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Andrew Bird简介
1 c- R% c! y' u# N0 U/ V1 nAndrew Bird是一位独特的民谣音乐人,这个出生于1973年的巨蟹座男人来自芝加哥,除了音乐,从没做过任何其他工作。他从4岁开始接触小提琴,受着学院派的古典音乐训练。他每天练习10到13个小时,直到手肘发炎;5岁就跟奶奶学习吹口哨。早在1996年,就以self-funding的姿态发行独立制作唱片的Bird,倚靠独特的古典乐背景,将弦乐与民谣摇滚完美融合。然而真正把口哨用在他的音乐里,是2002年。那次演出,他的乐队Bowl of Fire不能出席,他便硬着头皮一人带着乐器上阵,并尝试在演出时吹口哨,然而观众的反响出乎意料的好。直到现在,优雅的口哨声已经成为他音乐的标志之一。
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1 j( q2 m3 n9 U: h; b% z├─1992 - Music of Hair# U+ \/ t: J. _
│ 01 Nuthinduan Waltz.m4a, B' W& ~$ a+ {- a
│ 02 Ambivalence Waltz.m4a; w7 N- k, ]6 q4 b
│ 03 Oh So Insistent.m4a
3 f! F1 D. |6 r2 p- p) H│ 04 Rhodeoah.m4a
+ O3 z/ [3 x; E6 p│ 05 Two Sisters.m4a- T, {2 ` U3 S! t$ [3 K+ J! @
│ 06 St. Francis Reel.m4a
' l' G* Q9 [! a) z* c2 v$ C Q1 g│ 07 Ratitat _ Peter's Wolf _ Obliviou.m4a
6 H5 [' Y2 ^0 Z1 ^$ u│ 08 The Greenhorn _ Exile of Erin _ G.m4a# R$ N) e6 e3 X. r b
│ 09 Pathetique.m4a
6 D+ O8 C% @. ^/ P- @ a! m" m' ]│ 10 Song of Foot.m4a, v* B& M% |& d/ L. c
│ 11 Minor Beatrice.m4a
7 T- L0 d2 j; g& }) r6 d│ 12 Oh So Sad.m4a5 b$ o$ f. `/ e4 ~2 [5 b
│ 5 L) Y5 v& v! @+ w5 \( e; ?' b
├─1998 - Thrills* A' j J& D% _) g. G
│ 01 Minor Stab.m4a
5 Q5 U+ {) t2 Q) m$ ^. f2 `4 @$ D│ 02 Ides of Swing.m4a% T) T: o$ J. |" a% R: c" V
│ 03 Glass Figurine.m4a
7 Y( q, R9 R2 m& k {│ 04 Pathetique.m4a/ F' z* n, M, W
│ 05 Depression-pasillo.m4a
5 w1 g1 w4 M) K/ }│ 06 50 Pieces.m4a
/ d# l( ^0 d% r# k- |$ j│ 07 A Woman's Life and Love.m4a# ^. f/ g; ?! f4 A( ~0 f A
