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Nine Inch Nails简介
& \* t' ?: e" r/ _/ R) g美国工业摇滚乐队,工业摇滚代表性乐队。成立时间为1988年。Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。& C" ?" e4 ]% ?9 ]8 K8 n+ d2 _( v
# q9 `( _: v# X# n% Z8 i信息简介4 t$ s8 J Z$ {0 I
负罪感、异化、无尽的痛苦及其艺术化的表达,创造了一些令人铭记在心的摇滚乐。这其中也包括 Trent Reznor的 Nine Inch Nails单人乐队。乐队的音响空间是荒芜的,而歌词则将自暴自弃与绝望推向了极点。但是 Reznor 写出的是流行歌曲而非自己恐怖电影的配乐。它同时得到了另类和主流硬摇滚乐迷的喜爱,并将工业噪音音乐引入了主流。
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" S" N- U( }- O2 b% c, d0 ~" a s/ V p早年经历
) W, F' }, V& ?6 X/ l: KMichael Trent Reznor 生于宾夕法尼亚洲的默瑟。他 5 岁开始学习钢琴,同年父母离婚,他由外祖父母抚养。后来,他学习了萨克斯和大号。和其他初出茅庐的音乐家一样,他将自己的局外人情结埋进一支叫 Option 30 的乐队里。在 Allegheny College 攻读计算机工程后,Reznor 搬到了克利夫兰。 1988 年,他组建了 Nine Inch Nails,进行舞曲方向的探索,并汲取发展中的工业音乐和泰克诺风格。 Reznor 几乎包揽了所有创作、演奏和制作工作,只有当巡演时,他才会召来鼓手 Chris Vrenna 等乐手。0 `# n( B' s b$ I8 t- ~" ~
Nine Inch Nails 首次推出的《Industrial Nation》为他赢得了为 Skinny Puppy、The Jesus & Mary Chain、Peter Murphy 的演出担任助演的机会。但真正给乐队带来商业成功的是 1990 年专辑《Petty Hate Machine》及其中的热门歌曲《Head Like a Hole》。该专辑有着重金属的狂暴、流行曲的构架、工业音乐的声响和丰富的舞曲节奏,它在榜上停留了两年多。. B/ C2 }; \) B
6 M8 q4 o2 e0 I+ L/ W演艺经历
$ G3 g9 m/ w' H1991 年,Nine Inch Nails 参加了 Lollapalooza 巡演并成为了 T 恤衫的销量冠军。但是,乐队与其公司 TVT的法律纠纷耽搁了第 2 张专辑的推出。后来,Reznor 与经理人 John Malm 创立了自己的厂牌 Nothing,于 1992 年开始签新乐队,包括 Pop Will Eat Itself、Prick 和著名的 Marilyn Manson。同年秋天,乐队推出EP《Broken》,打入排行榜十佳,其中一曲《Wish》获格莱美最佳金属表演奖。它的风格更加强硬,但仍有着常规歌曲结构。此时 Reznor 与 TVT 公司和 Interscope 公司(Nothing 的发行商)最后达成协议,允许 Reznor 和 Nothing 自立门户,但 TVT 将在后续的 Nine Inch Nails 的专辑中分红。' e. ]! m: [9 L4 |
1994 年春,Nine Inch Nails 发行第 2 张专辑《The Downward Spiral》,它标志着乐队从地下跃入主流。该专辑在 Charles Manson 的信徒谋杀女演员 Sharon Tate 的洛杉矶房屋里录制。 Reznor 也同期为 Tori Amos 录制了《Pass The Mission》。这张被宣传为“概念专辑”的作品体现了 Reznor 所受的根源影响——70 年代前卫摇滚,而其中也有前 King Crimson 乐队的吉他手Adrian Belew 助阵。它打上了排行榜第 2 名,Reznor 登上了《滚石》杂志封面,并成为《花花女郎》杂志“十大摇滚性感明星”。乐队参加了 1994 年 Woodstock 演出。这一切对于一个唱着“我聚在痛苦中/这是唯一真实的事”的人来说应该是愉快的。“虽然我们成了支流行乐队,填满了主流媒体的各个频道 ”,Reznor 说,“但我真的感到我是在走我自己的路”。
' y4 a0 ?6 @6 z# Y3 x2 z在《 The Downward Spiral》之后,Reznor 为 Oliver Stone 的争议性电影《Natural Born Killers》(天生杀人狂)录制了富有创意的电影原声专辑。它将电影对白和歌曲(包括 Nine Inch Nails 的《Something I Can Never Have》和《Burn》)编织成天衣无缝的音响流动。此时,Reznor 和 Hole 乐队主将,Kurt Cobain 之遗孀Courtney Love 传出了绯闻。
# Z% d; a6 `$ V, Z1995 年,Nine Inch Nails 推出了混音专辑《Further Down The Spiral》,并与对他的音乐产生重要影响的 David Bowie 合作巡演。 1996 年,歌曲《Happiness In Slavery》(Woodstock 1994 年现场专辑版本)再获格莱美最佳金属表演奖。年底,准备着新专辑,并为 David Lynch 的电影《Lost Highway》(妖夜荒踪)写了 3 首新歌。 Reznor 和 Lynch 出现在 1997 年 2 月的《滚石》杂志封面。
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0 a( ` ^5 O* [9 a+ I3 s- ~├─Albums" w; o) A5 y% w4 Z; ?
