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) t: _& F& Z2 V, |Valentina Lisitsa简介
) ^4 K1 \. z5 e! |7 }' t q美籍乌克兰钢琴家Valentina Lisitsa(瓦伦廷娜·李斯蒂莎)出生于乌克兰的基辅，3岁开始学习钢琴，第一次独奏音乐会只有4岁，之后就读于Lynsenko音乐学校、基辅音乐学院，后来加入美国国籍。 目前，她已发行在Audiofon唱片公司发行了8张唱片，以及3张独立发行的DVD。其中她发行的肖邦24首练习曲集异常抢手。音乐评论家对她的演奏贯于"如天使在演奏"和"充满电流的钢琴家"的评论。 她在参加莫扎特音乐节上眼花缭乱的演奏更是好评四起。对她来说演绎拉赫马尼诺夫和贝多芬作品对她有特殊的意义。2009年她将同路特丹交响乐团合作5场拉赫马尼诺夫音乐会。她也正开始豪情万丈的录制贝多芬的32首钢琴奏鸣曲。此外lisitsa已经同Lynn Harrell，Jimmy Lin，Roberto Diaz，Ida Haendel等音乐家合作过。另外值得一提的是她2007年到2009年已同小提琴家Hilary Hahn一起合作在欧洲，美洲和日本举办多场音乐会。 Lisitsa常常自嘲的说自己是"乡村钢琴家"，在她北卡罗莱那州的家中，两只猫，一个三岁的儿子和他的音乐合作伙伴兼爱人Alexei Kuznersoff，是她心中快乐动物园中上演的一场四人音乐会。她加入Naxos后，钢琴赞助商已由Bosendorfer变成了Steinway。' T2 w3 K& i7 C0 a5 E R0 I: W
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2 p0 V5 C: n2 g& [+ S4 T9 M4 {├─Albums; n% M1 S2 D- a+ Y$ F
│ ├─2010 - Valentina Lisitsa Plays Beethoven, Liszt, Schumann, Thalberg+ @2 T+ k! q: N* j
│ │ 01 Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'- I. Allegro assai.m4a
; B) P1 }% Z3 ?; L( i; m' M│ │ 02 Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'- II. Andante con moto.m4a$ y! @* v# N( w6 H8 ]
│ │ 03 Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'- III. Allegro ma non troppo - Presto.m4a" ^# ]4 O% ]/ _" d! m- L+ [- G
│ │ 04 Kinderszenen (Scenes of Childhood), Op. 15 - No. 1. Von fremden Landern und Menschen.m4a
# m, a: Y5 L t4 A1 ]( |9 L) k. W│ │ 05 Kinderszenen (Scenes of Childhood), Op. 15 - No. 2. Curiose Geschichte.m4a6 B5 f" | j# H. E
│ │ 06 Kinderszenen (Scenes of Childhood), Op. 15 - No. 3. Hasche-Mann.m4a4 t3 V9 C$ J3 q& p# J5 N
│ │ 07 Kinderszenen (Scenes of Childhood), Op. 15 - No. 4. Bittendes Kind.m4a
8 ^. Y2 V0 k: T- r" o6 y│ │ 08 Kinderszenen (Scenes of Childhood), Op. 15 - No. 5. Gluckes genug.m4a
) H G% r7 T+ A% v; y/ u c, T! w) x│ │ 09 Kinderszenen (Scenes of Childhood), Op. 15 - No. 6. Wichtige Begebenheit.m4a+ ? o3 @- F7 L- j! o0 _% x* ]
│ │ 10 Kinderszenen (Scenes of Childhood), Op. 15 - No. 7. Traumerei.m4a. M5 x# T/ s$ @( W N9 X+ P' |% \
│ │ 11 Kinderszenen (Scenes of Childhood), Op. 15 - No. 8. Am Camin.m4a0 P' L( @' ~# H
│ │ 12 Kinderszenen (Scenes of Childhood), Op. 15 - No. 9. Ritter vom Steckenpferd.m4a2 r) F0 z* o- ~& P/ U# Y$ M4 {
│ │ 13 Kinderszenen (Scenes of Childhood), Op. 15 - No. 10. Fast zu ernst.m4a* z3 b3 v. C( r7 o7 z
│ │ 14 Kinderszenen (Scenes of Childhood), Op. 15 - No. 11. Furchtenmachen.m4a4 c* m3 a; O( b" G/ D" a* c- v: {
│ │ 15 Kinderszenen (Scenes of Childhood), Op. 15 - No. 12. Kind im Einschlummern.m4a
/ k1 N' ?0 u% ]% |5 {; y2 T│ │ 16 Kinderszenen (Scenes of Childhood), Op. 15 - No. 13. Der Dichter spricht.m4a
) C! c. u( ?) V+ Z0 ^# b4 a│ │ 17 Fantaisie sur des motifs de Il barbiere di Siviglia, Op. 63.m4a7 H' \' o+ [# E& g: ^8 S: x" E
│ │ 18 Totentanz, S525,R188.m4a7 C; N: k# c$ m: k
│ │ cover.jpg
& @ y; f) l, Z8 b- ^4 N│ │ 7 d' |& p. c8 v5 L8 j
│ ├─2013 - Valentina Lisitsa Plays Liszt [Mastered for iTunes]
) f5 }' J* z6 U0 N% j# P$ a│ │ 01 Ellens Gesang III (Ave Maria), S. 558 No. 12 (after Schubert’s D. 839).m4a
% G; R: ]8 j2 a2 O: w* [: o│ │ 02 Ballade No. 2 in B Minor, S. 171.m4a# U% S% a4 m; l9 o
│ │ 03 Aida - Danza sacra e duetto finale, S. 436 (after Verdi).m4a
5 J8 N4 Z# v+ N│ │ 04 El Contrabandista, Rondo Fantastique sur Un Thème Espagnol, S. 252.m4a
6 r1 s# e* i$ w6 i# H. v" o│ │ 05 Gute Nacht, S. 561 (after Schubert).m4a
8 T% h3 p' B* l6 H1 ~( L' g│ │ 06 Des M?dchens Klage, S. 563, No. 2 (after Schubert D. 191).m4a
* H7 V1 d$ C0 {; u$ A& p. |│ │ 07 Erlk?nig, S. 558 No. 4 (after Schubert D. 328).m4a
) {2 t/ b- ? [4 ]" `│ │ 08 Der Müller Und Der Bach, S. 565 No. 2.m4a* O% v0 g6 M* I3 R9 d
│ │ 09 Hungarian Rhapsody No. 12 in C-Sharp Minor, S. 244.m4a
4 q) B+ v* U, G" Y+ A$ m& I* X│ │ cover.jpg, p! J1 a( n s- l% D# W2 ^
│ │ Digital Booklet - Valentina Lisitsa Plays Liszt.pdf
* K3 X: |5 h$ A, j7 l0 `│ │
7 b* r# i+ M2 z9 g# D│ ├─2014 - Chasing Pianos - The Piano Music of Michael Nyman [Mastered for iTunes]
4 T8 T6 [4 i4 K# O! W+ Q│ │ 01 The Piano- The Heart Asks Pleasure First.m4a
8 h5 K. h$ z! W* A│ │ 02 The Piano- Big My Secret.m4a7 G1 B0 l1 k1 x: C) X0 o$ w( k
│ │ 03 The Diary of Anne Frank- Candlefire.m4a
( {3 L: k9 ]9 K9 {5 Z8 ]! |* m│ │ 04 The Diary of Anne Frank- If.m4a+ s* d& [- A: o" ?1 [# H# b. X$ q
│ │ 05 Drowning by Numbers- Sheep ‘n’ Tides.m4a. b( t5 I4 a+ z# x: E! f" T E
│ │ 06 The Diary of Anne Frank- Goodbye Moortie.m4a w. R/ }2 M3 c& t; u
│ │ 07 Carrington- Fly Drive.m4a
3 s6 P+ e/ ?, E+ v│ │ 08 The End of the Affair- Diary of Love.m4a
/ z7 F3 ]6 {) u+ Z$ m│ │ 09 A Zed and Two Noughts- Time Lapse.m4a c' u) Y' z0 ?: R/ g8 {
│ │ 10 Man With a Movie Camera- Odessa Beach.m4a6 u `: B& L9 l# z/ x7 n* n2 O
│ │ 11 The Diary of Anne Frank- The School Room.m4a- w% _7 b& v* N4 k& p' ^6 c) s6 a* N+ x
│ │ 12 The Diary of Anne Frank- Why!.m4a
5 u, F; T+ _; p3 Y+ r│ │ 13 The Draughtman’s Contract- Chasing Sheep Is Best Left To Shepherds.m4a1 z# `6 h! ?& f% I
│ │ 14 The Piano- Deep Sleep Playing.m4a6 d* {- h; y( p
│ │ 15 The Claim- The Exchange.m4a/ e4 r8 N3 G4 Y1 n: o8 p
│ │ 16 The Piano- Here To There.m4a. D, m$ ]1 f, a
│ │ 17 Wonderland- Jack.m4a( F. T* y1 g, p Z5 }6 b8 t
│ │ 18 Wonderland- Bill.m4a" ~/ M5 `) l5 f4 N2 U5 w- o$ W9 v
│ │ 19 Gattaca- The Departure.m4a
" f8 H. c( h4 d2 p│ │ 20 The Piano- Lost and Found.m4a
) ]4 O- C3 D4 t% r7 O0 H│ │ 21 The Piano- All Imperfect Things.m4a& c/ c+ }4 @: ?0 J
│ │ 22 The Piano- The Attraction of the Pedalling Ankle.m4a
& [& o/ ^3 F5 j7 O- {│ │ 23 The Piano- The Mood That Passes Through You.m4a
; B2 _3 a! b& m4 n* I│ │ 24 The Piano- The Embrace.m4a3 C* G7 f7 o; ~6 `
│ │ 25 The Piano- Silver-Fingered Fling.m4a! [' {# q3 t% F( l) x# B
│ │ 26 The Diary of Anne Frank- Chatterbox Waltz.m4a$ I* {1 R7 X- J+ @+ U/ {& ?