│ 08 Swedish Wedding March.m4a- p7 ~4 E5 b7 i) P' e! {" V; c
│ 09 Eugene.m4a, w7 E! h; {6 d
│ 10 Gris-gris.m4a
2 W+ M+ B3 B$ q: I* o│ 11 Cock O' the Walk.m4a5 M! [; M4 L& M4 ~+ D) ?
│ 12 Nuthinduan Waltz.m4a$ ~7 M. |6 `( y5 t& i! F
│ 13 Some of These Days.m4a
1 s0 e. r; H8 W- E│ 14 Chinatown, My Chinatown.m4a
! E! l3 Q6 G* T8 ^1 [! ~│
7 E0 K3 D! l& ]3 r, H+ i+ W├─1999 - Oh! The Grandeur9 z3 Z; E8 [3 x( B7 N, h, `! T9 n
│ 01 Candy Shop.m4a& K: l, |$ W- `2 @4 B5 {6 \
│ 02 Tea and Thorazine.m4a3 s X( `1 J& D2 A1 q2 ^7 C
│ 03 Wishing for Contentment.m4a
) z" f7 \3 k! S* W ^3 p" H│ 04 Wait.m4a
! f3 u( r' N+ S% N( }0 m│ 05 The Idiot's Genius.m4a
) T" ~" C+ F/ M* W2 D$ Z. I│ 06 Vidalia.m4a; g. {+ X; k' ]/ N. z6 r) f9 \( |6 S
│ 07 Beware.m4a% { n1 I0 W) |% e* p7 y7 c1 M- w. X
│ 08 Dora Goes to Town.m4a% N+ J/ u7 c" N0 Q( A
│ 09 Feetlips.m4a
) K# A2 V7 I( f. i3 v│ 10 And So....m4a" I+ E# G" b* ^) X
│ 11 Coney Island Shuffle.m4a
$ [. }, _' R" U L. D9 G│ 12 Respiration.m4a# h5 V! ]. P1 v) A t7 U. k& g
│ 13 (What's Your) Angle_.m4a
$ R+ m1 ~; {0 j; M: j q- h│ 14 The Confession.m4a
, J T% }, S8 _! i z9 r9 o│ 15 Beware (Reprise) _ Drinking Song.m4a# V1 h; R* Z w8 z
│
@+ q S( q4 b! X4 f: \├─2001 - Ballad of the Red Shoes - EP
4 P4 q: W; g- y4 O│ 01 Theme 1 (Waltz).m4a
+ ~9 q4 x3 j' J│ 02 Something Sinister.m4a
0 }( M# B/ F2 b- @5 Y# H5 a5 a+ Y' \│ 03 Chorus of the Swan.m4a
( L0 H! ~; r' Y8 B│ 04 Theme 1 (Restated).m4a6 N8 V" T2 ]/ F( O: E' [* n; \, n
│ 05 Dance of Death.m4a
: \6 n& r& R' a9 ~/ r│ 06 The Door.m4a
: z( [1 z* B6 M( Q# p: T8 g9 v6 n# W0 K│ 07 Swedish Folk Tune.m4a8 s' i* Q- k. m% s {3 E4 E, ]
│ ; }, p& Y. D. \) T& i% m' y: Z$ ~0 }
├─2001 - The Swimming Hour
" k5 U* V) w) U' o1 q│ 01 Two Way Action.m4a \( I: e) G% I
│ 02 Core and Rind.m4a8 \- a5 i( a) ?& E# A
│ 03 Why.m4a9 \1 v- v1 [3 p$ W: B0 ?* y# G
│ 04 11_11.m4a
$ z, n4 B6 r5 z4 z7 U) |2 W│ 05 Case In Point.m4a
1 U' d" c8 T) R% c0 c) @. ~│ 06 Too Long.m4a3 m4 r" J5 p: q5 T) E) f& u& W! B
│ 07 Way Out West.m4a. I! D0 J) F$ ]/ @/ B8 I/ D) ~, p# B
│ 08 Waiting to Talk.m4a
% T& K( e) B2 X! H' `│ 09 Fatal Flower Garden.m4a
( I1 `9 B$ K& V$ x; n$ ?│ 10 Satisfied.m4a. w1 y: k$ R4 @
│ 11 Headsoak.m4a9 F! k/ Z" Z: a( N) d o
│ 12 How Indiscreet.m4a. I" _3 C) Z/ _. H) B3 }
│ 13 Dear Old Greenland.m4a7 Y' A* A6 M7 K4 u7 Y
│
7 N' @8 \; Z& ]7 T& `├─2003 - Weather Systems- @9 }) n$ f6 r+ e: |2 t* t
│ 01 First Song.m4a4 B6 e; I2 F5 q9 Q2 c3 ^3 L
│ 02 I.m4a0 M$ k. I9 ~! ~
│ 03 Lull.m4a5 g- h2 V1 A0 e4 D! i
│ 04 Action _ Adventure.m4a
/ U0 E" w0 V+ M) r│ 05 --_.m4a
! ~" m1 r7 z0 h& `7 |1 }: G$ z│ 06 Skin.m4a
P. N) \2 z8 n* ~9 b│ 07 Weather Systems.m4a