│ ├─1989 - Pretty Hate Machine
- s1 X; l0 U8 R+ _; q' N9 Y│ │ 01 Head Like a Hole.m4a# v* J2 D" D1 o0 S6 O) c
│ │ 02 Terrible Lie.m4a% ~8 w7 b' f; b% {6 o
│ │ 03 Down In It.m4a2 K) v- w- G6 D/ [; ?" y* I7 V$ V
│ │ 04 Sanctified.m4a" e, Q7 T) r" r" G5 w7 O
│ │ 05 Something I Can Never Have.m4a: k3 l+ F+ x* j) n) I
│ │ 06 Kinda I Want To.m4a* m; r' m% h$ i1 ~
│ │ 07 Sin.m4a6 @, R0 Y* q$ y! {
│ │ 08 That's What I Get.m4a' m0 V$ g8 Y5 j9 z
│ │ 09 The Only Time.m4a) ^) j+ G: R( X' O$ Z
│ │ 10 Ringfinger.m4a
! w9 E5 n) n3 \; y8 k│ │ cover.jpg1 k8 W! ^5 J0 R5 q# e
│ │ : s' m6 }% O' x" {: k* v
│ ├─1989 - Pretty Hate Machine (2010 Remastered)
! D7 Y T0 D4 j9 m+ }0 Y│ │ 01 Head Like a Hole.m4a
3 J4 e* n* e1 F! O- X. ^8 J/ e│ │ 02 Terrible Lie.m4a
, c4 X5 n8 S/ j' r; {7 B/ q& l│ │ 03 Down In It.m4a
5 S: O/ ?% \- F. B; x│ │ 04 Sanctified.m4a' G) J c! K N( t/ ~) j* F0 j
│ │ 05 Something I Can Never Have.m4a# b" l8 e2 I$ Z, ?* Z. D4 l2 Y: }
│ │ 06 Kinda I Want To.m4a! p/ m: g. B. ]" A1 y, P
│ │ 07 Sin.m4a# @) y% i: {! D/ ]
│ │ 08 That’s What I Get.m4a: ` v+ K2 R3 C/ A
│ │ 09 The Only Time.m4a
( ]( v- S' w4 h│ │ 10 Ringfinger.m4a
; ~! [# C# O% c│ │ 11 Get Down, Make Love.m4a
5 x% h7 p @$ W/ I7 Q│ │ cover.jpg
+ V# [4 p) r4 Q4 k! h. _6 q }│ │ ( q4 s/ a( T" |2 m" }+ \& E, J1 c
│ ├─1994 - The Downward Spiral (2004 Deluxe Edition)( ~. M0 R( P9 D; s' W8 P" D+ Y! @
│ │ 1-01 Mr. Self Destruct.m4a! _! H4 g6 x+ J$ q5 M+ |
│ │ 1-02 Piggy.m4a
5 D/ i% ?) S& P8 C9 g5 ^│ │ 1-03 Heresy.m4a
* S- c! d" `4 K/ V. b) x- H! a' h6 F│ │ 1-04 March of the Pigs.m4a- X, Z4 u$ x- k7 T8 ]2 Y5 h6 k
│ │ 1-05 Closer.m4a
7 v9 y. I+ f4 W│ │ 1-06 Ruiner.m4a. \ w# l( e1 ~ r$ O( ^& g
│ │ 1-07 The Becoming.m4a
! g7 o* u2 k0 k0 i% }: W│ │ 1-08 I Do Not Want This.m4a
^) a$ L9 J7 r6 o# a* O6 p│ │ 1-09 Big Man with a Gun.m4a
# L6 c( s, d; P+ M1 G0 }* y* x, q│ │ 1-10 A Warm Place.m4a
: l% A d, i0 W2 @+ Q1 ]! S│ │ 1-11 Eraser.m4a
/ k; Q* N& [4 J9 ?│ │ 1-12 Reptile.m4a
" @ K3 V, N! m/ i- u3 y9 {7 F│ │ 1-13 The Downward Spiral.m4a
) j% h$ O+ [( {# F9 e│ │ 1-14 Hurt.m4a- V q& i0 Y" D; e7 w# U" ^
│ │ 2-01 Burn (Soundtrack Version).m4a
" m! p1 K/ H9 P! R: ?& Y│ │ 2-02 Closer (Precursor).m4a1 v+ Q* ~; t5 ~6 c8 a- |" Y7 i- T
│ │ 2-03 Piggy (Nothing Can Stop Me Now).m4a5 E; c. J- U7 S1 X/ [
│ │ 2-04 A Violet Fluid.m4a
& {4 N: p9 A+ s' O ^. s│ │ 2-05 Dead Souls.m4a
. u w/ c1 K$ u/ V│ │ 2-06 Hurt (Quiet).m4a
$ ]- k1 L+ [- `9 t+ G│ │ 2-07 Closer to God.m4a1 ?# @) h8 \& H( Y9 p8 Q6 N
│ │ 2-08 All the Pigs, All Lined Up.m4a
7 S& _6 _, A/ c1 G* K│ │ 2-09 Memorabilia.m4a% v7 h4 v! C/ W9 e. t
│ │ 2-10 The Downward Spiral (The Bottom).m4a3 |' _; |8 k3 m8 q# _3 P
│ │ 2-11 Ruiner (Demo).m4a
0 t/ B+ ?. M: ^6 {) ~│ │ 2-12 Liar (Reptile Demo).m4a
0 }" l; |7 }5 p3 U) e│ │ 2-13 Heresy (Demo).m4a
$ d: C! c/ a! `) f, H' |) P│ │ cover.jpg2 f7 ~& u2 c! R3 E
│ │ 2 S8 v! f7 a v+ n' J! b; V8 s' M c
│ ├─1994 - The Downward Spiral [Mastered for iTunes]; F7 B' y1 I% A0 Y: b
│ │ 01 Mr. Self Destruct.m4a D6 x, {8 d' p; }) V5 A5 Z6 r" O9 z
│ │ 02 Piggy.m4a, T" N" h; I% J# P1 p& X0 R0 _
│ │ 03 Heresy.m4a# P" Q. `6 E% u
│ │ 04 March of the Pigs.m4a
9 A+ I" }8 @. b7 v. {. |- ^│ │ 05 Closer.m4a
. t+ J& c+ N$ M- F│ │ 06 Ruiner.m4a4 p: t0 G; F/ O3 O' v
│ │ 07 The Becoming.m4a& J* }9 g7 h9 x3 _
│ │ 08 I Do Not Want This.m4a
7 X5 v: `( S+ l# U( ?│ │ 09 Big Man with a Gun.m4a
- ~6 a( q8 ^8 h│ │ 10 A Warm Place.m4a
8 Q; t( C, z0 Y2 V5 f│ │ 11 Eraser.m4a- T& ^/ K6 q5 y
│ │ 12 Reptile.m4a4 g! e0 G [- l# i
│ │ 13 The Downward Spiral.m4a$ t, o7 u$ X- T0 f4 L2 }( {) \# L
│ │ 14 Hurt.m4a- p; s& S3 B5 r! }2 T* H
│ │ cover.jpg
; ^) ]3 y7 A. b6 Y│ │
, h. @" z; G7 E/ E│ ├─1999 - The Fragile [Mastered for iTunes]. s7 y/ m _( ^0 i1 D
│ │ 1-01 Somewhat Damaged.m4a