│ │ 27 The Piano- Big My Secret (1998 Edition).m4a7 V, y4 E( j& v3 C5 Y
│ │ 28 The Diary of Anne Frank- If (1997 Edition).m4a
9 H; X u2 q6 w, G. n9 ^1 z│ │ 29 Enemy Zero- Digital Tragedy.m4a9 ]5 E# M" w2 T" Y5 H, U2 M6 I
│ │ 30 Gattaca- The Morrow.m4a/ P6 \* b" W- L" C4 c& b
│ │ 31 Wonderland- Franklyn.m4a
- `* X$ {& m+ g│ │ 32 Wonderland- Nadia.m4a- ]. E( U8 d! |( M1 N
│ │ 33 Wonderland- Debbie.m4a
/ t! Y+ b) Z" P5 Y$ ~+ U│ │ 34 Enemy Zero- Love.m4a
7 I3 f: |% f& Q: u9 `4 |│ │ 35 The Piano- The Heart Asks Pleasure First (1998 Edition).m4a+ N5 H" N+ D9 W Q
│ │ cover.jpg
$ c+ u. q, y- x0 h8 J; ^│ │ Digital Booklet - The Piano Music of Michael Nyman.pdf S3 ~' x& U1 N' a3 H: w+ Z
│ │
2 E3 k! x! y. p8 z5 V- e/ d2 D1 f$ S│ ├─2014 - Chopin & Schumann études [Mastered for iTunes]9 b) w. U3 ~& { t- Z
│ │ 01 12 études, Op. 10- No. 1 in C Major.m4a* S( Z* F7 b Y1 f) D0 ~
│ │ 02 12 études, Op. 10- No. 2 in A Minor 'Chromatique'.m4a! e! C3 \1 S- c( W% w2 Y
│ │ 03 12 études, Op. 10- No. 3 in E Major 'Tristesse'.m4a* X* x; l1 l: a( }! G2 f! Y' v
│ │ 04 12 études, Op. 10- No. 4 in C-Sharp Minor.m4a8 ^7 R( o4 i9 T& M3 G. F, X
│ │ 05 12 études, Op. 10- No. 5 in G-Flat 'Black Keys'.m4a/ K7 N8 q' G6 c7 l9 [8 }
│ │ 06 12 études, Op. 10- No. 6 in E-Flat Minor.m4a- U! U- q+ c" ~
│ │ 07 12 études, Op. 10- No. 7 in C Major.m4a6 Z5 }, K* W! j
│ │ 08 12 études, Op. 10- No. 8 in F Major.m4a, q2 Z$ l7 T w! E
│ │ 09 12 études, Op. 10- No. 9 in F Minor.m4a# C3 {4 w$ b6 u5 v( b8 t# G7 ?
│ │ 10 12 études, Op. 10- No. 10 in A-Flat Major.m4a
# ~1 U6 b& N% Z│ │ 11 12 études, Op. 10- No. 11 in E-Flat Major.m4a2 f8 ~) z' v7 ~0 t3 l8 g
│ │ 12 12 études, Op. 10- No. 12 in C Minor 'Revolutionary'.m4a$ E8 K* [' d8 B; k& l2 z
│ │ 13 12 études, Op. 25- No. 1 in A-Flat Major 'Harp Study'.m4a3 }4 ]# y: ?$ \' u( ?
│ │ 14 12 études, Op. 25- No. 2 in F Minor.m4a" D, q; x( O$ j: {+ v2 o! g2 z5 x
│ │ 15 12 études, Op. 25- No. 3 in F Major.m4a% |. F" a/ W0 o9 C
│ │ 16 12 études, Op. 25- No. 4 in A Minor.m4a
2 `6 j. p: V* j' G! o: T│ │ 17 12 études, Op. 25- No. 5 in E Minor.m4a. u6 L6 v' H3 w# ^$ R3 ]8 l
│ │ 18 12 études, Op. 25- No. 6 in G-Sharp Minor.m4a
4 ~) X H! Z8 N# T│ │ 19 12 études, Op. 25- No. 7 in C-Sharp Minor.m4a0 v/ r1 ?9 m7 E- P: D0 S
│ │ 20 12 études, Op. 25- No. 8 in D-Flat Major.m4a
, z# _) L* {& Z, P r2 D1 N, ?/ w│ │ 21 12 études, Op. 25- No. 9 in G-Flat Major 'Butterfly Wings'.m4a
1 p% g* }2 O6 a1 l c( W$ K- z│ │ 22 12 études, Op. 25- No. 10 in B Minor.m4a" a, X! T; Q% H# z+ E9 T( Q
│ │ 23 12 études, Op. 25- No. 11 in A Minor 'Winter Wind'.m4a
r3 S6 I) c" g, y│ │ 24 12 études, Op. 25- No. 12 in C Minor.m4a
& Z5 J1 L! ^; Q- E6 ~│ │ 25 Symphonic Studies, Op. 13- Theme.m4a! {" `, x1 t9 y+ c! Q- a* c* N7 q
│ │ 26 Symphonic Studies, Op. 13- étude I (With Repeat).m4a
" i0 }$ Z) l7 ? u8 s- a' X│ │ 27 Symphonic Studies, Op. 13 - Appendix- Variation I (With Repeat).m4a% }% w7 H( `# m% H6 b
│ │ 28 Symphonic Studies, Op. 13- étude II (With Repeat).m4a
$ f4 f8 N2 Z3 D- e3 n│ │ 29 Symphonic Studies, Op. 13- étude III (With Repeat).m4a! H" m' ^$ u0 O# S4 f% F
│ │ 30 Symphonic Studies, Op. 13- étude IV.m4a
7 j; l) a% Q- l( F+ `│ │ 31 Symphonic Studies, Op. 13- étude V (With Repeat).m4a7 E0 G8 Q9 l6 M# e( ^: {
│ │ 32 Symphonic Studies, Op. 13 - Appendix- Variation II.m4a4 Y6 E1 W0 |5 u' J- X3 C. B
│ │ 33 Symphonic Studies, Op. 13 - Appendix- Variation III (With Repeat).m4a
, ]9 ~$ T; q1 I4 R1 W, B│ │ 34 Symphonic Studies, Op. 13 - Appendix- Variation IV (With Repeat).m4a
0 t$ j/ ^! E% v0 Q- ^│ │ 35 Symphonic Studies, Op. 13 - Appendix- Variation V (With Repeat).m4a; n( W& h9 K2 @, j
│ │ 36 Symphonic Studies, Op. 13- étude VI.m4a2 N( x. a4 L% y4 r* b
│ │ 37 Symphonic Studies, Op. 13- étude VII.m4a
7 p8 H7 F) f' t1 `) j6 l; b& w│ │ 38 Symphonic Studies, Op. 13- étude VIII (With Repeat).m4a, G f. R4 [$ J6 Y7 u
│ │ 39 Symphonic Studies, Op. 13- étude IX.m4a' s0 x+ [) ~8 u& \5 G
│ │ 40 Symphonic Studies, Op. 13- étude X (With Repeat).m4a
- d! v: b- q3 b @/ n│ │ 41 Symphonic Studies, Op. 13- étude XI.m4a
5 K, t, O; w9 \+ e/ j│ │ 42 Symphonic Studies, Op. 13- étude XII (Finale).m4a E" y: [; r# t4 R# J
│ │ 43 3 Nouvelles études, B. 130- No. 1 in F Minor.m4a
; E7 ]0 J% k, J5 e. }1 M$ ^│ │ 44 3 Nouvelles études, B. 130- No. 2 in A-Flat Major.m4a7 m9 V/ {: z. Z3 ?1 i$ J4 L5 K
│ │ 45 3 Nouvelles études, B. 130- No. 3 in D-Flat Major.m4a
3 @3 s8 l$ ]- V5 d. U& D│ │ cover.jpg
# ~- h9 v; ~. ^8 a2 X│ │ Digital Booklet - études.pdf
+ Y1 T* g2 H2 a& _3 y" b│ │ 4 U+ V N6 \# Z; b5 t, z J& ~4 E/ k" o
│ ├─2015 - Scriabin - Nuances [Mastered for iTunes]2 p( i2 I" { _
│ │ 01 Waltz in F Minor, Op. 1.m4a
: c7 Y+ u- g- M( q+ s N2 x' V│ │ 02 3 Pieces for Piano, Op. 2- No. 2, Prelude in B Major.m4a& s. B; \4 I% x5 k5 Q2 }" H
│ │ 03 Nocturne in A-Flat Major, WoO 3.m4a5 p3 G6 P/ d. _ R
│ │ 04 Scherzo in E-Flat Major, WoO 4.m4a
% c# t/ p/ c8 V# P2 s│ │ 05 Scherzo in A-Flat Major, WoO 5.m4a) g3 A4 q6 O. A
│ │ 06 Valse in G-Sharp Minor, WoO 7.m4a7 Q. Z* [+ C% O; B9 e: s- K, E' H
│ │ 07 Klavierstücke in B-Flat Minor, Anh 16.m4a* X8 q2 U& d6 q, J9 D3 D
│ │ 08 Fugue in F Minor, WoO 13.m4a
& C7 {. k+ v" ~│ │ 09 3 Pieces for Piano, Op. 2- No. 3, Impromptu à la mazur.m4a
! D- u) E. {3 n/ j│ │ 10 Mazurka in F Major, WoO 16.m4a
; ]& K, ^; I) H" `' r3 P$ S│ │ 11 Mazurka in B Minor, WoO 15.m4a
' w3 ~0 K* n8 E8 v4 T│ │ 12 Fugue in E Minor, WoO 20.m4a
& J/ X% c0 T, \' N│ │ 13 Prelude and Nocturne for the Left Hand, Op. 9- No. 2, Nocturne in D-Flat Major.m4a0 _ L2 n/ n8 f/ k; ~
│ │ 14 12 Etudes for Piano, Op. 8- No. 12, Alternative Version (WoO 22).m4a
+ m) _4 u$ k7 @# N9 O│ │ 15 2 Impromptus, Op. 14- No. 1.m4a! G+ \) O9 \1 |& ]* e
