H
│ │ cover.jpg
- W5 L+ U4 @& P5 e) o│ │ . c5 I8 b8 U# f6 q
│ ├─2007 - Survivalism - EP
# Z+ d1 H- X7 T4 \, R│ │ 01 Survivalism.m4a1 M: `# M+ _9 m9 @
│ │ 02 Survivalism (Tardusted Remix).m4a( U2 ^ E0 N+ L! Y% }/ M
│ │ 03 The Greater Good (Instrumental Version).m4a U! w/ l4 G' q* { D) N+ s
│ │ cover.jpg+ v% Z+ U( C2 D- Q* ^; i; n+ T
│ │
. k6 n, Y5 B; p6 q" _- T# b! q│ ├─2014 - Recoiled - EP (w. Coil)
% E1 a6 I( K0 e* P' c$ c│ │ 01 Gave Up (Open My Eyes).m4a
" n) L% X% [4 p4 Z" W│ │ 02 Closer (Unrecalled).m4a/ S4 K% b9 |1 b1 m( C! ^
│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
$ {! ?3 ]" J$ R8 @3 M│ │ 04 Eraser (Reduction).m4a; [! |/ e; e# k+ J
│ │ 05 Eraser (Baby Alarm Remix).m4a- n- Q! ~- {" w% k J, I
│ │ cover.jpg
8 ]3 b0 i$ m, G& L. ?+ n│ │ : R* n" I) e1 t4 O5 F, y
│ ├─2016 - Not the Actual Events - EP
( u0 `8 i/ F+ X+ s# o8 \│ │ 01 Branches _ Bones.m4a7 u. n6 J7 P) R$ A* }
│ │ 02 Dear World,.m4a `3 l% L W+ K& Z. H: w8 v* `- r
│ │ 03 She’s Gone Away.m4a
) `( T& ~% N- r6 w5 R1 T3 P│ │ 04 The Idea of You.m4a5 n# I4 A2 N/ _ Z- h' m( P# t
│ │ 05 Burning Bright (Field on Fire).m4a, U2 V2 c) ~$ d' h
│ │ cover.jpg
, n5 J( l+ @. {- u1 ~( X- e│ │
8 X, i( q9 W) k& }│ └─2017 - Add Violence - EP% J X/ a+ v0 W$ } [
│ 01 Less Than.m4a! M. ~0 P! C3 A* o
│ 02 The Lovers.m4a2 s$ z2 `. Q$ V; b
│ 03 This Isn't the Place.m4a
& n7 s' o% {8 L0 `│ 04 Not Anymore.m4a
% _4 Y/ ?$ V# r% X% A; N Q, N│ 05 The Background World.m4a
. ?" E: D# [- C" Y│ cover.jpg
+ `# P2 W+ Z: s+ n( ~" V0 y│ % G2 i( W* ^/ {4 z& s, |
├─Live3 B6 G6 k# t1 T' g; e
│ ├─2002 - And All That Could Have Been (Live)5 p2 ~, }- t: v; y! V7 L% J2 e. m
│ │ 1-01 Terrible Lie.m4a9 o) ^/ w! C: E) k! H
│ │ 1-02 Sin.m4a
/ D! {; P; N+ e│ │ 1-03 March of the Pigs.m4a( z J) d3 V' M# `8 b9 g6 k- t
│ │ 1-04 Piggy.m4a
( l# x, v ?; Y+ J( C7 F J│ │ 1-05 The Frail.m4a
: v0 z7 j2 y: {$ s/ T6 w│ │ 1-06 The Wretched.m4a
4 u* ^9 I+ K' @ c; v│ │ 1-07 Gave Up.m4a
+ B5 l2 P6 v6 `3 b│ │ 1-08 The Great Below.m4a
& Q8 a; V9 A! s& w/ s- ^│ │ 1-09 The Mark Has Been Made.m4a5 ? s$ Q' W- X |" ?# _, n
│ │ 1-10 Wish.m4a
3 }4 L# W) L6 Z* u6 k. U│ │ 1-11 Suck.m4a1 P3 a& A8 a$ r8 p
│ │ 1-12 Closer.m4a( c0 P" T: `6 X- Q& g
│ │ 1-13 Head Like a Hole.m4a# `( p: F) z- m
│ │ 1-14 The Day the World Went Away.m4a
4 ?9 K+ L* d# I& N9 Q│ │ 1-15 Starfuckers, Inc..m4a7 M9 I& L. k2 ]6 \
│ │ 1-16 Hurt.m4a
% K8 Z8 Z8 M+ O6 d7 d" o! X' r│ │ 2-01 Something I Can Never Have.m4a. a' K' [7 H" X2 h7 U& Z9 t
│ │ 2-02 Adrift & At Peace.m4a
7 D$ W; r/ K- r9 B* ?│ │ 2-03 The Fragile.m4a2 |, Q4 k/ S* q0 B
│ │ 2-04 The Becoming.m4a0 {- I* o8 \3 o# S0 K& |
│ │ 2-05 Gone, Still.m4a& X+ z( w+ p0 o# E* E: [
│ │ 2-06 The Day the World Went Away.m4a; u$ l/ j& ^2 \
│ │ 2-07 And All That Could Have Been.m4a' D7 g* @; x; p6 y) u$ o
│ │ 2-08 The Persistence of Loss.m4a
\. D4 E1 q/ y/ A& G- t' x│ │ 2-09 Leaving Hope.m4a E; N1 ]6 N3 s2 b i1 \7 t
│ │ cover.jpg
0 A) T3 j6 m# G. d│ │ 6 r+ z# l1 Q3 G% ~7 v. {
│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]
1 g Y, `% t" {1 V) S│ 01 Terrible Lie.m4a+ l1 I/ r! |% L( U5 U+ z8 E
│ 02 Sin.m4a* Q8 z8 }, q9 {/ U( K6 N. ?