4 _, r. S- e! g5 f5 K$ \' s3 ~│ │ 1-02 The Day the World Went Away.m4a
3 \ r4 ~% V. _6 l, c* f│ │ 1-03 The Frail.m4a
# H) w% e6 v1 W$ X5 \1 {' P│ │ 1-04 The Wretched.m4a
5 Y4 R) K3 O L3 w7 ?& h│ │ 1-05 We're in This Together.m4a2 S2 a7 ~1 w2 j% v, T# X; {7 ~
│ │ 1-06 The Fragile.m4a Z& ?" Z/ G0 R3 V" g" x f
│ │ 1-07 Just Like You Imagined.m4a
( z& k: O) d! t1 C9 ]│ │ 1-08 Even Deeper.m4a
! {4 k% w4 [% D" h7 r+ i│ │ 1-09 Pilgrimage.m4a
7 i( e0 f9 L- N│ │ 1-10 No, You Don't.m4a
9 n, v" T5 O1 `' O│ │ 1-11 La Mer.m4a/ u# g/ N5 Q2 ~4 R4 i( b
│ │ 1-12 The Great Below.m4a7 l H) m4 A" ^. \' t4 W
│ │ 2-01 The Way Out Is Through.m4a
/ f: d% o+ U% q/ o7 K# Z│ │ 2-02 Into the Void.m4a
0 Q G% J, \' B│ │ 2-03 Where Is Everybody_.m4a' f8 T. @( ]. {7 [
│ │ 2-04 The Mark Has Been Made.m4a
8 t4 W, z7 R! O9 Z/ l# H5 S│ │ 2-05 Please.m4a/ q+ _5 ~5 }& E# N7 e
│ │ 2-06 Starf--kers, Inc..m4a& k' ?. r# W, R6 y- c
│ │ 2-07 Complication.m4a
# r2 C/ K" W3 V1 Q. k! M' m( B│ │ 2-08 I'm Looking Forward to Joining You, Finally.m4a
" o! A+ z/ z7 u4 S H% Q│ │ 2-09 The Big Come Down.m4a
6 u! O- Z9 Z# ]4 J! {│ │ 2-10 Underneath It All.m4a2 [! ?5 p' x1 _0 [9 a
│ │ 2-11 Ripe (With Decay).m4a
. Y: t. i3 `; ]; c, T Z" L' n& s│ │ cover.jpg
( a6 c/ W0 z/ F# v) x│ │ ' t- y( o/ P0 `
│ ├─2002 - Still
6 k; {( s0 d- Y* F8 }$ ^│ │ 01 Something I Can Never Have.m4a. o) o F$ o4 ~. B0 I* ?
│ │ 02 Adrift & At Peace.m4a7 ^6 |) |# \* j& B
│ │ 03 The Fragile.m4a7 G+ G) i* T, \% k3 B% Z) G
│ │ 04 The Becoming.m4a
9 X, o& @7 t' H5 ?6 V│ │ 05 Gone, Still.m4a
% V. E2 W4 I3 h: m8 q1 P4 u! }│ │ 06 The Day the World Went Away.m4a2 ?6 B5 O* j& k7 G7 j; I
│ │ 07 And All That Could Have Been.m4a
; O$ m) s) n/ h6 f4 B% [│ │ 08 The Persistence of Loss.m4a, S- t7 m- o, F2 ?6 o2 ^' A
│ │ 09 Leaving Hope.m4a
* f" g# M( T; \* a│ │ cover.jpg1 a* t1 \/ @7 f$ `) o3 k: m9 p
│ │
r2 _4 {4 j" C│ ├─2005 - With Teeth: T* D, N/ n& P" G0 V
│ │ 01 All the Love In the World.m4a
. _' ]. @0 D3 t6 M# Z, x9 k2 {│ │ 02 You Know What You Are_.m4a \+ @$ }( W7 a6 M- ]* x% Z7 Y0 `
│ │ 03 The Collector.m4a( N* J0 F' _! N5 \6 P% k7 w, g
│ │ 04 The Hand That Feeds.m4a3 W8 C+ S/ ~. X% T; }. `0 H
│ │ 05 Love Is Not Enough.m4a* F; R! q: v9 F3 g& @7 ~" A2 s
│ │ 06 Every Day Is Exactly the Same.m4a0 h* i- C! A9 _$ J# b
│ │ 07 With Teeth.m4a2 A- a! E4 M6 R0 j
│ │ 08 Only.m4a
$ J9 n1 U$ I- p, m│ │ 09 Getting Smaller.m4a
: I6 P( B7 Y$ V( O│ │ 10 Sunspots.m4a' I/ o4 [# C+ J7 r$ Y0 W u8 V: T
│ │ 11 The Line Begins to Blur.m4a
" W6 R$ G9 k" B* z0 ^│ │ 12 Beside You In Time.m4a
2 X: S! G. C! _│ │ 13 Right Where It Belongs.m4a
# |3 m8 F7 n+ @8 I# |/ }' H│ │ 14 Home (Non-LP Version).m4a% a8 I5 Z8 H8 a( i9 }
│ │ 15 Right Where It Belongs (Alternate Version 2).m4a
+ |! z1 x3 s# F* s1 H│ │ cover.jpg/ E! y& S' k1 W& L
│ │ # B" L' M/ t8 Z) v
│ ├─2005 - With Teeth [Mastered for iTunes]" g) N# \- \' u- M0 t3 o" M+ _
│ │ 01 All the Love in the World.m4a
" P) o, X, M. f0 ?# \6 c│ │ 02 You Know What You Are_.m4a
. S4 M& q3 |# b$ }% b. \% v) u│ │ 03 The Collector.m4a
) T. r6 [( ^) b1 X$ r2 h% D9 E2 Y│ │ 04 The Hand That Feeds.m4a& y$ i8 L- G- ^( h& a$ o. b# m) _+ r
│ │ 05 Love Is Not Enough.m4a
/ O+ p, a2 Q- k j" f6 u* `│ │ 06 Every Day Is Exactly the Same.m4a
9 k3 n l3 W9 p* f│ │ 07 With Teeth.m4a
* A T6 ^ w" ^; c- B! K! ]│ │ 08 Only.m4a
$ w# t( G; s! D# m$ H/ y│ │ 09 Getting Smaller.m4a7 T+ U1 k9 o2 [3 F" t- w# }
│ │ 10 Sunspots.m4a1 t% }9 y: o3 e7 c8 m2 _: ]" f+ E, Q
│ │ 11 The Line Begins to Blur.m4a
) a8 `2 Z) b6 G4 t. a m) f│ │ 12 Beside You in Time.m4a- F/ f9 H4 A0 w7 H- J: Q1 y
│ │ 13 Right Where It Belongs.m4a
" t% C8 w# c) _9 t8 x. H! f5 n│ │ cover.jpg
- i0 ^/ i J* ]4 J/ x: h│ │
$ Q, E& p- x- c) k$ p9 _│ ├─2007 - Year Zero [Mastered for iTunes]