│ │ 16 2 Impromptus, Op. 14- No. 2.m4a% ~* {& p. f9 @. ~) U* }( C" g( {
│ │ 17 Allegro de concert, Op. 18.m4a9 g, V; @8 e) a8 y2 x% }9 X( r0 ]
│ │ 18 Polonaise, Op. 21.m4a- d1 U# |" t6 \$ g0 B/ V. P
│ │ 19 Poème, Op. 41.m4a: I3 } R& U* M: n b0 q; x
│ │ 20 Scherzo, Op. 46.m4a
; x1 h0 p G1 c6 `$ J# \│ │ 21 Two Pieces, Op. 59- No. 1, Poème.m4a
H1 \3 {* x* E% W2 c( W│ │ 22 Three Etudes, Op. 65- No. 2, Allegretto.m4a
: y I/ X% f6 L│ │ 23 Three Etudes, Op. 65- No. 3, Molto vivace.m4a% q# o/ Z1 i' i; _* i3 R
│ │ 24 Trois morceaux, Op. 49- No. 1, Etude in E-Flat Major.m4a, f( } ~- j, Z+ N, d$ T" @
│ │ 25 Makurka in B Minor, WoO 14.m4a2 n- d( s8 x* z2 u7 f
│ │ 26 Feuille d'album in F-Sharp Major, WoO 25.m4a
+ k# N7 p ~4 W5 t# m│ │ 27 Duett in D Minor, WoO 10.m4a
! t5 H/ Z! W# j# ?8 n- x; M8 d│ │ cover.jpg
0 H( f u/ h( A, J2 [│ │ Digital Booklet - Scriabin - Nuances.pdf3 s" C0 P7 a+ y/ E/ P+ H% E8 S
│ │ 2 Q+ Q7 Z- ~6 J: x# h( K5 y T
│ ├─2015 - Valentina Lisitsa Plays Philip Glass [Mastered for iTunes]6 k! Z- S+ L8 w4 o! c
│ │ 01 Glassworks- Opening.m4a
1 k' n8 d5 U/ ]$ i3 ?1 E$ T8 `│ │ 02 Truman Sleeps (from 'The Truman Show') [Short version].m4a
9 K. [1 i7 r' z6 d/ }) F) e" o; k3 F│ │ 03 The Hours- The Poet Acts (Arr. Michael Riesman).m4a3 u! A* o( D9 `" \$ V/ G* F3 k
│ │ 04 The Hours- Morning Passages (Arr. Michael Riesman).m4a
- i& H* ?; a1 i" y│ │ 05 How Now.m4a7 {+ ^: Y! M5 k/ l+ K* U: {
│ │ 06 The Hours- Something She Has to Do (Arr. Michael Riesman).m4a/ T( l/ q, b/ b' a8 }- U
│ │ 07 The Hours- I'm Going to Make a Cake (Arr. Michael Riesman).m4a
0 G2 r6 I& Z/ B1 k8 s│ │ 08 Olympian- Lighting of the Torch.m4a
8 g2 t$ G! V0 q/ D0 Y( Q│ │ 09 Mad Rush.m4a# ?' [4 j( q9 e( m
│ │ 10 The Hours- Dead Things (Arr. Michael Riesman).m4a- a7 c% x6 L8 }9 m2 w
│ │ 11 The Hours- Tearing Herself Away (Arr. Michael Riesman).m4a& @# X6 B, h5 L& |3 A
│ │ 12 Wichita Sutra Vortex.m4a8 d( H8 v# K! S/ [5 \7 G$ a
│ │ 13 The Hours- Escape! (Arr. Michael Riesman).m4a: n4 r) {5 U" }, s3 j, Z' H; H
│ │ 14 The Hours- Chosing Life (Arr. Michael Riesman).m4a
1 u( d; C1 F$ P- q│ │ 15 The Hours- The Hours (Arr. Michael Riesman).m4a
2 M& b+ `' V; T$ S) V│ │ 16 Metamorphosis One.m4a
$ X: B. O: t* f' ~│ │ 17 Metamorphosis Two.m4a
! Y6 \5 Z! y" t; L4 |; R9 ]│ │ 18 Metamorphosis Three.m4a& I/ M: h( K1 I5 Z" F* n4 r
│ │ 19 Metamorphosis Four.m4a. V" B- Z; D- W" M" c5 S
│ │ 20 Metamorphosis Five.m4a% c6 o8 N( H9 \# B
│ │ 21 Closing ('Mishima').m4a
1 z& E6 m8 `" Y [2 ]│ │ 22 The Hours- An Unwelcome Friend (Arr. Michael Riesman).m4a5 j7 N* }4 u+ c* ^' t
│ │ 23 The Hours- Why Does Someone Have to Die! (Arr. Michael Riesman).m4a% l" h7 M8 z2 C, v8 W! n
│ │ 24 Truman Sleeps (from ''The Truman Show') [Long Version].m4a
3 y5 d& }( n, e0 t }* T│ │ cover.jpg* K8 U2 K# Q: ?3 H7 i) H; U7 |
│ │ Digital Booklet - Valentina Lisitsa Plays Philip Glass.pdf! w0 _& n$ {$ i6 _. h
│ │ + s& _2 z, S+ \; Q7 k
│ └─2019 - Tchaikovsky_ The Complete Solo Piano Works [Mastered for iTunes]$ @* @0 ^* f! ~( _; Y( m! J' {: u
│ 001 2 Pieces, Op. 1- 1. Scherzo à la russe, TH 124.m4a
& Z! t) [8 H8 _% k& X│ 002 2 Pieces, Op. 1- 2. Impromptu, TH 122.m4a" U' r7 y3 C4 I! ^! j, r+ R# J7 S
│ 003 Souvenir de Hapsal, Op. 2, TH 125- 1. Ruines d'un chateau.m4a; F& o0 [, L# H$ W K# r
│ 004 Souvenir de Hapsal, Op. 2, TH 125- 2. Scherzo.m4a
/ i0 e4 Q4 A+ N2 H/ @- ]- U│ 005 Souvenir de Hapsal, Op. 2, TH 125- 3. Chant sans paroles.m4a
6 h4 ^ S! f8 e1 S) J# I3 ~│ 006 Valse-Caprice, Op. 4, TH 126.m4a! W0 K4 \& j, Y/ ]! \, M5 ]; s
│ 007 Romance in F Minor, Op. 5, TH 127.m4a8 R. C& \; B+ Q3 ^
│ 008 Valse-Scherzo in A Major, Op. 7, TH 129.m4a
+ I1 u' n( ^0 V5 e│ 009 Capriccio in G-Flat Major, Op. 8, TH 130.m4a: c# Z. O3 N& y7 a& T
│ 010 3 Morceaux, Op. 9, TH 131- 1. Rêverie.m4a8 F, {- d( c; y% L2 x$ O
│ 011 3 Morceaux, Op. 9, TH 131- 2. Polka de salon.m4a
0 W @4 u, Q o. j+ S7 u# ]│ 012 3 Morceaux, Op. 9, TH 131- 3. Mazurka de salon.m4a
4 Z1 J0 w0 ?: U. Q- X/ S" L, {│ 013 2 Pieces, Op. 10, TH 132- 1. Nocturne.m4a9 n8 w! p9 \9 O5 [. [: X
│ 014 2 Pieces, Op. 10, TH 132- 2. Humoresque.m4a
; I g' ?* @0 L9 d3 [% W! _* w│ 015 Romances, Op. 16, TH 95- 1. Berceuse.m4a
+ m, W" \5 Z2 Y3 J/ ?│ 016 Romances, Op. 16, TH 95- 4. Oh! Chante encore.m4a0 Q1 J/ u: k, X5 E
│ 017 Romances, Op. 16, TH 95- 5. Qu'importe.m4a& y' ~6 ]+ D+ A8 a7 k
│ 018 6 Morceaux, Op. 19, TH 133- 1. Rêverie du soir.m4a
; v' ]$ a3 n) ~3 F' X6 s│ 019 6 Morceaux, Op. 19, TH 133- 2. Scherzo humoristique.m4a
1 n; F. w5 h: A0 q- q6 o; D/ V2 G│ 020 6 Morceaux, Op. 19, TH 133- 3. Feuillet d'album.m4a
" z \1 U7 }# X* \- j│ 021 6 Morceaux, Op. 19, TH 133- 4. Nocturne.m4a
% c1 n9 ]0 v+ _: l│ 022 6 Morceaux, Op. 19, TH 133- 5. Capriccioso.m4a5 ~, ~7 A; Y0 O. d
│ 023 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Thème.m4a
% N5 b# q, T8 ~/ c, F9 U& a& z│ 024 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 1.m4a, w q/ y$ Z2 W' o+ m3 W. a
│ 025 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 2.m4a! n/ J8 x6 s' N# g5 |/ l2 l
│ 026 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 3.m4a/ l1 \2 {, S* K; }/ I8 h
│ 027 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 4.m4a8 w1 N* J% Y: g# H9 J, C3 J
│ 028 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 5.m4a
3 T/ C' Q" T0 v5 U3 W* {│ 029 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 6.m4a
: B# f: B0 ?2 c6 B y│ 030 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 7.m4a5 O" d: g$ S9 I* I% O5 W& b7 ~
│ 031 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 8.m4a
/ ?+ g1 M, o) i( r0 O│ 032 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 9.m4a- N: @$ t3 W. t K0 {+ ?: y% V