& Y$ d0 d2 u" F* g│ 08 Don't Be Scared.m4a3 d( H s9 X% e( Z _0 Y' g! z
│ 09 _--.m4a8 E9 ]& D7 ~) [/ j' R' A+ K$ Z- u
│
; D" g5 L4 I+ Z( p9 w9 v9 Q├─2005 - The Mysterious Production of Eggs- b% I; P4 K) H, P! P! j8 K! W% A
│ 01 Untitled.m4a$ u* N5 w4 {2 G7 L. F* v" G
│ 02 Sovay.m4a1 p8 b# J) g: Y. [0 \1 \2 R8 v
│ 03 A Nervous Tic Motion of the Head.m4a6 q, ]3 y9 R, p; U4 V
│ 04 Fake Palindromes.m4a4 c3 {1 \- m' [$ f8 @
│ 05 Measuring Cups.m4a3 H9 `* w5 {4 m& Z5 g; y m
│ 06 Banking on a Myth.m4a
+ a4 H0 S% Z$ s3 M2 g( Z│ 07 Masterfade.m4a
! s; ]# T& e$ h! \5 h1 j│ 08 Opposite Day.m4a
3 f' [ k7 g1 h: g, }( B% Q3 q│ 09 Skin Is, My.m4a- ]3 b( G1 l/ g, @
│ 10 The Naming of Things.m4a& b: T4 X) v' w% l* U& s
│ 11 MX Missiles.m4a% n, ]4 {1 F" z
│ 12 Opposite Day Reprise.m4a
. g8 U, D' B- |) W, e) p# u│ 13 Tables and Chairs.m4a7 a5 _& ?+ d! a
│ 14 The Happy Birthday Song.m4a. l. M2 F P9 ^3 f/ j8 F
│ $ e) T: p& \+ }: C! S
├─2007 - Armchair Apocrypha/ `. W0 d8 ^! b$ }6 \) f6 y
│ 01 Fiery Crash.m4a* f; a) V" u* h5 c4 m
│ 02 Imitosis.m4a! `& v5 L4 p$ |) r Y6 |
│ 03 Plasticities.m4a
2 J/ i% T2 {3 r0 V0 K1 o' J│ 04 Heretics.m4a) M3 [1 w4 r) M2 D! @1 y
│ 05 Armchairs.m4a
, x6 L; [9 n. K3 H* Z6 d│ 06 Darkmatter.m4a
^& C% M& S- ]2 E│ 07 Simple X.m4a C; g. r" B' L" o
│ 08 The Supine.m4a; F8 c2 Q( w+ ]5 @
│ 09 Cataracts.m4a% U* T8 l, m! I+ ?# Z) u' U
│ 10 Scythian Empires.m4a; X" K5 T3 X4 I
│ 11 Spare-Ohs.m4a+ J- P9 T, p$ a3 u0 v
│ 12 Yawny At the Apocalypse.m4a! ?- @. y1 u- t
│ - M! |7 l- k m
├─2007 - Live At Austin City Limits Music Festival 2007 Andrew Bird, Z! d4 V! R0 c& ^; u
│ 01 Anonanimal (Live).m4a
7 a0 B3 O8 t% K; Q# e$ |│ 02 Fiery Crash (Live).m4a F' a7 L6 X, u* C9 \# T3 r" H
│ 03 A Nervous Tic Motion of the Head.m4a
# J9 n6 A9 T. L8 \' r│ 04 Plasticities (Live).m4a8 {7 d7 P# n0 N9 W' ~# A4 P
│ 05 Scythian Empires (Live).m4a
- n$ C T8 V: k. L│ 06 Heretics (Live).m4a
% Z" \. O" r2 l! q6 e│ 07 Simple X (Live).m4a
! q( e. Q- F/ b2 W7 D0 m│ 08 Imitosis (Live).m4a) { m% u5 R+ C/ c# s4 @) ]% m) O
│ 09 Fake Palindromes (Live).m4a4 C: H5 d6 p7 t' C9 o9 Y, e
│ 10 Skin Is, My (Live).m4a' E8 o1 [) ]. H! q
│ 11 Darkmatter (Live).m4a. t8 }. B, M7 f8 k" H, ]0 ~6 o
│ 1 Y2 ], S! n1 S% M$ I
├─2008 - Soldier On6 l9 [9 b9 Y7 p) k/ H
│ 01 The Trees Were Mistaken.m4a
8 L- d6 m: j* F- e( U1 L* w│ 02 Sic of Elephants.m4a, d7 Y2 n9 N* _* w
│ 03 The Water Jet Cilice.m4a3 n$ D- R9 ^ X( H
│ 04 Plasticities (Remix).m4a
P5 e& w, j# v. @1 o7 d# o│ 05 Heretics (Early Version).m4a
* {+ W6 R/ D% Z& ?4 x2 s│ 06 Sectionate City.m4a2 I% b& l6 }' H
│ 07 How You Gonna Keep 'Em Down On th.m4a/ [! z. j N M$ O% b
│ 08 Oh Sister.m4a
. }; l, g" }: K ?2 {│ 0 P% J9 T( b! b, ]/ t% a8 ?