3 Q7 s' D; o5 @, R& ?5 i$ n7 C$ e│ │ 01 Hyperpower!.m4a( k( ]7 Y8 l7 m/ [5 p
│ │ 02 The Beginning of the End.m4a
% X1 R0 M2 n2 u│ │ 03 Survivalism.m4a& O1 P, o/ e) [! G4 x N0 W$ h
│ │ 04 The Good Soldier.m4a
, }9 m$ N1 m# w$ a4 m. N│ │ 05 Vessel.m4a' l2 r6 G- p5 t
│ │ 06 Me, I'm Not.m4a
u! x6 O: O& x│ │ 07 Capital G.m4a
; Q$ p- f% G( P│ │ 08 My Violent Heart.m4a/ v2 [ a1 ?+ G% i7 R! O1 z$ Q
│ │ 09 The Warning.m4a; R: @9 `- z' z- w2 ~7 I' J4 u0 [+ L; B
│ │ 10 God Given.m4a0 i! T- a. j( \3 ^3 b7 j
│ │ 11 Meet Your Master.m4a
9 D0 X$ Z {% v/ `, I' X- }5 w│ │ 12 The Greater Good.m4a' L6 F. P; t4 j8 |# ^$ ?
│ │ 13 The Great Destroyer.m4a
$ m& H' o4 g7 w7 E9 \* ]+ d5 Z│ │ 14 Another Version of the Truth.m4a
. M& m. a$ ^0 a. j; j│ │ 15 In This Twilight.m4a9 h7 D8 u0 i7 a' t9 f, i$ y
│ │ 16 Zero Sum.m4a0 s8 z. s1 ?/ B1 f. v0 \2 X
│ │ cover.jpg6 A6 o; T l5 p" ]9 K" f# {
│ │ , c& I! ~' u* Q7 A$ Z: F. |: }) ~
│ ├─2008 - Ghosts I-IV6 M- y% V, Y. n0 A# D/ k9 p( T/ k
│ │ 01 01 Ghosts I.m4a# u! m8 p- T& G- ?6 ], p
│ │ 02 02 Ghosts I.m4a
% i! T2 ~6 V$ R$ A6 l* o5 t│ │ 03 03 Ghosts I.m4a/ T' \; p" b3 J6 t7 T
│ │ 04 04 Ghosts I.m4a. F: h- i/ J6 e+ j! K
│ │ 05 05 Ghosts I.m4a
- N1 i" m% ~7 Q" O/ C" [/ b│ │ 06 06 Ghosts I.m4a( c* a$ b2 U. j8 u
│ │ 07 07 Ghosts I.m4a& ]/ k4 z$ r5 x) u" c Q
│ │ 08 08 Ghosts I.m4a/ B' T( Y0 k* X/ v2 [ A" D
│ │ 09 09 Ghosts I.m4a9 q8 G* d, f6 [+ Y
│ │ 10 10 Ghosts II.m4a4 x1 c8 i1 L9 x: S! H5 F
│ │ 11 11 Ghosts II.m4a
1 X* s p; Y; t( M& @6 R│ │ 12 12 Ghosts II.m4a5 c/ ]+ e! k# W4 t3 R
│ │ 13 13 Ghosts II.m4a+ J+ K" u* x& A( T8 E
│ │ 14 14 Ghosts II.m4a
2 w6 Q" W4 {6 d2 ^! E5 w│ │ 15 15 Ghosts II.m4a
' |% Q( p, M8 e( A6 b7 [│ │ 16 16 Ghosts II.m4a
; w$ h# k0 F& x$ i: }7 g+ b│ │ 17 17 Ghosts II.m4a1 C7 C \3 n* C* a
│ │ 18 18 Ghosts II.m4a% m0 t! G6 X( x. I( x
│ │ 19 19 Ghosts III.m4a
, O6 B$ P" j0 i, A% h. J, j. ?+ X│ │ 20 20 Ghosts III.m4a- Y, J5 j8 I Z$ Q+ y
│ │ 21 21 Ghosts III.m4a
$ Q" b8 X! @3 D- F( I│ │ 22 22 Ghosts III.m4a
% \( ^6 r6 g0 ]% V7 e/ \$ l│ │ 23 23 Ghosts III.m4a* A1 ` C. K: `1 h& T
│ │ 24 24 Ghosts III.m4a9 e+ c y2 r0 C6 z3 f
│ │ 25 25 Ghosts III.m4a
7 a5 q( U; k# v9 [. }7 t│ │ 26 26 Ghosts III.m4a
7 N0 n( p! q. B+ C4 t│ │ 27 27 Ghosts III.m4a) B& f0 C, p9 g4 N
│ │ 28 28 Ghosts IV.m4a( M! \( l' Q$ g8 q
│ │ 29 29 Ghosts IV.m4a4 @2 ?5 j' Z) l/ T' O& h* r1 h
│ │ 30 30 Ghosts IV.m4a
8 I) X0 l! ~+ K0 G2 Q' ~ S│ │ 31 31 Ghosts IV.m4a* ?5 a. ~2 `! M
│ │ 32 32 Ghosts IV.m4a+ V8 Z! B8 w5 \/ h% p# M/ s
│ │ 33 33 Ghosts IV.m4a; H$ ?4 {2 x P1 ?: H* ?5 a9 s
│ │ 34 34 Ghosts IV.m4a# N0 Y. q3 T/ |) [& H' Q
│ │ 35 35 Ghosts IV.m4a4 u0 \4 `: h9 v+ R2 u
│ │ 36 36 Ghosts IV.m4a3 _9 D+ E3 }* c1 I6 n( S% a
│ │ cover.jpg
8 R0 [# G2 b0 o, K& E1 w│ │
& F# K X$ P4 s9 X2 b) p# ~" c4 @: d/ }│ ├─2008 - The Slip0 \2 y+ n) `8 R2 H' f9 Y% `
│ │ 01 999,999.m4a
9 c( z( Q X+ c3 H X* }9 R6 O8 e│ │ 02 1,000,000.m4a
* i+ N$ h0 j9 j2 ?: b: V1 l│ │ 03 Letting You.m4a3 }% R4 m' b( ]( @$ I" P' a9 i
│ │ 04 Discipline.m4a. `% s( ?' O4 s2 N& C
│ │ 05 Echoplex.m4a
7 k5 Y. W# X; g0 l$ n│ │ 06 Head Down.m4a( C! ]8 v# |" t
│ │ 07 Lights In the Sky.m4a- z4 r1 p! C% i. V: H8 e
│ │ 08 Corona Radiata.m4a7 ]" w; t9 g! G; ]8 M5 x$ |& K) U
│ │ 09 The Four of Us Are Dying.m4a
. p, u) n% g7 G1 s. m- |│ │ 10 Demon Seed.m4a# q) I/ x2 u8 r$ M6 a9 V
│ │ cover.jpg) e4 s8 r3 s. \
│ │
, l6 @" B% N) Y* s# G" d' _│ ├─2013 - Hesitation Marks (Deluxe Edition) [Mastered for iTunes]5 X X3 L I! a) x7 o% p
│ │ 01 The Eater of Dreams.m4a# e, n# m' O% C% H- [
│ │ 02 Copy of A.m4a