│ 033 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 10.m4a' n3 |3 N+ A: U* y
│ 034 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 11.m4a4 y9 g# v. z: C& o/ a2 ]
│ 035 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Variation 12.m4a
2 z* w& l4 h9 t' i6 i9 y* \│ 036 6 Morceaux, Op. 19, TH 133- 6. Thème original et variations. Coda.m4a0 h1 I8 M6 I& o6 I
│ 037 6 Pieces, Op. 21, TH 134- 1. Prélude.m4a$ K7 D/ U+ z2 E) q
│ 038 6 Pieces, Op. 21, TH 134- 2. Fugue à 4 voix.m4a
! H* x! d7 R: l+ }' s! S1 E│ 039 6 Pieces, Op. 21, TH 134- 3. Impromptu.m4a
6 _0 r! N: N4 j* Z; L│ 040 6 Pieces, Op. 21, TH 134- 4. Marche funèbre.m4a
# q3 a, P' M& v+ W0 M, K│ 041 6 Pieces, Op. 21, TH 134- 5. Mazurque.m4a2 J6 e5 Q. Q. u: [" r; @
│ 042 6 Pieces, Op. 21, TH 134- 6. Scherzo.m4a/ d! ]# N4 a, x: C) `
│ 043 Piano Sonata in G Major, Op. 37, TH 139- 1. Moderato e risoluto.m4a# ]% n: |" T4 d5 |! C3 b
│ 044 Piano Sonata in G Major, Op. 37, TH 139- 2. Andante non troppo quasi moderato.m4a
5 [* U8 q) f5 v4 _+ {! {$ m+ |│ 045 Piano Sonata in G Major, Op. 37, TH 139- 3. Scherzo- Allegro giocoso.m4a6 ^9 h3 T0 W! p" w9 t; L1 X7 \
│ 046 Piano Sonata in G Major, Op. 37, TH 139- 4. Finale- Allegro vivace.m4a
2 a& w. G9 E g% g1 ]│ 047 Piano Sonata in C-Sharp Minor, Op. Posth. 80, TH 123- 1. Allegro con fuoco.m4a: q; e! A! ?8 \, ^* q" Q: T
│ 048 Piano Sonata in C-Sharp Minor, Op. Posth. 80, TH 123- 2. Andante.m4a8 e, D* e1 U+ W/ n
│ 049 Piano Sonata in C-Sharp Minor, Op. Posth. 80, TH 123- 3. Scherzo- Allegro vivo.m4a0 K1 g0 u( S7 i9 B+ e9 E1 Q
│ 050 Piano Sonata in C-Sharp Minor, Op. Posth. 80, TH 123- 4. Finale- Allegro vivo.m4a9 a3 R; Z% h8 i: Z
│ 051 The Seasons, Op. 37a, TH 135- 1. January- By the fireside.m4a
$ J# C8 N0 ]! b4 _! I7 S│ 052 The Seasons, Op. 37a, TH 135- 2. February- Shrovetide festival.m4a0 d- m* o, b; J9 R3 H7 b
│ 053 The Seasons, Op. 37a, TH 135- 3. March- Song of the lark.m4a
. S+ n, {: Y) L│ 054 The Seasons, Op. 37a, TH 135- 4. April- The snowdrop.m4a
- ]8 s e5 r* q+ l4 S- H- m% G% P│ 055 The Seasons, Op. 37a, TH 135- 5. May- White nights.m4a6 f5 W5 y9 P6 f/ L3 S; N# T
│ 056 The Seasons, Op. 37a, TH 135- 6. June- Barcarolle.m4a
6 H2 y: ~! z8 c; C4 ^5 k6 Y│ 057 The Seasons, Op. 37a, TH 135- 7. July- Song of the reaper.m4a% |; @! h1 p) U: v g6 J
│ 058 The Seasons, Op. 37a, TH 135- 8. August- Harvest.m4a
1 j0 T- _: A0 P! o2 Y6 P( P& n│ 059 The Seasons, Op. 37a, TH 135- 9. September- The hunt.m4a
" u; t4 x5 ]( l9 z# ` O│ 060 The Seasons, Op. 37a, TH 135- 10. October- Autumn's song.m4a# c# S# D! {9 x$ i' G
│ 061 The Seasons, Op. 37a, TH 135- 11. November- On the troika.m4a
" V: [1 M& Y6 c; w+ v│ 062 The Seasons, Op. 37a, TH 135- 12. December- Yuletide.m4a
% U( X8 w1 }! T! U! S" L7 u│ 063 Children's Album, Op. 39, TH 141- 1. Morning prayer.m4a8 ]3 ^3 v/ ^- Q( |3 h, h
│ 064 Children's Album, Op. 39, TH 141- 2. Winter morning.m4a
$ ]2 r0 n5 a' h7 i│ 065 Children's Album, Op. 39, TH 141- 3. Mama.m4a; s, N$ `% y: P# G2 p) \: A
│ 066 Children's Album, Op. 39, TH 141- 4. Playing hobbyhorse.m4a- O1 e0 t* S' o8 v
│ 067 Children's Album, Op. 39, TH 141- 5. Toy soldiers' march.m4a4 }0 \- ?$ x# C# r
│ 068 Children's Album, Op. 39, TH 141- 6. The new doll.m4a
0 i9 X9 S2 T9 }8 l" ^' Q│ 069 Children's Album, Op. 39, TH 141- 7. The sick doll.m4a& i. q- {* g7 b6 I8 m
│ 070 Children's Album, Op. 39, TH 141- 8. The doll's funeral.m4a6 q+ V' K1 M% \1 D; N4 c; T3 q
│ 071 Children's Album, Op. 39, TH 141- 9. Waltz.m4a8 e: i' c. g! _1 j# I1 z1 S" H3 {
│ 072 Children's Album, Op. 39, TH 141- 10. Polka.m4a
7 d* ~. n4 N; K% f│ 073 Children's Album, Op. 39, TH 141- 11. Mazurka.m4a
9 P( K( Q+ F1 d9 q3 W│ 074 Children's Album, Op. 39, TH 141- 12. Russian song.m4a
1 N' A; S' B' p; y% a f# i│ 075 Children's Album, Op. 39, TH 141- 13. Peasant playing an accordion.m4a$ n5 b' d7 g( p8 ?4 }
│ 076 Children's Album, Op. 39, TH 141- 14. Kamarinskaya.m4a7 T$ [6 e) M$ d3 r1 e h* A
│ 077 Children's Album, Op. 39, TH 141- 15. Italian song.m4a
3 c) \2 r: H2 i- x# C6 V8 n) q6 t│ 078 Children's Album, Op. 39, TH 141- 16. Old French song.m4a
; n5 |9 u- M/ W7 R+ z5 p' s* e; s, O│ 079 Children's Album, Op. 39, TH 141- 17. German song.m4a
2 \2 w# K- u% S2 d& ~: s o│ 080 Children's Album, Op. 39, TH 141- 18. Neapolitan song.m4a6 g0 W% ]; q' {! `
│ 081 Children's Album, Op. 39, TH 141- 19. Nursery tale.m4a2 I0 Q- d# u( k, V
│ 082 Children's Album, Op. 39, TH 141- 20. Baba Yaga the witch.m4a; v t: e( D/ S! s! D
│ 083 Children's Album, Op. 39, TH 141- 21. Daydreams.m4a
2 O( ~. p% d6 K& H9 k8 e, i. Y│ 084 Children's Album, Op. 39, TH 141- 22. Song of the lark.m4a
- d ?$ }! D! a2 `│ 085 Children's Album, Op. 39, TH 141- 23. in church.m4a
! \8 w# W& J" \. J& p4 [; H│ 086 Children's Album, Op. 39, TH 141- 24. The organ-grinder's song.m4a' G# x n8 `( Q8 G, C$ i( o$ P5 L
│ 087 6 Pieces, Op. 51, TH 143- 1. Valse de salon.m4a" n2 Y8 H- R$ ~. K
│ 088 6 Pieces, Op. 51, TH 143- 2. Polka peu dansante.m4a
7 |& ?5 M( r, M% ~│ 089 6 Pieces, Op. 51, TH 143- 3. Menuetto scherzoso.m4a4 Y* R( ^* v2 r3 W% k+ \) a6 \
│ 090 6 Pieces, Op. 51, TH 143- 4. Natha-Valse.m4a
* h& c5 D7 a% w' r+ r7 O ?│ 091 6 Pieces, Op. 51, TH 143- 5. Romance.m4a
9 s) `7 s7 N0 t│ 092 6 Pieces, Op. 51, TH 143- 6. Valse sentimentale.m4a
+ y$ d) U: v& O6 H" u" `│ 093 12 Morceaux, Op. 40, TH 138- 1. étude.m4a
& ^4 _/ l! j; Q }' i0 l│ 094 12 Morceaux, Op. 40, TH 138- 2. Chanson triste.m4a
+ S" K5 a7 N# s│ 095 12 Morceaux, Op. 40, TH 138- 3. Marche funèbre.m4a: H" t0 i% L4 d: q
│ 096 12 Morceaux, Op. 40, TH 138- 4. Mazurka in C Major.m4a4 w1 g Y/ ]1 r O" a) I
│ 097 12 Morceaux, Op. 40, TH 138- 5. Mazurka in D Major.m4a/ @2 n7 ]. m- X' N0 |" l