├─2009 - Anonanimal See the Enemy - Single+ p. {# T5 X3 c1 e1 S3 Z- B
│ 01 Anonanimal.m4a. ~+ K9 w% }# }0 f
│ 02 See the Enemy.m4a
( J: P1 n7 H; E& N( J0 S│ 5 v3 J. J$ I: F1 Q; B. {
├─2009 - Noble Beast
4 l5 \) T# K. {, E3 q% p) L│ 01 Oh No.m4a6 [( v4 n: e! r# c+ `# ?
│ 02 Masterswarm.m4a
1 P# ?% W) W. _* y│ 03 Fitz and the Dizzyspells.m4a) [( s, J4 e q& k* z+ F9 R
│ 04 Effigy.m4a
0 }' n: b; P; k3 u4 `! D! J* |. |│ 05 Tenuousness.m4a+ P8 ?1 d2 L' m* H
│ 06 Nomenclature.m4a6 k* ^( ?. k. z' c2 } p# L5 H
│ 07 Ouo.m4a
: ? H7 N. P/ B4 ]2 C$ a│ 08 Not a Robot, But a Ghost.m4a: H! _2 q# G# N7 H) } o
│ 09 Unfolding Fans.m4a( j" W9 K; i7 E* l" A
│ 10 Anonanimal.m4a- Q, J' l S+ x7 Q7 P3 M8 Y
│ 11 Natural Disaster.m4a
: K8 E" ~" a/ ~( Z/ ~% U7 f" x│ 12 The Privateers.m4a/ k: s! V# Q: o: r6 h
│ 13 Souverian.m4a
4 T1 Y" u3 b! o, |4 j+ R! o│ 14 On Ho!.m4a
' @4 M/ e' b: s2 @7 {│ 15 Section 8 City (Bonus Track).m4a
1 C+ Y: T# `" y* z│ Digital Booklet - Noble Beast.pdf
# [" r/ z2 Z* \│
0 l4 d0 I, L9 d├─2010 - Useless Creatures
{1 e: B4 h4 {* m" z│ 01 Master Sigh.m4a
5 X( J, {# _' Q& u6 }│ 02 You Woke Me Up!.m4a
) q- Y3 R3 t& E0 d/ B│ 03 Nyatiti.m4a
' M. q+ f+ ?1 }4 ]: P7 L! M4 x* a│ 04 The Barn Tapes.m4a
) [; {( R: y1 S+ t: U" k* c+ U│ 05 Carrion Suite.m4a# r4 p" t. [( Z
│ 06 Spinney.m4a
0 z# Y! W: I, C* X% O, [ `; F, V+ ?1 x% y│ 07 Dissent.m4a, F% Z+ G* P) p3 d1 Y' q9 a" k3 |
│ 08 Hot Math.m4a: H- S8 R+ _& \/ l
│ 09 Sigh Master.m4a1 G: p* e( S( X6 k. ^6 O: j9 y# ^
│
: o: t% ?2 a6 `, i! w├─2012 - Break It Yourself
) M( }. L. s8 S7 F│ 01 Desperation Breeds ....m4a# m- N% Z @6 \. t& X1 s2 ^
│ 02 Polynation.m4a+ ]& B' P5 L( d
│ 03 Danse Caribe.m4a
$ u% E! z4 ?3 V9 G│ 04 Give It Away.m4a
) C+ o# v* i; G1 S( Y+ q* L x│ 05 Eyeoneye.m4a' m! @( {& j7 N( N" G8 r! N, |9 x
│ 06 Lazy Projector.m4a4 ?& i/ t9 o2 u* p. D: y& j
│ 07 Near Death Experience Experience.m4a
|( g. U: _" {│ 08 Behind the Barn.m4a/ K" U2 s! G/ v( Q3 O' j+ f' k
│ 09 Lusitania.m4a
& n) Y6 r' @" m3 J│ 10 Orpheo Looks Back.m4a
) I# F4 \* N3 y, P; @* @│ 11 Sifters.m4a% U+ N H4 P. z8 \7 B