2 P, f v. v( I0 Y│ │ 03 Came Back Haunted.m4a& @# [8 e, }7 P9 G
│ │ 04 Find My Way.m4a
: g1 b' _. N" ?$ u│ │ 05 All Time Low.m4a7 ?. N9 d/ D5 n$ F7 z1 i1 u
│ │ 06 Disappointed.m4a
% w1 A+ }- Q \" S+ O│ │ 07 Everything.m4a
+ e9 I0 |5 W! e3 x│ │ 08 Satellite.m4a
; \( @4 D$ K$ [' L# w│ │ 09 Various Methods of Escape.m4a
: g. g7 J- l. U" [) n P) T3 |│ │ 10 Running.m4a
7 j& R. l; j% ~8 B│ │ 11 I Would For You.m4a
- G7 G9 p# y( i, x' ~│ │ 12 In Two.m4a* f$ e$ ^; u- q9 F6 Q; f; X& |
│ │ 13 While I'm Still Here.m4a3 m. V, l& j. N. u, W! k) O
│ │ 14 Black Noise.m4a& E/ X8 L' R" L: y, _
│ │ 15 Find My Way (Oneohtrix Point Never Remix).m4a
0 V7 t/ a2 J$ }) K; B+ @0 M│ │ 16 All Time Low (Todd Rundgren Remix).m4a
* \1 E( j' l/ w% {" T│ │ 17 While I'm Still Here (Breyer P-Orridge 'Howler' Remix).m4a
1 n; v: ~+ t6 s5 Y& F│ │ 18 Trent Reznor In Conversation With....m4a
% k- T% z# x; I/ |3 a│ │ cover.jpg
+ Z- y* p+ G8 v' j│ │
3 N3 d* R7 `3 T) q3 F, ]1 _│ └─2018 - Bad Witch
% e0 v- N- ^' m& O6 w ]! \/ F│ 01 Shit Mirror.m4a9 O" R2 X( _/ H/ `. X8 S5 x2 w
│ 02 Ahead of Ourselves.m4a# _/ \) K3 m* f0 U- o) U# d% N
│ 03 Play the Goddamned Part.m4a
$ @ p4 x3 W+ z A- v8 u0 I│ 04 God Break Down the Door.m4a% K. R# Q7 o3 u- m2 d+ }
│ 05 I'm Not from This World.m4a
# ], R* ]. t K│ 06 Over and Out.m4a
6 j, n @' e2 R* U│ cover.jpg( V1 }! c1 x1 D8 @1 u
│ + c- a4 ~" V6 R
├─EP's7 n& ^! S* e9 o' a
│ ├─1990 - Sin - EP m. G; Q: V: j6 R# Y0 q
│ │ 01 Sin (Long).m4a c- N1 W* H* y$ ?. g- X
│ │ 02 Sin (Dub).m4a% e/ o, |$ B6 U
│ │ 03 Get Down Make Love.m4a
% ^; z* T; o- Z2 ]- T6 }│ │ 04 Sin (Short).m4a
& x8 Y8 J0 ]$ C7 c W/ ~│ │ cover.jpg. c% e# {! A: M) E; t
│ │ 9 }, [& |; O$ C1 z. ]& P2 m
│ ├─1992 - Broken - EP. M! O% y! j! {8 q, X% m6 c
│ │ 01 Pinion.m4a; _/ T9 y4 j- W5 f5 T! t4 z9 V. n
│ │ 02 Wish.m4a
8 u8 N' D6 ]: `. \│ │ 03 Last.m4a e" k! v8 A2 }5 Q+ s4 t2 O2 G) o( H
│ │ 04 Help Me I Am in Hell.m4a5 f d( W6 ?; h; A$ B7 @
│ │ 05 Happiness in Slavery.m4a- _: _2 X6 D6 L3 W8 V8 I
│ │ 06 Gave Up.m4a$ {" o% E/ t0 g$ S0 C
│ │ 07 Physical (You're So).m4a
* M7 Y9 N" g/ s( ` ~" i│ │ 08 Suck.m4a
" u, F8 L, t$ F- L│ │ cover.jpg; {6 B3 n/ \: G2 P
│ │
: L3 S! n2 _) I│ ├─1992 - Fixed - EP7 Z3 U+ ?. N# }# T/ x) q
│ │ 01 Gave Up (Remix).m4a
* h q7 E0 d& m│ │ 02 Wish (Remix).m4a. X9 V7 D. B" _7 o6 y7 t
│ │ 03 Happiness In Slavery (Remix).m4a4 v: @5 T; Y0 Q# v% r
│ │ 04 Throw This Away.m4a
. ^8 D% l$ m# c5 q# J1 c9 X│ │ 05 First F--k (Remix).m4a' ]9 G1 t& U9 H0 s5 k
│ │ 06 Screaming Slave.m4a/ \. k* d$ h" }' r. o# D( q
│ │ cover.jpg! l; Q \6 R0 g4 u' t, Y
│ │
( q# P1 C5 r/ o8 V& ?│ ├─2005 - Only - EP I! v, ^# j: Y! J. ~" B/ Y
│ │ 01 Only.m4a; o. D) |" o) |! q
│ │ 02 The Hand That Feeds.m4a, a+ {; g! L" k( Z3 |' l
│ │ 03 Love Is Not Enough.m4a
5 ~2 v2 ^ ~; p- ^$ ^% p│ │ 04 Only.m4v
) C& l# ?' X8 G) S; v! U# P│ │ cover.jpg
$ g4 ?& L5 v& @. I│ │
, W8 P$ D- B1 l, I* V, \- V- N4 B│ ├─2005 - The Hand That Feeds - EP7 o! a4 @# [7 b* m7 j% g# `* ~
│ │ 01 The Hand That Feeds.m4a
0 F, Q# o' g7 D0 D& f( i│ │ 02 The Hand That Feeds (Dfa Remix).m4a
( K' @' c) I3 o# W+ K! d│ │ 03 The Hand That Feeds (Photek Dub).m4a
& O1 w) l2 D$ d: ^0 D, S* k0 r│ │ cover.jpg
( F( b/ b* @4 s y' P) I│ │
$ I6 A, @5 q% w. \, {│ ├─2006 - Every Day Is Exactly the Same (Remixes) - EP
4 i. H' M) y. m. V: z+ @' @+ V│ │ 01 Every Day Is Exactly the Same.m4a* B- ^9 ~2 {6 j# K: c
│ │ 02 The Hand That Feeds (Dfa Remix).m4a
, N3 i+ |, A% J│ │ 03 The Hand That Feeds (Photek Straight Remix).m4a- _; c1 ?- Z7 l4 b; o0 ^
│ │ 04 Only (El-P Remix).m4a