│ 098 12 Morceaux, Op. 40, TH 138- 6. Chant sans paroles.m4a M2 T5 v: J1 Z% s& E7 W' ^
│ 099 12 Morceaux, Op. 40, TH 138- 7. Au village.m4a5 _1 \" R' _$ z/ H, N
│ 100 12 Morceaux, Op. 40, TH 138- 8. Valse in A-Flat Major.m4a
- B/ _1 e. D# K9 @3 W+ g│ 101 12 Morceaux, Op. 40, TH 138- 9. Valse in F-Sharp Minor.m4a
9 z& | W. t& t& a/ }+ [│ 102 12 Morceaux, Op. 40, TH 138- 10. Danse russe.m4a
! w! T+ z: r0 Z4 i! r9 K! v│ 103 12 Morceaux, Op. 40, TH 138- 11. Scherzo.m4a
5 i5 O1 H$ i! n3 @0 s$ E2 N9 p│ 104 12 Morceaux, Op. 40, TH 138- 12. Réverie interrompue.m4a
! o8 P( @/ A$ W3 D2 b│ 105 Dumka, Op. 59, TH 145.m4a
, A' K W3 X/ _│ 106 18 Morceaux, Op. 72, TH 151- 1. Impromptu.m4a
* e O$ N+ N5 Q$ Q9 L│ 107 18 Morceaux, Op. 72, TH 151- 2. Berceuse.m4a
/ J @$ L- j$ m5 n! m│ 108 18 Morceaux, Op. 72, TH 151- 3. Tendres reproches.m4a# o# t( J, B5 J& d: t" B
│ 109 18 Morceaux, Op. 72, TH 151- 4. Danse caractéristique.m4a
( T' w: f4 F; r: B/ d% N9 L│ 110 18 Morceaux, Op. 72, TH 151- 5. Méditation.m4a
$ f$ w5 [( u# Q. j│ 111 18 Morceaux, Op. 72, TH 151- 6. Mazurque pour danser.m4a0 g% |5 o3 I4 T
│ 112 18 Morceaux, Op. 72, TH 151- 7. Polacca de concert.m4a q$ l5 U5 G. E1 x8 y) T
│ 113 18 Morceaux, Op. 72, TH 151- 8. Dialogue.m4a' ~" ]) C2 s1 I R
│ 114 18 Morceaux, Op. 72, TH 151- 9. Un poco di Schumann.m4a9 d: d! B# l5 O! ]( Q3 g/ Q# q, G
│ 115 18 Morceaux, Op. 72, TH 151- 10. Scherzo-fantaisie.m4a! e" e: D) e5 `
│ 116 18 Morceaux, Op. 72, TH 151- 11. Valse bluette.m4a7 ~7 X/ m2 C" G/ e9 Y! }' ^
│ 117 18 Morceaux, Op. 72, TH 151- 12. L'espiègle.m4a
# a. X$ f' s: u│ 118 18 Morceaux, Op. 72, TH 151- 13. Echo rustique.m4a
) b% q7 t1 k; X. @' W│ 119 18 Morceaux, Op. 72, TH 151- 14. Chant élégiaque.m4a
5 y$ ]& _1 U9 J& ?0 _# I│ 120 18 Morceaux, Op. 72, TH 151- 15. Un poco di Chopin.m4a3 ]( e8 H6 {/ Z& z
│ 121 18 Morceaux, Op. 72, TH 151- 16. Valse à cinq temps.m4a
2 { B% h1 Q6 _# H│ 122 18 Morceaux, Op. 72, TH 151- 17. Passé lointain.m4a
- R% U9 @, c/ j- A- G│ 123 18 Morceaux, Op. 72, TH 151- 18. Scène dansante (Invitation au trépak).m4a
. t M. L; n# v1 [│ 124 Anastasie-Valse, TH 119.m4a
& r9 X. d( n- c( T( L3 x│ 125 Theme with Variations in A Minor, TH 121- Theme.m4a
3 P) R& D' b, J+ O│ 126 Theme with Variations in A Minor, TH 121- Variation 1.m4a& P) J* Y& h" a, e* b7 o
│ 127 Theme with Variations in A Minor, TH 121- Variation 2.m4a
+ o* z9 e# R& W7 J6 e) z) M% @' Y│ 128 Theme with Variations in A Minor, TH 121- Variation 3.m4a. q8 N4 c& w; ^$ ~; Y
│ 129 Theme with Variations in A Minor, TH 121- Variation 4.m4a# O$ @! l2 F T. x. C. M
│ 130 Theme with Variations in A Minor, TH 121- Variation 5.m4a3 N- }1 f2 F0 Z% F/ _
│ 131 Theme with Variations in A Minor, TH 121- Variation 6.m4a! ?3 N9 W3 z8 L& m9 |
│ 132 Theme with Variations in A Minor, TH 121- Variation 7.m4a
4 y) e8 o1 Z( O6 g, Z( m8 _, ^│ 133 Theme with Variations in A Minor, TH 121- Variation 8.m4a6 X! p+ X9 L, M; r: o: s, S1 i
│ 134 Theme with Variations in A Minor, TH 121- Variation 9.m4a
' l6 n( |$ [/ L* h) Z. U) q2 f3 y u7 J│ 135 50 Russian Folk Songs, TH 176- 1. The young maiden walked so far.m4a
" [! E8 d" e9 T7 H# A3 J9 {│ 136 50 Russian Folk Songs, TH 176- 2. Oh, my poor head!.m4a, b% F+ I* o. P: V% [" D+ x
│ 137 50 Russian Folk Songs, TH 176- 3. Please, try to remember, my darling.m4a
; E B& R3 H$ @. L% l│ 138 50 Russian Folk Songs, TH 176- 4. The eel coiling in the water.m4a
8 D4 G# h5 ` q2 C9 b |+ h% Y5 u/ J│ 139 50 Russian Folk Songs, TH 176- 5. Do not flood, my gentle Danube.m4a
+ x3 [( `* A/ }5 N) r+ k3 s│ 140 50 Russian Folk Songs, TH 176- 6. Keep on spinning, my spinner.m4a, u/ _- F5 ?: q7 |( Q
│ 141 50 Russian Folk Songs, TH 176- 7. The tower is not yet built.m4a
# z; o6 c2 h% p- S6 E│ 142 50 Russian Folk Songs, TH 176- 8. The pine-tree swings by the gate.m4a
& d" @/ _$ Q/ l/ t# n* U$ U c│ 143 50 Russian Folk Songs, TH 176- 9. All flowers fade.m4a
8 d2 Z, q( f; a│ 144 50 Russian Folk Songs, TH 176- 10. Floating and rising.m4a
, c6 y9 _4 \% G6 r7 `" i0 h+ i│ 145 50 Russian Folk Songs, TH 176- 11. My green vineyard.m4a
p2 d% O6 p9 x# J% _) l│ 146 50 Russian Folk Songs, TH 176- 12. Be calmed, stormy winds.m4a2 b R2 `3 b, m1 L; M
│ 147 50 Russian Folk Songs, TH 176- 13. At the crack of dawn.m4a( B/ `$ \# ]+ `/ m; E4 P" F7 v3 c
│ 148 50 Russian Folk Songs, TH 176- 14. It isn't drink that's muddling my head.m4a: Z) a9 H# L- r0 y* G# c- g2 U; I
│ 149 50 Russian Folk Songs, TH 176- 15. Rise up, rise up, o sun.m4a
Y1 I: f! H( }1 ?0 A│ 150 50 Russian Folk Songs, TH 176- 16. Do not sing, o nightingale.m4a
" D W$ n9 l- V" k/ I│ 151 50 Russian Folk Songs, TH 176- 17. Master Andrei made merry.m4a
) t$ e4 }, P9 m* L* ?│ 152 50 Russian Folk Songs, TH 176- 18. The duckling in the meadow.m4a- Q3 s. p) p$ k' H9 X
│ 153 50 Russian Folk Songs, TH 176- 19. Young maiden at the feast.m4a w8 [+ m" y* w
│ 154 50 Russian Folk Songs, TH 176- 20. I shall come to your town.m4a+ v' X6 C# @$ [8 w* o% t( B0 [4 R
│ 155 50 Russian Folk Songs, TH 176- 21. It's not the sound resounding.m4a
- h8 s" Y& H) y( u│ 156 50 Russian Folk Songs, TH 176- 22. Coming down the mountain.m4a
6 `) C; S% q' R' c# R E1 C# |│ 157 50 Russian Folk Songs, TH 176- 23. A little duckling was swimming on the sea.m4a
# W2 m2 {% e* `- L│ 158 50 Russian Folk Songs, TH 176- 24. I wear my hair in a plait.m4a S* C6 ?7 E* ^
│ 159 50 Russian Folk Songs, TH 176- 25. Beyond my yard is a green meadow.m4a
% g7 M$ E/ N. {│ 160 50 Russian Folk Songs, TH 176- 26. We worked the land.m4a
, S1 Y! X5 y/ A$ u, W1 L│ 161 50 Russian Folk Songs, TH 176- 27. Upon the sea so blue.m4a& z( ~. G" r) u2 B
│ 162 50 Russian Folk Songs, TH 176- 28. On the green meadow.m4a0 m2 {5 S( H7 y. c/ r9 j* p