│ 03 March of the Pigs.m4a
" }/ C; O, X. C│ 04 Piggy.m4a
* C b9 O; ^. ^1 K; t│ 05 The Frail.m4a
& e) t8 B- H3 Y6 I! M│ 06 The Wretched.m4a) \: }, K Q5 v' l8 I
│ 07 Gave Up.m4a
: E: {6 o7 z' U; b: H: r$ e+ h│ 08 The Great Below.m4a
- z; J4 }+ g; R│ 09 The Mark Has Been Made.m4a
8 G5 v( a7 i$ E; T1 v! g│ 10 Wish.m4a
# Z- ~: G' v. {: P+ R W) U│ 11 Suck.m4a1 `) w; o+ t' F5 r0 J
│ 12 Closer.m4a V8 Y Q8 I2 f
│ 13 Head Like a Hole.m4a
$ z4 ^8 o: _# H│ 14 The Day the World Went Away.m4a2 {0 Q6 d9 F1 N) n' d' P' j
│ 15 Starf--kers, Inc..m4a
) h; \: N( w. w0 z( f3 Q│ 16 Hurt.m4a
% z# B( V A+ e│ cover.jpg0 q4 d/ W$ _9 B8 ~5 ]$ S/ G
│
; Z6 d) h6 Q2 k0 V) L4 S# j2 N├─Remix Albums
( ?0 Q. d' Z. |1 G! ^│ ├─1995 - Further Down the Spiral
0 } @' v, q; P│ │ 01 Piggy (Nothing Can Stop Me Now).m4a1 v7 u% e6 a" q
│ │ 02 The Art of Self Destruction, Part One.m4a7 X- K5 D2 m( E. ]6 y/ j2 c* a
│ │ 03 Self Destruction, Pt. 3.m4a. i( ?2 U) z$ g( {% o) [
│ │ 04 Heresy.m4a
0 |# k6 ~, A; ]" P7 v5 T( j│ │ 05 The Downward Spiral (The Bottom).m4a, m3 ? t( n: q! R( k3 G! r
│ │ 06 Hurt (Quiet) [Live].m4a# E% ?* _. v" J& d2 i' y1 \
│ │ 07 At the Heart of It All.m4a) v+ k4 H" H" W
│ │ 08 Ruiner.m4a
! w0 y: w2 \: P. u1 F& ~│ │ 09 Eraser (Denial Realization).m4a/ u9 Y$ L- S/ t4 G- R) E
│ │ 10 Self Destruction, Final.m4a
3 Y$ W! {' p/ E" B* ? p, }│ │ cover.jpg3 K/ z! r9 b" g0 O: { W
│ │ - Z2 Q% z) f0 |9 X4 Z9 z
│ ├─1995 - Further Down the Spiral (US Version)
4 `8 d" N" g% G( X J1 Y: M│ │ 01 Piggy (Nothing Can Stop Me Now).m4a$ _# z# G# T) h% A, Q/ c
│ │ 02 The Art of Self Destruction, Pt. 1.m4a
% i+ L9 j3 H7 e+ E6 E│ │ 03 Self Destruction, Pt. 2.m4a
! `; U: L/ C, J8 e0 N3 J" ~│ │ 04 The Downward Spiral (The Bottom).m4a& E8 H- j0 N8 {9 z& r. c8 J1 J5 |
│ │ 05 Hurt (Quiet).m4a
w0 o9 G% t v) X│ │ 06 Eraser (Denial- Realization).m4a
, s; |. q6 V) O. L) ?6 s│ │ 07 At the Heart of it All.m4a
( k0 ~% j" V3 W# z│ │ 08 Eraser (Polite).m4a
5 [6 w, O P, v1 `│ │ 09 Self Destruction, Final.m4a0 v' g- U) A5 K" ?4 \
│ │ 10 The Beauty of Being Numb.m4a( {: L9 c) x, n/ I3 ]8 `6 I
│ │ 11 Erased, Over, Out.m4a
" q0 C3 }1 S( w0 n│ │ cover.jpg
" s I6 W, d# Z! y% F│ │
% r- } b' E/ v) q3 d3 G9 X- l0 r1 M│ ├─2000 - Things Falling Apart
0 I( X0 ?# {1 H: ~" }# P│ │ 01 Slipping Away (Remix).m4a