" B# y- j. l6 x. K5 a, @, j+ Q│ │ 05 Only (Richard X Remix).m4a/ K- ?7 I& g' @) s- i# _
│ │ 06 Every Day Is Exactly the Same (Sam Fog vs. Carlos D. Main Mix).m4a2 W7 {" L( G! n4 H7 s7 S
│ │ cover.jpg
% S- _9 \$ y0 d! x│ │
& d2 h( W* o* a9 q+ c, C3 j│ ├─2007 - Survivalism - EP# F' n* [7 _( O# b! E
│ │ 01 Survivalism.m4a
, L: Y. M" I0 I; c) U5 G% r; o7 g│ │ 02 Survivalism (Tardusted Remix).m4a3 m& d* P6 A0 ?1 o$ M$ A& Y" e f
│ │ 03 The Greater Good (Instrumental Version).m4a3 B7 s- D4 o1 F8 ~4 m2 z9 x
│ │ cover.jpg+ C8 R6 R Y( b( f
│ │ " M, F/ y1 \8 [4 Q4 t4 m
│ ├─2014 - Recoiled - EP (w. Coil)8 J4 z4 [& E4 y8 g2 e+ i
│ │ 01 Gave Up (Open My Eyes).m4a
3 M& h/ [6 ]& h7 d" `+ u- x│ │ 02 Closer (Unrecalled).m4a
2 ?" S E( r8 ?. }( w* l4 b│ │ 03 The Downward Spiral (A Gilded Sickness).m4a
c5 |$ {! }9 c" c+ g- b' I% r0 K│ │ 04 Eraser (Reduction).m4a$ L) L" I7 @" T/ l) @
│ │ 05 Eraser (Baby Alarm Remix).m4a
, k+ i/ t( `6 }# \, l; B, j. d6 e│ │ cover.jpg, R2 g& P; ]7 [
│ │ % ?" l6 o* |2 T0 G8 U n
│ ├─2016 - Not the Actual Events - EP% T5 I: k* N5 W
│ │ 01 Branches _ Bones.m4a+ y% U4 {& k. ]; V" @
│ │ 02 Dear World,.m4a: q" u( S$ D" {9 x* ?+ x
│ │ 03 She’s Gone Away.m4a
! H6 A) E: h R│ │ 04 The Idea of You.m4a
/ g) i& ^/ Q7 F, d. N│ │ 05 Burning Bright (Field on Fire).m4a
0 y! d( M1 ?/ T2 D( {1 c1 [7 Z; _% T│ │ cover.jpg/ u, Y6 Z- o) `+ \0 v9 o* _
│ │
+ ~# O5 l, S( m0 ~2 D% s│ └─2017 - Add Violence - EP
: f: R: N/ ]4 x7 K3 o│ 01 Less Than.m4a( u. p) [7 b" l
│ 02 The Lovers.m4a ^* x: y. X0 P* V! v; U: C1 D
│ 03 This Isn't the Place.m4a8 M% Y. s0 N* w
│ 04 Not Anymore.m4a
$ O/ T; O( D& ~│ 05 The Background World.m4a& A3 L3 k2 P, a+ h% j
│ cover.jpg ?. X3 p6 s) k+ c+ y
│ " K+ J' T. \2 L* y" w0 E- |
├─Live
. I, X5 F$ d' I, ?│ ├─2002 - And All That Could Have Been (Live)
8 n7 _" X3 }; S8 w% c% \8 r9 Z: o! P│ │ 1-01 Terrible Lie.m4a
! r0 Y/ z( S. g0 {8 Y; u5 m% X( b3 E│ │ 1-02 Sin.m4a. q( F8 P+ G' Y6 o
│ │ 1-03 March of the Pigs.m4a
# c- a% ]+ e Z; h1 \│ │ 1-04 Piggy.m4a
3 I0 r& @9 h0 C8 M│ │ 1-05 The Frail.m4a
3 _, w5 ?2 b, o2 g' H+ g5 E│ │ 1-06 The Wretched.m4a- k+ g+ g/ w- Q* X0 b o! D
│ │ 1-07 Gave Up.m4a
% X' |8 I# {& }( b0 b" Y& P│ │ 1-08 The Great Below.m4a5 [* q& ^+ H* }/ e
│ │ 1-09 The Mark Has Been Made.m4a% ? c1 g- f, B8 a- ]+ i
│ │ 1-10 Wish.m4a7 o, T/ T0 K C+ W
│ │ 1-11 Suck.m4a
$ S! w- O q2 F& W9 W. ]│ │ 1-12 Closer.m4a9 }2 c9 X( W! }7 w3 H3 ^
│ │ 1-13 Head Like a Hole.m4a
c: C& Q6 D; S; V│ │ 1-14 The Day the World Went Away.m4a7 A6 O& ?* ]$ b% z) E( _: p
│ │ 1-15 Starfuckers, Inc..m4a
' k' R8 X1 m7 u6 M2 f& ~7 N0 ]│ │ 1-16 Hurt.m4a/ c6 b/ k8 B* `1 }; ^" K, A" ~2 d# a
│ │ 2-01 Something I Can Never Have.m4a. X9 t. a+ f2 u" c& h9 @3 e! t1 S
│ │ 2-02 Adrift & At Peace.m4a
9 l( I- j' v' E L│ │ 2-03 The Fragile.m4a
- v: J! U2 r8 H│ │ 2-04 The Becoming.m4a: l3 Q- A9 {5 {( |3 p$ _
│ │ 2-05 Gone, Still.m4a
$ g+ f# E6 W6 f2 e$ y│ │ 2-06 The Day the World Went Away.m4a9 D2 t( _) h& ^3 ]; W4 }
│ │ 2-07 And All That Could Have Been.m4a4 [: P' d/ }, f2 _4 F
│ │ 2-08 The Persistence of Loss.m4a
9 J, ]/ m' G, }: E; F, D│ │ 2-09 Leaving Hope.m4a
3 }0 l4 }% Z2 _0 B│ │ cover.jpg1 n8 x7 h! s4 {
│ │ % ~3 l p$ S z# X% W/ s9 x3 R
│ └─2002 - Live_ And All That Could Have Been [Mastered for iTunes]
: L+ Y1 i( T7 B# c* b5 u│ 01 Terrible Lie.m4a
3 z9 _9 B6 |( \2 `1 ^7 ^* e│ 02 Sin.m4a
" j' E1 L, @1 \( I9 ~( A, N* ~│ 03 March of the Pigs.m4a
1 M3 E0 r4 d1 v1 k│ 04 Piggy.m4a: z1 z3 T; c0 i1 S; i
│ 05 The Frail.m4a* G( [8 [3 n" ^# d2 h1 c
│ 06 The Wretched.m4a; _1 n8 F8 n) g
│ 07 Gave Up.m4a