│ 12 Fatal Shore.m4a
% O* [/ c1 j/ w│ 13 Hole in the Ocean Floor.m4a
+ T; w2 m1 a" ^+ {% M: \/ m5 L│ 14 Belles.m4a: E9 I/ t) L& j5 y9 t* Q( M9 Z
│ Digital Booklet - Break It Yourself.pdf1 a+ A3 w& w9 D6 q: |& [: N
│ 4 ?* w. E1 L1 D
├─2014 - Things Are Really Great Here, Sort Of. w% v5 x. S+ _ f
│ 01 Cathedral in the Dell.m4a3 S( [: p" E" E; R- Z# A# X& l
│ 02 Tin Foiled.m4a
0 Y) \# E2 c0 ]$ [+ l; c│ 03 Giant of Illinois.m4a
( D. Y8 H% B' |! R│ 04 So Much Wine, Merry Christmas.m4a$ e( l1 ]' s! Z6 h# p
│ 05 My Sister's Tiny Hands.m4a
A5 B9 b* S1 [( Q& j│ 06 The Sad Milkman.m4a
) ?8 {2 B1 j0 [% q( p1 a│ 07 Don't Be Scared.m4a
) H' P- y7 u4 k& k- ], W: O' j* H- D│ 08 Frogs Singing.m4a
" R1 Y0 B& E$ T* r7 r& u│ 09 Drunk By Noon.m4a
* S2 ] J9 H c6 S│ 10 Far From Any Road (Be My Hand).m4a3 s- e6 X% |) w# p' F: r' ?
│
# F- n1 P: ?7 p8 b4 \# W├─2015 - Echolocations Canyon: t( ~. t4 N' j3 M- x8 ^
│ 01 Sweep the Field.m4a6 l% }% L& \4 X) V* f
│ 02 Groping the Dark.m4a
( H: u4 r/ D' w3 A* o2 H- l2 r; L│ 03 Rising Water.m4a
5 E% J; T- L" {│ 04 Antrozous.m4a
( q7 ]2 M3 M( _3 C8 u│ 05 The Return of Yawny.m4a2 V+ f1 U8 T4 F9 S2 |/ f
│ 06 Before the Germans Came.m4a" ~& C2 Y( m r0 _# y( [
│ 07 The Canyon Wants To Hear C Sharp.m4a
% O; I- T" K7 I6 w2 i- }$ |* t│ & L" t# w4 b, P9 \
├─2016 - Are You Serious (Deluxe Edition)
" Y3 h w! @5 L3 G. |│ 01 Capsized.m4a
! Y) N p* Q, D" J│ 02 Roma Fade.m4a% j0 f2 T5 ?1 i/ h
│ 03 Truth Lies Low.m4a: i! B) j' m7 U/ d2 p3 S4 V1 W, O
│ 04 Puma.m4a) H6 R2 @, J5 \1 Q
│ 05 Chemical Switches.m4a" X; x3 f0 U w% z
│ 06 Left Handed Kisses (feat. Fiona Apple).m4a# ?( w8 U) v; K0 g) |" q6 \7 V U
│ 07 Are You Serious.m4a
% O. r2 H7 X2 c2 G' {* Z│ 08 Saints Preservus.m4a
& g% ~) C5 x y. s│ 09 The New Saint Jude.m4a
9 R$ g' y ?8 W* }│ 10 Valleys of the Young.m4a
9 \( V& g2 N( x' _│ 11 Bellevue.m4a
* {' U+ i% J, d5 l│ 12 Shoulder Mountain.m4a0 T. v# J5 V% r$ Z6 {$ C. S |8 r
│ 13 Pulaski.m4a
6 A& l) N6 h6 q1 [# U# D│ 5 P0 \3 {6 u; e. ^7 d+ I% s
├─2016 - Are You Serious (Deluxe Edition) [Matered]/ \8 _- B( w2 T: f