│ 163 50 Russian Folk Songs, TH 176- 29. Our wine cellar.m4a
4 a7 c! {% x3 P) X4 e3 t1 d u( ?' x│ 164 50 Russian Folk Songs, TH 176- 30. I'm coming to the capital.m4a" t* v% j4 g! d" @4 z. Y
│ 165 50 Russian Folk Songs, TH 176- 31. Thank you, but no thank you, Father Superior.m4a
! i6 E3 K7 D! d, b ^8 }2 ]│ 166 50 Russian Folk Songs, TH 176- 32. Little Ivan wears a big hat.m4a
5 Y1 V4 h& `0 |; k1 g) f│ 167 50 Russian Folk Songs, TH 176- 33. in the meadows.m4a
+ V, S; W) o% s c/ U│ 168 50 Russian Folk Songs, TH 176- 34. Merry Katya.m4a1 q; C& F" i# J
│ 169 50 Russian Folk Songs, TH 176- 35. O my heart, my heavy heart.m4a
1 S U: e3 I2 F. ~8 Y" S│ 170 50 Russian Folk Songs, TH 176- 36. Oh, my duckling in the meadow.m4a) K7 ]7 L1 }! @: ]( ~1 B
│ 171 50 Russian Folk Songs, TH 176- 37. The young maiden.m4a
0 Y. N" z- ~6 \│ 172 50 Russian Folk Songs, TH 176- 38. Play my bagpipes.m4a- k! h ?5 `, e8 T Y
│ 173 50 Russian Folk Songs, TH 176- 39. O, my fields.m4a
l6 J, z( D: z6 H# G6 r│ 174 50 Russian Folk Songs, TH 176- 40. Stop my merry dance.m4a
/ @ H, Y0 Y* Q& Q$ d0 H# }│ 175 50 Russian Folk Songs, TH 176- 41. The grey cockerel.m4a
7 ]2 h: f+ \: q* |. T│ 176 50 Russian Folk Songs, TH 176- 42. Under the green apple tree.m4a) b6 n8 [4 R& u$ \* V4 l+ z
│ 177 50 Russian Folk Songs, TH 176- 43. O, my unspoilt field.m4a
4 H$ B/ C' G! P. N& w│ 178 50 Russian Folk Songs, TH 176- 44. Like a princess in the town.m4a% E* Q3 P s2 f: L& L1 O l
│ 179 50 Russian Folk Songs, TH 176- 45. Cranberries and raspberries.m4a. a5 Y, Q% J' S' ?. n& F, v3 ~+ b5 i
│ 180 50 Russian Folk Songs, TH 176- 46. in the meadows.m4a
! h* A: @3 H0 r: q│ 181 50 Russian Folk Songs, TH 176- 47. Vanya was sitting.m4a; t. F) z7 b# n& |
│ 182 50 Russian Folk Songs, TH 176- 48. By the gates.m4a. `1 A& C. x. M5 x# ~
│ 183 50 Russian Folk Songs, TH 176- 49. Song of the Volga boatmen.m4a* Z, c# `% X5 R7 p. Y; D* }
│ 184 50 Russian Folk Songs, TH 176- 50. There was no wind.m4a+ v( ^% Q% D( x& V
│ 185 The Volunteer Fleet March, TH 140.m4a
( {1 N# j6 O% x* g/ {│ 186 Nathalie-Valse, TH 142.m4a6 S# h7 @! b+ V; f) Q
│ 187 Impromptu-Caprice, TH 144.m4a4 N" S$ s" p1 [- g/ {- F
│ 188 Valse-Scherzo in A Major, TH 146.m4a7 \- V- n$ z& i9 s# S" O% j1 A/ h
│ 189 Impromptu in A-Flat Major, TH 147.m4a
: {6 A. K& \4 z$ i6 z1 A│ 190 Moment lyrique, TH 149.m4a- z' p% p# b9 p8 c
│ 191 'Tis not the wind that bends the branch, TH 194 (Arr. Piano).m4a
0 K" a! L$ G8 ^& Y│ 192 Allegro in F Minor, TH 203.m4a3 F; M' [7 s4 D8 F' M
│ 193 The Nutcracker, Op. 71, TH 14, Act I- Overture (Arr. Piano).m4a1 r! e, e6 L. M
│ 194 The Nutcracker, Op. 71, TH 14, Act I- 1. The Christmas tree (Arr. Piano).m4a7 t9 e2 ~9 e' P0 W4 M
│ 195 The Nutcracker, Op. 71, TH 14, Act I- 2. March (Arr. Piano).m4a
( s1 F7 y4 p, |. V. m│ 196 The Nutcracker, Op. 71, TH 14, Act I- 3. Galop and Dance of the parents (Arr. Piano).m4a
$ N8 P$ B. X5 }, P2 @$ m- q│ 197 The Nutcracker, Op. 71, TH 14, Act I- 4. Dance scene - The presents of Drosselmeyer (Arr. Piano).m4a1 X3 @0 o3 L8 G$ k3 q
│ 198 The Nutcracker, Op. 71, TH 14, Act I- 5. Scene - Grandfather dance (Arr. Piano).m4a
& H7 l [! W5 F│ 199 The Nutcracker, Op. 71, TH 14, Act I- 6. Clara and the Nutcracker (Arr. Piano).m4a
/ a% S" V2 K7 R4 B: V( I│ 200 The Nutcracker, Op. 71, TH 14, Act I- 7. The battle (Arr. Piano).m4a0 U' v O, I$ L6 d: O' L# P5 e
│ 201 The Nutcracker, Op. 71, TH 14, Act I- 8. in the pine forest (Arr. Piano).m4a
a4 g! ~: r b, e1 b% Z" U│ 202 The Nutcracker, Op. 71, TH 14, Act I- 9. Waltz of the snowflakes (Arr. Piano).m4a
8 x8 e( M4 W3 r7 G' L│ 203 The Nutcracker, Op. 71, TH 14, Act II- 10. The magic castle on the mountain of sweets (Arr. Piano).m4a, k* i9 M; [( J$ F- L3 l0 k+ ]4 `: O
│ 204 The Nutcracker, Op. 71, TH 14, Act II- 11. Clara and Prince Charming (Arr. Piano).m4a8 |" L' o4 ~( }; J0 K8 P2 |- ^
│ 205 The Nutcracker, Op. 71, TH 14, Act II- 12a. Character Dances- Chocolate (Spanish Dance) (Arr. Piano).m4a
& D8 H5 {; J/ c│ 206 The Nutcracker, Op. 71, TH 14, Act II- 12b. Character Dances- Coffee (Arabian Dance) (Arr. Piano).m4a( s$ U/ |. q' c8 x! d
│ 207 The Nutcracker, Op. 71, TH 14, Act II- 12c. Character Dances- Tea (Chinese Dance) (Arr. Piano).m4a
8 B+ L, ?+ l+ F% | ^: f│ 208 The Nutcracker, Op. 71, TH 14, Act II- 12d. Character Dances- Trépak (Russian Dance) (Arr. Piano).m4a
7 K( |. `% w& K, t* |2 S$ [│ 209 The Nutcracker, Op. 71, TH 14, Act II- 12e. Character Dances- Dance of the reed pipes (Arr. Piano).m4a
& z7 [7 T, P5 N: ~' i1 }│ 210 The Nutcracker, Op. 71, TH 14, Act II- 12f. Character Dances- Polchinelle (the clown) (Arr. Piano).m4a, h a( `2 R% ]) x
│ 211 The Nutcracker, Op. 71, TH 14, Act II- 13. Waltz of the flowers (Arr. Piano).m4a
; Z7 q, \& N. `│ 212 The Nutcracker, Op. 71, TH 14, Act II- 14a. Pas de deux- Intrada (Arr. Piano).m4a$ [7 |) k. z, S( o: j$ T5 ]% b
│ 213 The Nutcracker, Op. 71, TH 14, Act II- 14b. Pas de deux- Variation I (Tarantella) (Arr. Piano).m4a
. m& f3 y+ u$ n│ 214 The Nutcracker, Op. 71, TH 14, Act II- 14c. Pas de deux- Variation II (Dance of the Sugar-Plum Fairy) (Arr. Piano).m4a# B* ]7 i. A, o% G3 }
│ 215 The Nutcracker, Op. 71, TH 14, Act II- 14d. Pas de deux- Coda (Arr. Piano).m4a
3 N8 z9 ^! N9 I! M; B; R6 R a8 [6 z│ 216 The Nutcracker, Op. 71, TH 14, Act II- 15a. Final Waltz (Arr. Piano).m4a- V' L2 K! ]) {6 p
│ 217 The Nutcracker, Op. 71, TH 14, Act II- 15b. Apotheosis (Arr. Piano).m4a% h2 C" _+ g+ N/ s- ~4 }
│ 218 Dmitri the Pretender and Vasily Shuisky, TH 16- 2. Mazurka in D Minor (Arr. Piano).m4a- |5 Z* e/ ?6 }" h$ v3 _+ \, L
│ 219 Potpourri on themes from The Voyevoda, TH 128.m4a( p; {8 T( x* @