+ z% n* P# L* | J/ W$ O8 {│ 08 The Great Below.m4a
3 g6 m) K" {+ W* [6 Y& z0 c│ 09 The Mark Has Been Made.m4a- n2 q/ K/ c! O; k2 b2 B* W; S+ _
│ 10 Wish.m4a
* X: T9 C' v4 q# a7 k. `│ 11 Suck.m4a$ R9 t% W% U* |7 Z2 n6 I/ M2 }7 z
│ 12 Closer.m4a
{3 p! @2 \* p5 v; c│ 13 Head Like a Hole.m4a
: r- `& E, Z' b8 {6 M1 h│ 14 The Day the World Went Away.m4a
7 b- }* `2 i G1 r│ 15 Starf--kers, Inc..m4a+ G: z1 ^$ o5 ?" \; y
│ 16 Hurt.m4a" C" B$ Y6 v! t- O( Q+ K
│ cover.jpg
% J9 P; `# L, K3 o" Q0 _│ ' g9 E# Q* s+ [' B. A: X0 m6 L
├─Remix Albums1 V& w6 z3 C0 z/ J% q! G8 E# ]
│ ├─1995 - Further Down the Spiral
( L9 B5 `" ?( q% p; [. r a5 t& N│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
5 C Q" k8 t: F* o│ │ 02 The Art of Self Destruction, Part One.m4a
6 ^! F4 Y' y* q' l$ U+ \│ │ 03 Self Destruction, Pt. 3.m4a# E* f- b6 l( K+ n
│ │ 04 Heresy.m4a+ ~2 h) J. `0 j1 a
│ │ 05 The Downward Spiral (The Bottom).m4a# J# V: w& j. U1 H' B2 {
│ │ 06 Hurt (Quiet) [Live].m4a
# V6 Y3 C, @' ~: h8 a2 P- T│ │ 07 At the Heart of It All.m4a
8 B3 U) O: e/ W/ {$ M) I3 H│ │ 08 Ruiner.m4a& a+ L0 i+ \0 `; X; F% R2 ~
│ │ 09 Eraser (Denial Realization).m4a
# d+ X* p$ J# x5 L0 i│ │ 10 Self Destruction, Final.m4a
- v; s! Z5 M8 s9 Y│ │ cover.jpg
. g9 A/ g! v, B* A│ │ ( q j- U" f( T$ i5 L+ Q9 D
│ ├─1995 - Further Down the Spiral (US Version)
. }5 M8 E: _6 B! `" i│ │ 01 Piggy (Nothing Can Stop Me Now).m4a
- Z$ X- X! q! a) ?2 n& G0 i1 h% k│ │ 02 The Art of Self Destruction, Pt. 1.m4a
* o3 Q. c% I$ {$ n│ │ 03 Self Destruction, Pt. 2.m4a% [! |% ?& K: w8 G
│ │ 04 The Downward Spiral (The Bottom).m4a
) w' b8 b8 X; A, M2 k│ │ 05 Hurt (Quiet).m4a
1 h$ j/ S/ q5 b& v: H$ y# k' w│ │ 06 Eraser (Denial- Realization).m4a* A+ F$ ]) R. }% ~; z; N
│ │ 07 At the Heart of it All.m4a
- z4 E4 o5 Z+ p6 G7 Q│ │ 08 Eraser (Polite).m4a
% ]5 P! i" E& I# o│ │ 09 Self Destruction, Final.m4a
. }0 t2 j; v6 _9 r7 [6 w$ u│ │ 10 The Beauty of Being Numb.m4a
9 X! \ t! {/ |│ │ 11 Erased, Over, Out.m4a
7 t* E" \( Z0 }2 P7 R, `5 F│ │ cover.jpg2 g# C# T9 ^& r& F( G7 _ \& l
│ │ " X+ [# _# I) ]
│ ├─2000 - Things Falling Apart
8 m( h- Z' r5 K: B0 @│ │ 01 Slipping Away (Remix).m4a5 ~9 ? N: d8 F
│ │ 02 The Great Collapse (Remix).m4a
$ j. R8 M1 g/ \3 L1 [│ │ 03 The Wretched (Remix).m4a% M( H8 N5 {0 I2 s& c
│ │ 04 S--------rs, Inc. (Remix).m4a
) a: S' F& W& ^2 U│ │ 05 The Frail (Remix).m4a* b s1 | Q# v7 C8 U1 j
│ │ 06 S--------rs, Inc. (Remix).m4a
# R3 J5 S1 k0 @: j; t│ │ 07 Where Is Everybody! (Remix).m4a+ ^8 U* S P1 v' u2 a6 X
│ │ 08 Metal (Remix).m4a8 n" p2 ~3 M2 j. o* u! A
│ │ 09 10 Miles High (Remix).m4a
9 L5 w7 q$ I/ w. x5 Q! T│ │ 10 S--------rs, Inc. (Remix cc).m4a
! h( P9 k' }! \│ │ cover.jpg
+ n. B9 b& e) Q8 N& z4 ]│ │ 1 H+ z8 v# ?& _; L% r1 O( R
│ └─2007 - Y34RZ3R0R3MIX3D
7 O$ C9 E4 E- z8 w% `2 o3 Z$ p│ 01 Gunshots By Computer (Saul Williams).m4a
# \5 u0 u5 | y/ ~0 L9 [│ 02 The Great Destroyer (Modwheelmood).m4a" W" B3 H1 r# L7 X; b+ v" `
│ 03 My Violent Heart (Pirate Robot Midget).m4a! b. F* M7 P& i$ }; A
│ 04 The Beginning of the End (Ladytron).m4a% e/ d/ f; a: N, `, P2 a
│ 05 Survivalism (Saul Williams).m4a
2 t( t& v5 r) h7 W│ 06 Capital G (Paul Epworth Phones 666 Revolutions Mix).m4a9 K. B) x7 o0 Z
│ 07 Vessel (Bill Laswell).m4a$ K+ r$ G5 y4 J5 g8 H
│ 08 The Warning [feat. Doudou N'diaye Rose].m4a. o; Q' `' c, D1 h0 ~$ d! v! ], a+ x
│ 09 Meet Your Master (The Faint).m4a* C7 X( r9 ?) _- o3 O: T' E0 m
│ 10 God Given (Stephen Morris and Gillian Gilbert).m4a# [/ Y9 M$ d( U$ `2 x
│ 11 Me, I'm Not (Olof Dreijer).m4a! o0 Z; Q: T" C1 P# q" G7 ?