│ 01 Capsized.m4a' [/ ~4 o$ R7 k O) J4 b
│ 02 Roma Fade.m4a
* N8 T; D" v5 g. `│ 03 Truth Lies Low.m4a8 K" a5 r3 E: j4 k4 c3 |# O
│ 04 Puma.m4a
/ U! @- i$ e8 ?4 C- ^1 C│ 05 Chemical Switches.m4a
& C/ O0 M0 l( P5 ^1 u│ 06 Left Handed Kisses (feat. Fiona Apple).m4a
! q+ o6 s- \0 s2 }% B( U5 q( u│ 07 Are You Serious.m4a
u9 T: s0 s t- _, t; O│ 08 Saints Preservus.m4a0 H' |. S) M/ j# P+ f6 C
│ 09 The New Saint Jude.m4a4 l' y% ~( Z4 o0 u+ s
│ 10 Valleys of the Young.m4a% ?$ o/ b" e+ ~5 Y4 z( e8 z
│ 11 Bellevue.m4a, e2 N' T: B# c2 X/ f/ P
│ 12 Shoulder Mountain.m4a
. v. i8 @: I# ~. f! [│ 13 Pulaski.m4a
, r1 ?" r0 @) _, _+ n5 l│
: M7 U, c; M+ W. x3 B( N├─2019 - My Finest Work Yet
2 V/ A+ |6 |# U3 X6 k8 I+ {2 j! s$ A│ 01 Sisyphus.m4a& t% d4 ?' d2 y5 @- t5 X) Z
│ 02 Bloodless.m4a
# D! z) a/ |# V& r│ 03 Olympians.m4a; K" ?; ?- S! u+ E5 [4 A
│ 04 Cracking Codes.m4a/ q! V: X: ^9 _' k1 a
│ 05 Fallorun.m4a# M. U' r; E ~. S- d# O5 D
│ 06 Archipelago.m4a1 u0 s5 H* q# x8 D
│ 07 Proxy War.m4a. K( r- L3 S4 E4 j' A2 p
│ 08 Manifest.m4a
) q- l( A5 u. p7 a│ 09 Don The Struggle.m4a
3 U2 M/ E! o* G2 N4 @│ 10 Bellevue Bridge Club.m4a
& X: L1 I0 {9 ^│ 1 N G$ O0 A I
├─2020 - HARK!
7 @6 `7 y/ ]& ^/ G7 b$ e│ 01 Andalucia.m4a) |+ z I' t; Y5 @
│ 02 Alabaster.m4a
5 D' D" U( C: O ], \6 k│ 03 Greenwine.m4a
6 \+ \: s; N- ~$ q3 N1 [│ 04 Christmas in April.m4a( O7 C$ }6 E+ A1 T* n: O5 ~" l$ k* h
│ 05 Souvenirs.m4a) k( U0 @. E* ^0 K4 B
│ 06 Oh Holy Night.m4a8 l7 h5 ^' A* l0 B" j d
│ 07 Mille Cherubini in Coro.m4a @, P8 a. F6 U3 i" ~' C* f
│ 08 Night's Falling.m4a/ Y: r4 Y' H6 Z2 e$ f
│ 09 Glad.m4a
: x" [ o& M% ~2 h│ 10 Christmas Is Coming.m4a4 t2 f; o/ S3 X& ]
│ 11 White Christmas.m4a
8 ^' f; R+ k$ M9 S9 B│ 12 Skating.m4a
, @/ q, |0 n# r' o( w│ 13 Auld Lang Syne.m4a8 s, G$ {* `( p* h
│
! X$ Z8 _; P0 q& X4 t) ^├─2021 - These 13# w8 @* P6 v; M+ W! h# n* `
│ 01 Poor Lost Souls.m4a
! |# Q( n( V( \6 b, `5 _' L│ 02 Sweet Oblivion.m4a
% x$ d5 n0 G. K0 [% Q" c- R│ 03 Encircle My Love.m4a' c, X/ f4 H" ^% Y
│ 04 Beat Still My Heart.m4a" z: y( K# N4 d" ~
│ 05 Red Velvet Rope.m4a+ c0 M6 i( P' k$ g4 ?