│ 220 Marche Slave, Op. 31, TH 45 (Arr. Piano).m4a2 r# A) G; d+ e& ~+ I% h' l
│ 221 Coronation March, TH 50 (Arr. Piano).m4a
1 m. Z. Z1 t1 ]' S│ 222 Aveu passionné in E Minor, TH 148.m4a
9 b: `, `: g' T" @) R8 a7 M; N│ 223 Military March for the Yurevsky Regiment in B-Flat Major, TH 150.m4a4 A4 A0 u% x+ ]' S
│ 224 1812 Overture, Op. 49, TH 49 (Arr. Piano).m4a! n. W1 m& C6 { C; k% e" D) K' i
│ cover.jpg
- q4 c) N N% H0 G& h( Q4 i│ # o- n5 z! N9 l; J# K
├─Collaborations
. e# R( s& ]' F6 ]│ ├─Craig Morris & Valentina Lisitsa - 2011 - Permit Me Voyage - Transcriptions for Trumpet8 @4 b* f2 [ v3 Y! i
│ │ 01 Suite bergamasque (arr. C. Morris for trumpet and piano)- I. Prelude.m4a7 ?& I, G* b. e2 s0 s
│ │ 02 Suite bergamasque (arr. C. Morris for trumpet and piano)- II. Menuet.m4a, |& ^2 ^0 y% ^ v/ q( a7 P! @+ G
│ │ 03 Suite bergamasque (arr. C. Morris for trumpet and piano)- III. Clair de lune.m4a
" I7 h, C) [# E3 F│ │ 04 Suite bergamasque (arr. C. Morris for trumpet and piano)- IV. Passepied.m4a
5 p( K( \6 J3 _* r; J! X│ │ 05 Fantasiestucke, Op. 73 (arr. C. Morris for trumpet and piano)- No. 1. Zart und mit Ausdruck.m4a
1 t9 [( q' M ?7 i, ?│ │ 06 Fantasiestucke, Op. 73 (arr. C. Morris for trumpet and piano)- No. 2. Lebhaft, leicht.m4a* @. \; R2 n6 @& ?8 {
│ │ 07 Fantasiestucke, Op. 73 (arr. C. Morris for trumpet and piano)- No. 3. Rasch und mit Feuer.m4a. f1 [6 o. }( }, ]9 f
│ │ 08 Clarinet Sonata No. 2 in E flat major, Op. 120 (arr. C. Morris for trumpet and piano)- I. Allegro amabile.m4a
7 ?( `9 F9 @- K$ T# E│ │ 09 Clarinet Sonata No. 2 in E flat m.m4a
7 k, A) D6 j. s5 l$ \. S* }│ │ 10 Clarinet Sonata No. 2 in E flat m.m4a
& {% {8 V4 G [8 ~8 M│ │ 11 4 Songs, Op. 13 (arr. C. Morris for trumpet and piano)- No. 1. A nun takes the veil.m4a
! F3 B9 k! e0 O P│ │ 12 4 Songs, Op. 13 (arr. C. Morris for trumpet and piano)- No. 2. The secrets of the old.m4a0 `; S) E& n6 }. Y
│ │ 13 4 Songs, Op. 13 (arr. C. Morris for trumpet and piano)- No. 3. Sure on this shining night.m4a$ ~& N5 `. k3 n1 W+ P6 u
│ │ 14 4 Songs, Op. 13 (arr. C. Morris for trumpet and piano)- No. 4. Nocturne.m4a/ l1 E7 ?4 D: A, s( ?
│ │ cover.jpg
6 L) ]% T, B% H$ Y1 s' y│ │ # v& d, \% ^. o
│ ├─Hilary Hahn & Valentina Lisitsa - 2011 - Charles Ives Four Sonatas
; o0 Q( e J2 a) {5 j│ │ 01 Sonata for Violin and Piano No. 1- I. Andante - Allegro vivace.m4a
, i, t. r$ ~$ y8 u: y│ │ 02 Sonata for Violin and Piano No. 1- II. Largo cantabile.m4a9 u5 e* a" p8 _* V/ K
│ │ 03 Sonata for Violin and Piano No. 1- III. Allegro.m4a' A! o: A+ g& W9 y% k* g
│ │ 04 Sonata for Violin and Piano No. 2- I. Autumn. Adagio maestoso - Allegro moderato.m4a
9 f7 Q5 C/ q" G- R4 `. W│ │ 05 Sonata for Violin and Piano No. 2- II. in the Barn. Presto - Allegro moderato.m4a2 w' N: Y/ t ^* W- U- x# I0 Y
│ │ 06 Sonata for Violin and Piano No. 2- III. The Revival. Largo - Allegretto.m4a( T* `; o) y* y+ s# f' D! J
│ │ 07 Sonata for Violin and Piano No. 3- I. Adagio. Verse I - Andante. Verse II - Allegretto. Verse III - Adagio. Last Verse.m4a
& V% F# m0 k a1 P" C- p│ │ 08 Sonata for Violin and Piano No. 3- II. Allegro.m4a
; o' y8 n+ T1 R6 M+ D) }│ │ 09 Sonata for Violin and Piano No. 3- III. Adagio (Cantabile) - Andante con spirito.m4a0 [- h8 g4 \9 u. Z& ]( ^, [# M
│ │ 10 Sonata for Violin and Piano No. 4 'Children's Day At the Camp Meeting'- I. Allegro.m4a7 m7 O- C" y. U. g7 Q
│ │ 11 Sonata for Violin and Piano No. 4 'Children's Day At the Camp Meeting'- II. Largo - Allegro (Con slugarocko).m4a
) ~6 m( z6 W4 E│ │ 12 Sonata for Violin and Piano No. 4 'Children's Day At the Camp Meeting'- III. Allegro.m4a
0 m6 A8 F+ }- M3 [! I+ G' O2 w│ │ 13 Borrowed By Ives- Traditional Melodies.m4a/ o2 m6 l k5 e$ p# H& ~
│ │ cover.jpg
8 r* \3 f3 V& w- _6 S│ │ Digital Booklet - Charles Ives Four Sonatas.pdf! \! @- P* B( A, |. B0 i8 Y5 S( F6 T9 R
│ │ & ]$ f& u) \( r8 |+ P( Y7 |
│ ├─Ida Haendel & Valentina Lisitsa - 2003 - Ida Haendel In Recital
4 ~1 S- e, n8 J- T. g( j6 X8 }│ │ 01 Sonata No. 7 In C Min, Op.30, No.2 - I. Allegro Con Brio (Beethoven).m4a% V; h2 @0 [: o/ n- \
│ │ 02 Sonata No. 7 In C Min, Op.30, No.2 - II. Adagio Catabile (Beethoven).m4a
L1 f; H6 e& a g" v* V. H9 X│ │ 03 Sonata No. 7 In C Min, Op.30, No.2 - III. Scherzo - Allegro (Beethoven).m4a* z; h5 v8 L9 b0 q' q, X
│ │ 04 Sonata No. 7 In C Min, Op.30, No.2 - IV. Finale - Allegro (Beethoven).m4a- ~% `# v4 y: j) X9 Z' h( [
│ │ 05 Partita No.2 In D Min For Solo Vln, BWV1004 - V. Chaconne (J. S. Bach).m4a
0 ?" Z+ E* u9 J│ │ 06 Sonata In Bb Major, K378 - I. Allegro Moderato (Mozart).m4a
9 @# I% U6 ]5 ]. d" |" C' `! i│ │ 07 Sonata In Bb Major, K378 - II. Andantino Sostenuto E Cantbile (Mozart).m4a
- }- O2 T) _4 H' `0 O│ │ 08 Sonata In Bb Major, K378 - III. Rondo - Allegro (Mozart).m4a) C! M1 S X+ I1 D9 C# z
│ │ 09 Romanticke Kusy, Op.75 - I. Allegro Moderato (Dvorak).m4a
/ [" C/ q' k/ i9 f8 Q│ │ 10 Romanticke Kusy, Op.75 - II. Allegro Maestoso (Dvorak).m4a
& G1 r5 s5 i3 k5 r) A│ │ 11 Polonaise No.1 In D Maj, Op.4 (Wieniawski).m4a- [ |! m; n/ m" ~! w, a0 Z6 A
│ │ cover.jpg4 O& Q7 }$ X$ ^
│ │
/ w( e% O6 j4 _3 }$ L7 [6 g│ ├─Valentina Lisitsa, BBC Concert Orchestra - 2016 - Love Story Piano Themes from Cinema's Golden Age [Mastered for iTunes]
" z0 x. k/ f6 N9 Y9 J│ │ 01 Warsaw Concerto.m4a, Z' |: M. i5 d4 R) w
│ │ 02 Murder on the Orient Express- Overture.m4a( n- \4 `) L. ^# Q2 b0 X! |
│ │ 03 The Storming of Red Hill (Assault.m4a
7 x$ g9 s- |$ ]0 }" [│ │ 04 Jealous Lover (From 'The Apartment').m4a- \5 L: l! E4 f' m+ |
│ │ 05 The Legend of the Glass Mountain.m4a1 V4 ]0 e! C0 L
│ │ 06 Seashore.m4a# g( D4 F t/ l) x) I
│ │ 07 Invocation (From 'Journey to Romance').m4a