│ 12 Another Version of the Truth (Kronos and Enrique Gonzalez Muller).m4a
5 Q7 e4 c* N' T1 _ @│ 13 In This Twilight (Fennesz).m4a
" |0 _! b1 V3 T# S│ 14 Zero Sum (Stephen Morris and Gillian Gilbert).m4a
4 j3 T) ]4 w: [3 a: j: W% Q5 \│ cover.jpg
- K# }" f# G5 m8 r│
- ]! _: I6 l$ e6 `3 c( O└─Singles
7 B z! }$ V6 c' T) T* i; i( k& c( l: w ├─1989 - Down In It - Single K$ d$ k1 U4 H- x" t# R9 D
│ 01 Down In It (Skin).m4a
1 p5 n6 G; i0 a │ 02 Down In It (Shred).m4a
5 ^- R+ v6 _6 c! _ │ 03 Down In It (Singe).m4a; r# f/ N1 ?; N
│ cover.jpg y- v2 n" M; |: `
│ 0 t! Y; F; }1 l* }& j7 E" ?
├─1990 - Head Like a Hole - Single. l4 t& I% c! O$ \$ x- A* A
│ 01 Head Like a Hole (Slate).m4a2 q% F+ z/ ?2 R& J/ ~& z h9 X) p
│ 02 Head Like a Hole (Clay).m4a' Y5 e9 Z6 B" ^7 y
│ 03 Terrible Lie (Sympathetic Mix).m4a
2 N7 b8 J u& V, {7 p │ 04 Head Like a Hole (Copper).m4a
; u+ C# Y) t$ Z0 C# K │ 05 You Know Who You Are.m4a
0 G9 s0 E# [4 v │ 06 Head Like a Hole (Soil).m4a
' f% A E; T& y( S2 b │ 07 Terrible Lie (Empathetic Mix).m4a
* T% @" E3 B% p$ L6 c' u │ 08 Down In It (Shred).m4a
( Y" v4 ?1 j; v, n0 V │ 09 Down In It (Singe).m4a) C6 Q- C8 u3 x, y" U$ o
│ 10 Down In It (Demo).m4a' Z. R0 N' A! M5 b# b& L
│ cover.jpg
8 ?# X7 F5 e4 j │ # g9 L$ l* b4 @6 I* T$ ?/ G
├─1994 - Closer to God - Single
' W1 J# M; X# d$ s │ 01 Closer to God.m4a
3 R6 h- R: U* V' @4 ^! y │ 02 Closer (Precursor).m4a
) g3 a- \# M9 |6 O# z% S; E │ 03 Closer (Deviation).m4a6 c2 b/ ] L* U8 r- c
│ 04 Heresy (Blind).m4a& K: ^; [, D6 i6 y8 Q9 |) b3 V( Q7 Y
│ 05 Memorabilia.m4a
4 U) [% Z$ X" A │ 06 Closer (Internal).m4a
' k" d* R s$ J% I U; n │ 07 March of the F------ds.m4a: s$ c6 f- I4 l/ A
│ 08 Closer (Further Away).m4a
% y. g3 `) q$ i/ Y3 x8 N │ 09 Closer.m4a1 i' d$ t8 B: B1 W( N k5 a
│ cover.jpg$ {0 c T3 R+ N- w
│ 6 V$ b& x+ y: T! H
├─1994 - March of the Pigs - Single
- C$ `5 I+ p, A: E) g9 g2 H │ 01 March of the Pigs.m4a6 U0 `( W o: C! R' f
│ 02 Reptilian.m4a% d$ L5 J( ` O4 ]+ x
│ 03 All the Pigs, All Lined Up.m4a+ D& C' A' |% [! f) u/ K# R% ^
│ 04 A Violet Fluid.m4a* Z3 P) x3 M8 y
│ 05 Underneath the Skin.m4a
2 K9 q; D* M- u0 H( c │ cover.jpg9 n$ e3 ?" r0 b2 o% Z
│ ( o, x& I: E A$ g
├─1997 - ''The Perfect Drug'' Versions - Single
1 b" f7 F4 I. R" P; G │ 01 The Perfect Drug (Meat Beat Manifesto).m4a7 v! Q) U$ F' n4 T
│ 02 The Perfect Drug (Plug).m4a6 H' e& j% ~7 P d2 r( c
│ 03 The Perfect Drug (Nine Inch Nails).m4a8 ?; b% x3 c2 Q- `
│ 04 The Perfect Drug (Spacetime Continuum).m4a
* h- c a% D V3 m2 I0 t0 t& K │ 05 The Perfect Drug (The Orb).m4a
/ u+ h& q5 t( N9 _ │ cover.jpg1 d# a* ^ X0 `" I
│
# t0 V5 b$ k: \4 W# {" R ├─2013 - Copy of A - Single* e5 b5 l0 G; ?
│ 01 Copy of A.m4a. u( I' t. c# a$ i% G
│ cover.jpg$ j8 i5 X7 k: e6 Q s
│ F) |5 w9 p: X; X- x4 O& @2 O
├─2013 - Everything - Single5 X1 J. _. c) \7 l/ k3 w
│ 01 Everything.m4a& ~% V# H, ?8 Q N* z. I- t0 P- A
│ cover.jpg# z2 }+ ^1 w0 y3 c2 S2 Z# A8 o/ g
│ 7 S: O m L# g
└─2017 - Less Than - Single
4 N( l, F' Y1 f( y6 R( P& h$ N 01 Less Than.m4a
+ r a" w0 Z" _ cover.jpg6 w5 s A) o5 Q6 L! _
4 _% @9 X! b* x5 U7 b: s) ?+ ^" ~7 V
' S+ A5 B* D5 a
4 b y6 v8 J+ O7 [% E" H2 P" J0 b* k
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