) w6 B P; X. a/ a7 l# \│ │ 02 The Great Collapse (Remix).m4a6 y* J7 {: W! Q V( \
│ │ 03 The Wretched (Remix).m4a
& b' y% W9 @4 Z3 P2 z" z" P. R) k│ │ 04 S--------rs, Inc. (Remix).m4a) J. T j, l4 E2 R p
│ │ 05 The Frail (Remix).m4a( S7 S, A6 h- m, q" q' N
│ │ 06 S--------rs, Inc. (Remix).m4a# z) H/ @: [- |0 z4 S
│ │ 07 Where Is Everybody! (Remix).m4a
% k1 B& ~# M T6 [│ │ 08 Metal (Remix).m4a" R4 y2 b" }$ K9 I/ X# _
│ │ 09 10 Miles High (Remix).m4a
5 V6 L. h4 q* P, P$ I│ │ 10 S--------rs, Inc. (Remix cc).m4a
9 i- b% n1 F6 h w. k│ │ cover.jpg
' l6 O8 L9 R7 Z5 S& Z# b S│ │ 8 j6 l0 I7 p6 V) p" f
│ └─2007 - Y34RZ3R0R3MIX3D
& r. b: y7 S4 b. l1 c) P! y: Y3 i│ 01 Gunshots By Computer (Saul Williams).m4a
; ~% T) H& O+ N, z+ b' l│ 02 The Great Destroyer (Modwheelmood).m4a
3 t; N, z+ w" ^' P, |/ h│ 03 My Violent Heart (Pirate Robot Midget).m4a
. Q9 l5 O8 _: \# ]4 b# _' b3 f│ 04 The Beginning of the End (Ladytron).m4a
* y8 A) _9 y0 F& A) p1 X│ 05 Survivalism (Saul Williams).m4a
, X5 P4 U; D" E) V│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a
! z( ]/ N9 O! ^9 `- b9 I3 R│ 07 Vessel (Bill Laswell).m4a2 Q4 ]0 {; }- V0 i9 Z0 e
│ 08 The Warning [feat. Doudou N'diaye Rose].m4a, L$ A: C8 U8 Z9 [% w, I
│ 09 Meet Your Master (The Faint).m4a! ~: G# U& T1 C, ~) s0 X( J
│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a
( E" p: n5 \% S# g│ 11 Me, I'm Not (Olof Dreijer).m4a
5 f, B2 T, [2 f% [│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a
; U5 m. D9 G0 T& i│ 13 In This Twilight (Fennesz).m4a
+ |* u- \' p4 x9 _4 ?│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
5 S) J! u: d% r: O4 d3 b, y; n│ cover.jpg# U, d3 W7 L- i" c" E
│
) }, }2 V; u6 p9 D7 e. z└─Singles( o ^: i; r$ N0 U/ V
├─1989 - Down In It - Single5 c/ N' K4 X/ U( m
│ 01 Down In It (Skin).m4a8 G6 Z" u' ]' a& H
│ 02 Down In It (Shred).m4a5 V9 v) i& p: G5 O0 y
│ 03 Down In It (Singe).m4a3 p0 P: c" X' X9 r, o5 h5 y
│ cover.jpg* |/ P% R, b, H
│ ( p0 h8 a; ?9 {( y' Q
├─1990 - Head Like a Hole - Single8 ^* Q0 x5 f# {0 F
│ 01 Head Like a Hole (Slate).m4a$ x! s8 _$ e! ^# N/ v
│ 02 Head Like a Hole (Clay).m4a0 ]/ \7 O- O( |& _0 F/ z! k0 p& @
│ 03 Terrible Lie (Sympathetic Mix).m4a
: g' L4 l9 Z: c/ b │ 04 Head Like a Hole (Copper).m4a" T/ y; m1 n! ^5 a) X: l7 M4 c4 P