│ 06 High John.m4a/ V! D! k6 I! U8 K# _) H
│ 07 Stonewall (1863).m4a
9 f) p7 b& V7 @; H5 z6 `& I│ 08 Bright Sunny South.m4a/ c4 N& f. `& u* P0 E
│ 09 Bell Witch.m4a
8 b4 y8 G+ m7 U│ 10 Dig up the Hatchet.m4a
$ b4 |: S; v) ?│ 11 Jack O' Diamonds.m4a+ g, V0 d$ [0 C; ^. K: R
│ 12 Burn the Honky Tonk.m4a
2 t9 i, K8 `# Z+ f4 @│ 13 Three White Horses and a Golden C.m4a' k5 P9 i) N I" y
│
- X3 k! `( Z, }. U# z% h5 U├─2022 - Inside Problems
& x' f2 T% H' e7 l9 P0 S1 n│ 01 Underlands.m4a
9 {. [4 Y1 N) v2 q│ 02 Lone Didion.m4a4 O) a- ^: ~% l
│ 03 Fixed Positions.m4a
( H1 s6 E& H6 n: Q5 B2 ~8 Y│ 04 Inside Problems.m4a0 C: @: V6 o) n$ Y
│ 05 The Night Before Your Birthday.m4a
' y! p! w& D/ [8 ]5 ]9 \│ 06 Make a Picture.m4a
, X1 P! M: ~0 l; O│ 07 Atomized.m4a
6 I3 q1 U, [ U2 H0 d- B7 S4 |' o6 O# ?│ 08 Faithless Ghost.m4a
6 q& z. y7 n- C3 w# J: w0 J│ 09 Eight.m4a2 W) v& u9 r' a* D
│ 10 Stop n_ Shop.m4a
" w# q! g- d8 H0 T* m│ 11 Never Fall Apart.m4a
5 i( B j q- ^0 T8 J- U│ 7 ?4 ?1 {5 Z6 e. [* [; W
└─2023 - Outside Problems
, S. D7 I" f7 `: E 01 Mancey.m4a
" @+ w, r2 I4 P; o 02 Epilogue.m4a
# T0 Y- p8 J6 W7 G1 Z2 s3 v 03 Festivus.m4a
& Q( i8 k7 y& M( T4 x* J 04 What We Saw.m4a
& c6 X7 T$ D# u 05 Mormon House Party.m4a
+ G9 ]! J9 }7 T4 F: S 06 Mo Teef.m4a
8 s: o) O( T. z) ~! @ 07 Heaven_s Boughs.m4a
* C8 Q3 K( Z2 K; s- j# e. _/ u2 p 08 Improvisation on a Familiar Theme.m4a
% V! c4 i7 _' ^& N. w' [6 s 09 Tik Tok.m4a+ w% w% I1 A `# d& r2 @
' ] r& C, z" s+ }: S$ }( K, l8 O
O7 k! c- E0 M. X1 }- N" _0 x
' q5 f: I7 y$ }- S# g" h$ R; s9 B/ H6 {( ?/ x# t! V7 R
/ Z# t% e7 \" [6 s* ]
& j3 A0 W' E) E- W2 h) r/ J6 B. h# \, T8 j; a( S
: L- {; D& p5 \) Q
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