8 |: d0 k" l8 _' @0 b2 m│ │ 08 The Mansell Concerto (From 'The Women's Angle').m4a
; n7 o3 f/ v. B. L│ │ 09 Cornish Rhapsody (From 'Love Story').m4a
2 @/ q% x8 B1 X: D│ │ 10 Portrait of Isla (From 'The Case of the Frightened Lady').m4a
# J; v" n9 j4 c* e+ g& W; P0 A│ │ 11 New Hampshire Hornpipe (From 'On Golden Pond').m4a
3 |% u5 _ l" F) c1 k+ |6 {│ │ 12 Rhapsody (From 'Stage Fright').m4a
' n$ k$ M \0 r) n2 ^│ │ 13 Legend of Lancelot (From 'Train of Events').m4a
$ b# `2 m3 u9 q4 {' ]0 q# W% F( I│ │ 14 The Dream of Olwen (From 'While I Live').m4a
9 T; n1 f* K: n, V│ │ 15 Pride and Prejudice Main Theme.m4a6 U7 t) e, K* _% G0 h
│ │ cover.jpg
* |, N- `( V5 |" z* n) b│ │ Digital Booklet - Love Story Piano Themes from Cinema's Golden Age.pdf _& B2 I9 |( v% K$ L8 w
│ │
p$ i4 \7 ?) w- g D7 \│ └─Valentina Lisitsa, London Symphony Orchestra - 2013 - Rachmaninov The Piano Concertos & Paganini Rhapsody [Mastered for iTunes]+ b/ ^0 ^# Z; r% C& ?- d$ _
│ 1-01 Piano Concerto No. 1 in F-Sharp Minor, Op. 1- I. Vivace.m4a( e$ F4 K, y; r6 Y4 Z
│ 1-02 Piano Concerto No. 1 in F-Sharp Minor, Op. 1- II. Andante.m4a! Y9 K" \- S$ }* O+ p
│ 1-03 Piano Concerto No. 1 in F-Sharp Minor, Op. 1- III. Allegro vivace.m4a
* u7 X! l3 `1 M│ 2-01 Piano Concerto No. 2 in C Minor, Op. 18- I. Moderato.m4a
. X- k$ R" ?" ~+ j0 c I* Q│ 2-02 Piano Concerto No. 2 in C Minor, Op. 18- II. Adagio sostenuto.m4a
, Z M, r( P: b4 G5 n4 N│ 2-03 Piano Concerto No. 2 in C Minor, Op. 18- III. Allegro scherzando.m4a
) K0 G3 p" X J1 Z- w% t" n│ 3-01 Piano Concerto No. 3 in D Minor, Op. 30- I. Allegro ma non tanto.m4a
- o. Y( ]1 k8 m│ 3-02 Piano Concerto No. 3 in D Minor, Op. 30- II. Intermezzo (Adagio).m4a" o) E' l( A& p5 h9 d
│ 3-03 Piano Concerto No. 3 in D Minor, Op. 30- III. Finale (Alla breve).m4a
% \8 L( v x, W! m& e) f│ 4-02 Piano Concerto No. 4 in G Minor, Op. 40- II. Largo.m4a
6 i" v( l e3 w, u1 l│ 4-03 Piano Concerto No. 4 in G Minor, Op. 40- III. Allegro vivace.m4a: T4 S7 r( Q/ H5 R* Y9 S2 K9 [
│ 5-01 Rhapsody On a Theme of Paganini, Op. 43- Introduction & Variation 1.m4a
! d" L) a5 | P. B7 I6 y, L/ k, w2 x│ 5-02 Rhapsody On a Theme of Paganini, Op. 43- Theme.m4a
9 P2 u: B4 {9 [" `│ 5-03 Rhapsody On a Theme of Paganini, Op. 43- Variation 2.m4a
2 W6 \4 @( z Z( p( ]│ 5-04 Rhapsody On a Theme of Paganini, Op. 43- Variation 3.m4a F/ V* g+ ~. W8 q; K% v3 Y1 W
│ 5-05 Rhapsody On a Theme of Paganini, Op. 43- Variation 4.m4a, i S& Y; C4 q8 R5 W( H# |) @2 x
│ 5-06 Rhapsody On a Theme of Paganini, Op. 43- Variation 5.m4a* {+ W2 P- G( l0 ]- y& ~
│ 5-07 Rhapsody On a Theme of Paganini, Op. 43- Variation 6.m4a
: _0 G' J' V2 W│ 5-08 Rhapsody On a Theme of Paganini, Op. 43- Variation 7.m4a4 h9 ~# w5 ~) N9 t c( o
│ 5-09 Rhapsody On a Theme of Paganini, Op. 43- Variation 8.m4a
& Z3 U' Y' ^' s6 ~7 F' I│ 5-10 Rhapsody On a Theme of Paganini, Op. 43- Variation 9.m4a
+ Q; D4 }. K- N+ x3 @2 b│ 5-11 Rhapsody On a Theme of Paganini, Op. 43- Variation 10.m4a
) F I, S: r$ n/ f│ 5-12 Rhapsody On a Theme of Paganini, Op. 43- Variation 11.m4a
8 X2 G5 n2 F. n; D│ 5-13 Rhapsody On a Theme of Paganini, Op. 43- Variation 12.m4a
1 K( h3 Y4 w9 y" I5 k│ 5-14 Rhapsody On a Theme of Paganini, Op. 43- Variation 13.m4a4 A2 m$ X" h# N: Z- r
│ 5-15 Rhapsody On a Theme of Paganini, Op. 43- Variation 14.m4a
4 ]) z8 {* V7 v9 e& {8 U│ 5-16 Rhapsody On a Theme of Paganini, Op. 43- Variation 15.m4a. f& z6 R. q, z: ? a
│ 5-17 Rhapsody On a Theme of Paganini, Op. 43- Variation 16.m4a7 S2 y3 }- t u# L1 S! q; x, I8 i
│ 5-18 Rhapsody On a Theme of Paganini, Op. 43- Variation 17.m4a! q- I! x1 P; l! J
│ 5-19 Rhapsody On a Theme of Paganini, Op. 43- Variation 18.m4a6 u0 S$ [2 X) Y% e' |) t9 o
│ 5-20 Rhapsody On a Theme of Paganini, Op. 43- Variation 19.m4a
" ?, l) P% @2 A4 @: ~1 [/ }0 e│ 5-21 Rhapsody On a Theme of Paganini, Op. 43- Variation 20.m4a
- V! p {7 B8 n5 z│ 5-22 Rhapsody On a Theme of Paganini, Op. 43- Variation 21.m4a
5 v0 E1 n, r- j0 {. T% l│ 5-23 Rhapsody On a Theme of Paganini, Op. 43- Variation 22.m4a
! I7 S- d" j# Z- ]: ^$ D│ 5-24 Rhapsody On a Theme of Paganini, Op. 43- Variation 23.m4a
( \! Z0 T4 C2 s7 { r/ R5 o│ 5-25 Rhapsody On a Theme of Paganini, Op. 43- Variation 24.m4a
! `' d8 P2 k4 |, {' l5 i) C$ G! A│ 6-01 6 Moments musicaux, Op. 16- No. 1 in B-Flat Minor, Andantino.m4a
1 n/ M& Z- B( v6 L( l) y4 i│ 6-02 6 Moments musicaux, Op. 16- No. 2 in E-Flat Minor, Allegretto.m4a* o Q/ n# F; E6 x" d
│ 6-03 6 Moments musicaux, Op. 16- No. 3 in B Minor, Andante cantabile.m4a
9 f) h( x: u0 C5 l# z% ^$ M) ~% [│ 6-04 6 Moments musicaux, Op. 16- No. 4 in E Minor, Presto.m4a3 s' r- L4 N( q& ]
│ 6-05 6 Moments musicaux, Op. 16- No. 5 in D-Flat Major, Adagio sostenuto.m4a+ Q3 u: s: O) [' |' E; f
│ 6-06 6 Moments musicaux, Op. 16- No. 6 in C Major, Maestoso.m4a
, j+ S0 M% q# I5 \- ~6 h! M│ cover.jpg
+ A3 Q& x- B4 m7 k! d$ [0 [│ Digital Booklet - Rachmaninov The Piano Concertos & Paganini Rhapsody.pdf
6 }. k1 w ^5 Y" E+ {$ O8 g│ * } x* u* m0 ~/ f4 R! g, v+ f" V" w
└─Ep's, singles9 ?% o5 s" j0 K1 i6 K3 C: [ `
├─2015 - Beethoven Rage Over a Lost Penny, Op. 129 - Single [Mastered for iTunes]
& |9 s2 D, ?. H0 b! e% d; M. t │ 01 Rage Over a Lost Penny, Op. 129.m4a0 x0 X( q- M0 G5 f2 y. b _
│ cover.jpg
; q. @1 t" q) e: R │
5 c- f* l; U) U" d: z └─2015 - Beethoven Turkish March - Single [Mastered for iTunes]' \2 w% J8 p7 v& m4 ^6 V
01 Turkish March, Op. 113 No. 4.m4a } U- E; i( F* z! k3 u) m( E6 n
cover.jpg1 z" i, i" s7 ]* n' [
5 }# m1 Z9 \4 v! L# A2 M
/ u: n: i3 r7 z: L( ]; m5 @" ?7 M/ R. ~, a/ [
1 o0 W& W6 e$ Z
5 M* w* l; I8 L5 ~" N' X/ G; ?2 v) Y# M+ w# `4 L+ E( u2 A
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发表于 2019-4-8 19:24:46
发表于 2020-11-18 23:13:05