│ 05 You Know Who You Are.m4a9 O; J* N# g; C& ~
│ 06 Head Like a Hole (Soil).m4a
7 p/ o, K2 O0 P0 r" N$ s │ 07 Terrible Lie (Empathetic Mix).m4a1 _( i! O/ o5 C8 W9 z) I" q7 ?" H
│ 08 Down In It (Shred).m4a& a8 d0 J4 h* F7 L* Y, f
│ 09 Down In It (Singe).m4a
9 i& \. g; h6 |$ w: M. K │ 10 Down In It (Demo).m4a- w% k _9 }" R2 J2 o: W/ E6 e) H/ Y
│ cover.jpg
( t0 d* u o4 c │ . F" R' T0 y: C1 [
├─1994 - Closer to God - Single
. w% C+ J4 e' S. l4 ~ │ 01 Closer to God.m4a# B) h7 Z. f7 \: ?: y
│ 02 Closer (Precursor).m4a9 ~6 S! J; O# O: r8 ?
│ 03 Closer (Deviation).m4a
: F# P6 y' e" d( m" |" [ │ 04 Heresy (Blind).m4a
, e$ L0 t5 p9 y" r" h1 @# J │ 05 Memorabilia.m4a; q7 M% X4 k) Y* w# p7 p
│ 06 Closer (Internal).m4a! ~- D K2 b- L
│ 07 March of the F------ds.m4a
7 j2 A+ H$ z$ i i │ 08 Closer (Further Away).m4a
' m8 l1 ~! x: w0 g │ 09 Closer.m4a
0 q9 U8 S% a: r& e( ` P* j │ cover.jpg. h$ p& [: r3 k
│
$ s& S/ R3 p6 O$ ]: Y" q ├─1994 - March of the Pigs - Single
& X; a- M2 T$ r: ^! ?0 J9 }4 v+ z │ 01 March of the Pigs.m4a! V4 t& X. Z, ^- R
│ 02 Reptilian.m4a
T4 A3 A' Z8 o6 K; M$ L │ 03 All the Pigs, All Lined Up.m4a( Q9 z5 o* c: |" i* q+ z* p
│ 04 A Violet Fluid.m4a6 h$ U2 O/ E, _8 @' A$ H
│ 05 Underneath the Skin.m4a
9 [$ e7 {# j1 @9 O7 T │ cover.jpg8 h7 e+ u0 g) I: T! Q
│
: Q0 [: t v+ V* e o ├─1997 - ''The Perfect Drug'' Versions - Single
2 {, t: t5 i8 k+ \$ A8 y │ 01 The Perfect Drug (Meat Beat Manifesto).m4a
3 u; N' ~4 A! [4 M7 L: I │ 02 The Perfect Drug (Plug).m4a
: @3 l9 q" }* V. G- ?! G │ 03 The Perfect Drug (Nine Inch Nails).m4a
3 r; i! E1 ^+ X) N5 W │ 04 The Perfect Drug (Spacetime Continuum).m4a* g# M. e' a0 W8 R
│ 05 The Perfect Drug (The Orb).m4a- b4 I4 ^9 b3 L W
│ cover.jpg D! i) V8 k# Q- ^) G/ f0 a6 C
│ 3 P' f: ?3 N6 I6 Q# ^! ^4 f
├─2013 - Copy of A - Single
& A5 j& G+ |! G. M& f │ 01 Copy of A.m4a( S* ]+ x% b& d; s7 T. k
│ cover.jpg
/ M5 |: M q( X1 ` │
! S. m, T9 U: ~+ M( R- x% I$ ? ├─2013 - Everything - Single
# J! ^9 w( M3 ^5 `5 } │ 01 Everything.m4a
# D, h4 u& f' u0 w9 G │ cover.jpg; B" c0 g. G# _8 `6 y' l, i
│ 9 d% ]4 n9 M: ]3 s0 F9 @; F2 a
└─2017 - Less Than - Single. T0 {* s& n* ?' a+ ?, ], p, @
01 Less Than.m4a
$ r" K- }: D( j+ _9 b& f8 O cover.jpg8 r. P3 e: V7 w8 X
) m0 V' L' v# N: V+ c) I
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